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Embedded content from other websites behaves in the exact same way as if the visitor has visited the other website.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>These websites may collect data about you, use cookies, embed additional third-party tracking, and monitor your interaction with that embedded content, including tracking your interaction with the embedded content if you have an account and are logged in to that website.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Analytics</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading -->\n<h2>Who we share your data with</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading -->\n<h2>How long we retain your data</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>If you leave a comment, the comment and its metadata are retained indefinitely. This is so we can recognize and approve any follow-up comments automatically instead of holding them in a moderation queue.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For users that register on our website (if any), we also store the personal information they provide in their user profile. All users can see, edit, or delete their personal information at any time (except they cannot change their username). Website administrators can also see and edit that information.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>What rights you have over your data</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>If you have an account on this site, or have left comments, you can request to receive an exported file of the personal data we hold about you, including any data you have provided to us. You can also request that we erase any personal data we hold about you. This does not include any data we are obliged to keep for administrative, legal, or security purposes.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Where we send your data</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Visitor comments may be checked through an automated spam detection service.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Your contact information</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading -->\n<h2>Additional information</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>How we protect your data</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>What data breach procedures we have in place</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>What third parties we receive data from</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>What automated decision making and/or profiling we do with user data</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Industry regulatory disclosure requirements</h3>\n<!-- /wp:heading -->','Privacy Policy','','draft','closed','open','','privacy-policy','','','2019-11-04 11:07:47','2019-11-04 11:07:47','',0,'http://elnazseyedi.com/?page_id=3',0,'page','',0),(6,1,'2019-10-14 12:51:48','2019-10-14 12:51:48','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der&nbsp;Bartels&nbsp;Fondation im Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie der Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde, 2025 Artist in Residence in Villa Waldberta in München und Aufenthaltsstipendium des Deutschen Studienzentrum in Venedig. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Festival Musik 21, Acht Brücken Festival Köln, Festival Leicht über Linz und Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Porträtfilm bei Podium Gegenwart: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><iframe width=\"859\" height=\"483\" src=\"https://www.youtube.com/embed/mNj0PN4qkFY\" title=\"Porträtfilm Elnaz Seyedi\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"></iframe></p>\n<!-- /wp:paragraph -->','Vita','','publish','closed','closed','','vita','','','2024-09-25 22:18:09','2024-09-25 22:18:09','',0,'http://elnazseyedi.com/new/?page_id=6',0,'page','',0),(7,1,'2019-10-14 12:50:47','2019-10-14 12:50:47','','elnaz_seyyedi','','inherit','open','closed','','elnaz_seyyedi','','','2019-10-14 12:50:47','2019-10-14 12:50:47','',6,'http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi.jpg',0,'attachment','image/jpeg',0),(8,1,'2019-10-14 12:51:48','2019-10-14 12:51:48','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2019 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen, der Hochschule für Musik Basel und der Hochschule für Musik und Darstellende Kunst Frankfurt (a. M.). 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":7} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-1024x1024.jpg\" alt=\"\" class=\"wp-image-7\"/></figure>\n<!-- /wp:image -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-14 12:51:48','2019-10-14 12:51:48','',6,'http://elnazseyedi.com/new/?p=8',0,'revision','',0),(9,1,'2019-10-14 13:01:12','2019-10-14 13:01:12','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2019 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen, der Hochschule für Musik Basel und der Hochschule für Musik und Darstellende Kunst Frankfurt (a. M.). 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":7,\"width\":1024,\"height\":1024} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-1024x1024.jpg\" alt=\"\" class=\"wp-image-7\" width=\"1024\" height=\"1024\"/></figure>\n<!-- /wp:image -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-14 13:01:12','2019-10-14 13:01:12','',6,'http://elnazseyedi.com/new/2019/10/14/6-revision-v1/',0,'revision','',0),(10,1,'2019-10-14 13:01:48','2019-10-14 13:01:48','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2019 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen, der Hochschule für Musik Basel und der Hochschule für Musik und Darstellende Kunst Frankfurt (a. M.). 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":7,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-1024x1024.jpg\" alt=\"\" class=\"wp-image-7\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-14 13:01:48','2019-10-14 13:01:48','',6,'http://elnazseyedi.com/new/2019/10/14/6-revision-v1/',0,'revision','',0),(11,1,'2019-10-14 13:02:30','2019-10-14 13:02:30','<!-- wp:image {\"id\":7,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-1024x1024.jpg\" alt=\"\" class=\"wp-image-7\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2019 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen, der Hochschule für Musik Basel und der Hochschule für Musik und Darstellende Kunst Frankfurt (a. M.). 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-14 13:02:30','2019-10-14 13:02:30','',6,'http://elnazseyedi.com/new/2019/10/14/6-revision-v1/',0,'revision','',0),(12,1,'2019-10-14 13:02:45','2019-10-14 13:02:45','<!-- wp:image {\"id\":7,\"align\":\"left\",\"width\":256,\"height\":256} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-1024x1024.jpg\" alt=\"\" class=\"wp-image-7\" width=\"256\" height=\"256\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2019 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen, der Hochschule für Musik Basel und der Hochschule für Musik und Darstellende Kunst Frankfurt (a. M.). 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-14 13:02:45','2019-10-14 13:02:45','',6,'http://elnazseyedi.com/new/2019/10/14/6-revision-v1/',0,'revision','',0),(13,1,'2019-10-14 13:19:17','2019-10-14 13:19:17','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>New CD </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\" data-type=\"URL\" data-id=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\">a sun of one\'s own</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\",\"align\":\"center\"} -->\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":659,\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2024/09/csm_WER_6444_2_Elnaz_Seyedi_Cover_12cm_RGB_ad9fa2596e-1024x1015.jpg\" alt=\"\" class=\"wp-image-659\"/></figure>\n<!-- /wp:image --></figure>\n<!-- /wp:gallery -->','News','','publish','closed','closed','','home-page','','','2024-09-25 22:05:39','2024-09-25 22:05:39','',0,'http://elnazseyedi.com/new/?page_id=13',0,'page','',0),(14,1,'2019-10-14 13:19:17','2019-10-14 13:19:17','<!-- wp:paragraph -->\n<p>Elnaz Seyedi - Composer</p>\n<!-- /wp:paragraph -->','Home Page','','inherit','closed','closed','','13-revision-v1','','','2019-10-14 13:19:17','2019-10-14 13:19:17','',13,'http://elnazseyedi.com/new/2019/10/14/13-revision-v1/',0,'revision','',0),(18,1,'2019-10-14 13:37:12','2019-10-14 13:37:12',' ','','','publish','closed','closed','','18','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/new/2019/10/14/18/',1,'nav_menu_item','',0),(20,1,'2019-10-14 13:38:00','2019-10-14 13:38:00','<!-- wp:paragraph -->\n<p>Elnaz Seyedi - Composer</p>\n<!-- /wp:paragraph -->','','','inherit','closed','closed','','13-revision-v1','','','2019-10-14 13:38:00','2019-10-14 13:38:00','',13,'http://elnazseyedi.com/new/2019/10/14/13-revision-v1/',0,'revision','',0),(21,1,'2019-10-14 13:38:51','2019-10-14 13:38:51','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','','','inherit','closed','closed','','13-revision-v1','','','2019-10-14 13:38:51','2019-10-14 13:38:51','',13,'http://elnazseyedi.com/new/2019/10/14/13-revision-v1/',0,'revision','',0),(23,2,'2019-10-15 12:05:15','2019-10-15 12:05:15','<!-- wp:image {\"id\":7,\"align\":\"full\"} -->\n<figure class=\"wp-block-image alignfull\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-1024x1024.jpg\" alt=\"\" class=\"wp-image-7\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2019 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen, der Hochschule für Musik Basel und der Hochschule für Musik und Darstellende Kunst Frankfurt (a. M.). 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-15 12:05:15','2019-10-15 12:05:15','',6,'http://elnazseyedi.com/new/2019/10/15/6-revision-v1/',0,'revision','',0),(24,2,'2019-10-15 12:09:08','2019-10-15 12:09:08','<!-- wp:image {\"id\":7,\"align\":\"full\"} -->\n<figure class=\"wp-block-image alignfull\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-1024x1024.jpg\" alt=\"\" class=\"wp-image-7\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-15 12:09:08','2019-10-15 12:09:08','',6,'http://elnazseyedi.com/new/2019/10/15/6-revision-v1/',0,'revision','',0),(26,2,'2019-10-15 12:36:33','2019-10-15 12:36:33','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Stimmen, die mich denken –&nbsp;ein gewöhnliches hysterisches Solostück</strong>(2024)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Stimme und Live-Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Dunst –&nbsp;als käme alles zurück</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für 2 Stimmen, Trompete, Posaune, 2 Schlagzeuger, E-Gitarre, Klavier und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Zeiten –&nbsp;Versuch (über das Paradies)</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bariton und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Questo che a notte balugina </strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Sopransaxophon, 2 Schlagzeuger, Harfe, Klavier, Akkordeon, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>The scream  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss </strong> (2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>Fassung für Streichtrio (2019)</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Fassung für Streichquartett (2018/19)</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','publish','closed','closed','','werke','','','2024-09-25 22:52:30','2024-09-25 22:52:30','',0,'http://elnazseyedi.com/new/?page_id=26',0,'page','',0),(27,2,'2019-10-15 12:36:33','2019-10-15 12:36:33','<!-- wp:paragraph -->\n<p><strong>Frames\nII</strong> (2019) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Frames\nI</strong> (2019) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune, Tuba, 2\nSchlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Awakening</strong>\n(2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nsun of one´s own</strong> (2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>über/unter\ndruck</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nStreichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>in\nden Lüften [ ] nicht eng“</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nArciogano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>\n(2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking\nback/forward</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nGittare, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900\nPusteblumen an Y.</strong>(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-10-15 12:36:33','2019-10-15 12:36:33','',26,'http://elnazseyedi.com/new/2019/10/15/26-revision-v1/',0,'revision','',0),(30,2,'2019-10-15 12:48:33','2019-10-15 12:48:33','<!-- wp:paragraph -->\n<p><strong>Felsen – unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\" data-type=\"URL\" data-id=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2020</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project; Marco Blaauw, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":497,\"width\":464,\"height\":473,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large is-resized\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/2021-06-22-20-33-1005x1024.jpg\" alt=\"\" class=\"wp-image-497\" width=\"464\" height=\"473\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: http://www.dreyer-gaido.de/index.php/de/katalog/10-katalog-cd/623-21128</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":494,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/71J7te2NnaL._SX425_.jpg\" alt=\"\" class=\"wp-image-494\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','CDs','','publish','closed','closed','','veroffentlichungen','','','2021-06-22 18:40:47','2021-06-22 18:40:48','',0,'http://elnazseyedi.com/new/?page_id=30',0,'page','',0),(31,2,'2019-10-15 12:44:19','2019-10-15 12:44:19','','60152456_2897496240474521_472029618933596160_n','','inherit','open','closed','','60152456_2897496240474521_472029618933596160_n','','','2019-10-15 12:44:19','2019-10-15 12:44:19','',30,'http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg',0,'attachment','image/jpeg',0),(32,2,'2019-10-15 12:47:01','2019-10-15 12:47:01','','cover_front_web-e1487598473937','','inherit','open','closed','','cover_front_web-e1487598473937','','','2019-10-15 12:47:01','2019-10-15 12:47:01','',30,'http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937.jpg',0,'attachment','image/jpeg',0),(33,2,'2019-10-15 12:48:33','2019-10-15 12:48:33','<!-- wp:image {\"id\":31,\"align\":\"left\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:image {\"id\":32} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-10-15 12:48:33','2019-10-15 12:48:33','',30,'http://elnazseyedi.com/new/2019/10/15/30-revision-v1/',0,'revision','',0),(34,2,'2019-10-15 13:04:53','2019-10-15 13:04:53','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3></h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>11.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reiss-Engelhorn Museen, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tage Neuer Musik, Izmir</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>05.11.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gazm.jimdosite.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Göttinger Abende zeitgenössischer Musik</a>, Werkraum, Göttingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Die Stimmen, die mich denken </h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>– ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19:00Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Anton Wassiljew und Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>eine Animationsdokumentation von Irina Rubina , Work in Progress</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>23.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufnahme von Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','publish','closed','closed','','agenda','','','2024-09-25 22:34:02','2024-09-25 22:34:02','',0,'http://elnazseyedi.com/new/?page_id=34',0,'page','',0),(35,2,'2019-10-15 13:04:53','2019-10-15 13:04:53','','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-15 13:04:53','2019-10-15 13:04:53','',34,'http://elnazseyedi.com/new/2019/10/15/34-revision-v1/',0,'revision','',0),(38,2,'2019-10-16 11:48:02','2019-10-16 11:48:02','<!-- wp:image {\"id\":7,\"align\":\"full\"} -->\n<figure class=\"wp-block-image alignfull\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-300x300.jpg\" alt=\"\" class=\"wp-image-7\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-16 11:48:02','2019-10-16 11:48:02','',6,'http://elnazseyedi.com/new/2019/10/16/6-revision-v1/',0,'revision','',0),(40,1,'2019-10-21 08:36:00','2019-10-21 08:36:00',' ','','','publish','closed','closed','','40','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/new/?p=40',5,'nav_menu_item','',0),(41,1,'2019-10-21 08:36:00','2019-10-21 08:36:00',' ','','','publish','closed','closed','','41','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/new/?p=41',6,'nav_menu_item','',0),(42,1,'2019-10-21 08:36:00','2019-10-21 08:36:00',' ','','','publish','closed','closed','','42','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/new/?p=42',2,'nav_menu_item','',0),(43,1,'2019-10-21 08:40:09','2019-10-21 08:40:09','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Koproduktion Deutscher Musikrat gGmbH und Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung;  James Chan A-Sue, Videodokumentation; Stephan Schmidt, Audiodokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https://player.vimeo.com/video/973824782?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"a very close look from far away | Elnaz Seyedi\"></iframe></div><script src=\"https://player.vimeo.com/api/player.js\"></script>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','publish','closed','closed','','audio','','','2024-09-25 22:48:23','2024-09-25 22:48:23','',0,'http://elnazseyedi.com/new/?page_id=43',0,'page','',0),(44,1,'2019-10-21 08:39:02','2019-10-21 08:39:02','<!-- wp:paragraph -->\n<p>Fields of Time - 2nd Field</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 08:39:02','2019-10-21 08:39:02','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(45,1,'2019-10-21 08:40:09','2019-10-21 08:40:09','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 08:40:09','2019-10-21 08:40:09','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(46,1,'2019-10-21 08:40:28','2019-10-21 08:40:28',' ','','','publish','closed','closed','','46','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/new/?p=46',7,'nav_menu_item','',0),(48,1,'2019-10-21 08:53:58','2019-10-21 08:53:58','<!-- wp:heading {\"level\":3} -->\n<h3>\n09.11.2019, 17:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKleines Studio, Mozarteum University, Salzburg,\n<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a> / Ensemble Schallfeld\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.11.2019, 19:30 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a> / Eva Zöllner, Akkordeon; Anja Starke, Klarinette\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n21.11.2019\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> 22.11.2019 Fragmente einer Erinnerung </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> Strasbourg / Hanatsu Miroir – spectacles de musique contemporaine </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.11.2019\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n29.11.2019\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n30.11.2019, 19:30 Uhr\nLandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nalte Feuerwache, Werft Festival, Köln / Kommas Ensemble\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.12.2019\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a>\n/ Clara Simarro, Harfe; Nathan Watts Violoncello\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.12.2019\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a>\n/ Christina Hahn und Caroline Rohde, Blockflöten\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.10.2019\nFields of Time – 2<sup>nd</sup> Field\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nPrism Chamber Music Festival, Hong Kong / EXORDIUM Ensemble\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.09.2019, 19:00 Uhr\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a> – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n23.09.2019, 19:30 Uhr\nframes II\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a>\n/ IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.09.2019, 20:00 Uhr\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n17.09.2019, 11:30 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nHaus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a> / Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.09.2019, 19:00 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKörber Forum, Hamburg,\n<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a>,\nTobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n14.09.2019, 14:00 Uhr\nfragmente über / unter druck\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.09.2019, 20:00 Uhr\nfragmente über / unter druck\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.09.2019, 19:30 Uhr\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster / HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n06.09.2019, 12:30 Uhr\nframes II\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a>\n/ Utrecht, Niederlande / IEMA Ensemble 2018/19\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n11.08.2019\na sun of one\'s own\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a>\n/ IEMA Ensemble 2018/19; Musashi Baba, Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.06.2019, 20:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.06.2019, 20:00 Uhr\nFields of Time - 2<sup>nd</sup> Field\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Trio Abstrakt\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n14.06.2019, 12:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nUniversity Durham, UK/ Heather Roche; Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.06.2019, 17:00 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a> / Tobias Klich; Ulrike Brand\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n11.05. – 24.11.2019\nElektroakustische Klanginstallation\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nin Zusammenarbeit mit Natascha Süder Happelmann\n<br><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a>, Biennale Venedig 2019\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.05.2019, 12:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a>,\nBarcelona / Heather Roche, Klarinette; Eva Zöllner Akkordeon\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.05.2019, 20:00 Uhr\nMonolog\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>,\nH95 Raum für Kultur / Stephen Menotti, Posaune; Johannes Keller, Arciorgano\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.04.2019, 19:30 Uhr\na sun of one\'s own\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>,\nKleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main /IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n07.04.2019, 19:30 Uhr\nBehind the Seas\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJohnson Recital Hall, University of South Carolina, USA/ Roya Farzaneh, Caroline Miller, Claudio Olivera\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.04.2019, 20:00 Uhr\na sun of one\'s own\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nUniversität Kassel, Konzertsaal des Instituts für Musik, Kassel/IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n30.04.2019, 19:00 Uhr\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nNeue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende\n Kunst, Frankfurt am Main / Caroline Rohde, Christina Hahn\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.04.19, 20:00 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKlangbrücke, Aachen /Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.04.19, 20:00 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKunst-Station Sankt Peter, Köln / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.04.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nWeststadthalle, Essen / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.04.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nHeliand Kirche, Dortmund / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n31.03.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nMusikhochschule Münster / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n30.03.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nHangar 21, Detmold / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n29.03.2019, 20:00 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nRudolf-Oetgerhalle, Bielefeld / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.03.2019, 20:00 Uhr\nüber/unter druck\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA / Del Sol String Quartet\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.02.2019, 18:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nMUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a> / Paula Haeni; Jónas Ásgeir Ásgeirsson\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.02.2019, 17:00 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Saint-Blaise, Neuenburg / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.02.2019, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Ackermannshof, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.02.2019, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.02.2019, 10:00 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.11.2018, 12:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.11.2018, 11:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a>\n/ Heather Roche und Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n12.11.2018, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich\n/ Ensemble neuverBand, Mike Svoboda, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n07.11.2018, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel/\nEnsemble neuverBand, Mike Svoboda, Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n20.10.2018, 20 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nTeheran Travellers, \n<a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a>\n/ ensemble unitedberlin, Catherine Larsen-Maguire, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.10.2018, 20:30 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">\nUnerhörte Musik, BKA – Theater, Berlin\n</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.10.2018\n\"in den Lüften [ ] nicht eng\"\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin Zusammenarbeit mit Johannes Abel und Thorsten Balcerzak <br>Großer Saal der Musikakademie Basel/ Delirium Ensemble; Wiktor Kociuban Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n22.09.2018, 20:30 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a> Sendesaal Bremen\n/ Ensemble New Babylon\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n08.09.2018, 19:30 Uhr\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nNaju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea / Dahee Joeng, Klavier\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n08.09.2018, 20:00 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a>\n/ Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.09.2018, 20:00 Uhr\nIm Wind voller Weltraum\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\n2nd Tehran International Electronic Festival, Da Theater Teheran / Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n28.08.2018, 21:00 Uhr\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>,\nChiesa della Madonna della Sbarra, Panicale, Italien / Elisabeth Wirth, Christina Hahn; Blockflöten\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.07.2018, 19:30 Uhr\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nNeue Aula der Folkwang Universität der Künste Essen/ Claudia Chan, Klavier\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n23.06.2018, 19:30 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nGrosser Saal der Musikakademie Basel / Ensemble Phoenix Basel, Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.06.2018, 18:30 Uhr\nFields of Time - 2nd Field\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece\n/ Trio Accanto\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.05.2018\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">\nAcht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln\n</a> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n27.04.2018, 16 Uhr\nDetaillierer Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a> / IEMA Ensemble 2017/18\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.04.2018\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a> / Aida Sigharian, Klavier\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n14.03.2018, 10 Uhr\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKammermusiksaal des Beethoven Haus, Bonn / Elisabeth Wirth und Maximilian Volbers\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n08.03.2018, 19:30 Uhr\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nEastman School of Music, Rochester, New York / Claudia Chan\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.03.2018, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a> / ensemble reflexion K\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.02.2018, 21 Uhr\nIm Wind voller Weltraum\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Tamon Yashima, Oboe\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.01.2018, 18 Uhr\nBehind the Seas\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a> / Ensemble E-Mex\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.01.2018, 21 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.12.2017, 19 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.12.2017, 17 Uhr\nExploring Space\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMusikschule Wettingen Sonne / SchülerInnen der Musikschulklasse von Verena Wüsthoff\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.11.2017, 12:30 Uhr\n<a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">\nMonolog\n</a>\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nSymposium Studio 31, Neuer Saal der Musikakademie, Basel / Stephen Menotti, Posaune; Christoph Prendl, Arciorgano\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n20.11.2017, 20 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.11.2017, 20 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.11.2017, 21 und 23 Uhr\nShowgh\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nLange Nacht der Museen Köln, Artothek, Köln / Verena Wüssthof und Lucia Mense, Blockflöten\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.11.2017, 21 und 23 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nLange Nacht der Museen Köln, Artothek, Köln / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n26.10.2017, 20 Uhr\nMuseum für Moderne Kunst, Straßburg\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong> / Ensemble AxisModula\n<strong>Sense of a possibility</strong> / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.10.2017, 19:30\nPreisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n<strong>Behind the Seas</strong> / Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier\n<strong>Sense of a possibility</strong> / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n<strong>Fragmente einer Erinnerung</strong> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.06.2017, 19:30 Uhr\nMoorlandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.06.2017, 16 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nGare du Nord, Basel / Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.06.2017, 19 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n06.07.2017, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n Neue Aula der Folkwang Universität der Künste, Essen / Ensemble Folkwang Modern; Eva Fodor, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.07.2017, 19:30 Uhr\na very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nInszeniertes Konzert in Zusammenarbeit \nmit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln / \nEnsemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.07.2017, 17:30 Uhr\na very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nInszeniertes Konzert in Zusammenarbeit \nmit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang \nUniversität der Künste, Essen / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.07.2017, 19 Uhr\ndurchsichtig, verzweigt\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a> / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.09.2017, 13 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n22.09.2017, 22:30 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n20.09.2017, 21 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.12.2016, 19 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nFestival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz / Ensemble asamisimasa\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n17.09.2016, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a> / Ensemble Laboratorium; Lin Liao, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n29.04.2016, 19:30 Uhr\nPostkarte – Landschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n27.04.2016, 19 Uhr\ndurchsichtig, verzweigt\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlaus Linder Saal der Musikakademie, Basel / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.01.2016, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nStudio Musikfabrik, Köln / Ensemble hand werk\n\n\n</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 08:53:58','2019-10-21 08:53:58','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(49,1,'2019-10-21 08:55:56','2019-10-21 08:55:56','<!-- wp:heading {\"level\":3} -->\n<h3>\n09.11.2019, 17:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKleines Studio, Mozarteum University, Salzburg,\n<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a> / Ensemble Schallfeld\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.11.2019, 19:30 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a> / Eva Zöllner, Akkordeon; Anja Starke, Klarinette\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n21.11.2019\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> 22.11.2019 Fragmente einer Erinnerung </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> Strasbourg / Hanatsu Miroir – spectacles de musique contemporaine </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.11.2019\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n29.11.2019\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n30.11.2019, 19:30 Uhr\nLandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nalte Feuerwache, Werft Festival, Köln / Kommas Ensemble\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.12.2019\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a>\n/ Clara Simarro, Harfe; Nathan Watts Violoncello\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.12.2019\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a>\n/ Christina Hahn und Caroline Rohde, Blockflöten\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.10.2019\nFields of Time – 2<sup>nd</sup> Field\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nPrism Chamber Music Festival, Hong Kong / EXORDIUM Ensemble\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.09.2019, 19:00 Uhr\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a> – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n23.09.2019, 19:30 Uhr\nframes II\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a> / IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.09.2019, 20:00 Uhr\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n17.09.2019, 11:30 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nHaus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a> / Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.09.2019, 19:00 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKörber Forum, Hamburg,\n<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a>,\nTobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n14.09.2019, 14:00 Uhr\nfragmente über / unter druck\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.09.2019, 20:00 Uhr\nfragmente über / unter druck\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.09.2019, 19:30 Uhr\nframes I\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster / HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n06.09.2019, 12:30 Uhr\nframes II\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a rel=\"noreferrer noopener\" href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a> / Utrecht, Niederlande / IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n11.08.2019\na sun of one\'s own\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a>\n/ IEMA Ensemble 2018/19; Musashi Baba, Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.06.2019, 20:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.06.2019, 20:00 Uhr\nFields of Time - 2<sup>nd</sup> Field\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Trio Abstrakt\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n14.06.2019, 12:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nUniversity Durham, UK/ Heather Roche; Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.06.2019, 17:00 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a> / Tobias Klich; Ulrike Brand\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n11.05. – 24.11.2019\nElektroakustische Klanginstallation\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nin Zusammenarbeit mit Natascha Süder Happelmann\n<br><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a>, Biennale Venedig 2019\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.05.2019, 12:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a>,\nBarcelona / Heather Roche, Klarinette; Eva Zöllner Akkordeon\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.05.2019, 20:00 Uhr\nMonolog\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>,\nH95 Raum für Kultur / Stephen Menotti, Posaune; Johannes Keller, Arciorgano\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.04.2019, 19:30 Uhr\na sun of one\'s own\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>,\nKleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main /IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n07.04.2019, 19:30 Uhr\nBehind the Seas\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJohnson Recital Hall, University of South Carolina, USA/ Roya Farzaneh, Caroline Miller, Claudio Olivera\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.04.2019, 20:00 Uhr\na sun of one\'s own\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nUniversität Kassel, Konzertsaal des Instituts für Musik, Kassel/IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n30.04.2019, 19:00 Uhr\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nNeue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende\n Kunst, Frankfurt am Main / Caroline Rohde, Christina Hahn\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.04.19, 20:00 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKlangbrücke, Aachen /Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n03.04.19, 20:00 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nKunst-Station Sankt Peter, Köln / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.04.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nWeststadthalle, Essen / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.04.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nHeliand Kirche, Dortmund / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n31.03.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nMusikhochschule Münster / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n30.03.19, 19:30 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nHangar 21, Detmold / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n29.03.2019, 20:00 Uhr\nStationen – Rückblicke, Erzählungen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nRudolf-Oetgerhalle, Bielefeld / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.03.2019, 20:00 Uhr\nüber/unter druck\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA / Del Sol String Quartet\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.02.2019, 18:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nMUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a> / Paula Haeni; Jónas Ásgeir Ásgeirsson\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.02.2019, 17:00 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Saint-Blaise, Neuenburg / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.02.2019, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Ackermannshof, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.02.2019, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.02.2019, 10:00 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nJessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.11.2018, 12:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.11.2018, 11:00 Uhr\nNach neuen Meeren\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a>\n/ Heather Roche und Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n12.11.2018, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich\n/ Ensemble neuverBand, Mike Svoboda, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n07.11.2018, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel/\nEnsemble neuverBand, Mike Svoboda, Leitung\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n20.10.2018, 20 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nTeheran Travellers, \n<a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a>\n/ ensemble unitedberlin, Catherine Larsen-Maguire, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.10.2018, 20:30 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">\nUnerhörte Musik, BKA – Theater, Berlin\n</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.10.2018\n\"in den Lüften [ ] nicht eng\"\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin Zusammenarbeit mit Johannes Abel und Thorsten Balcerzak <br>Großer Saal der Musikakademie Basel/ Delirium Ensemble; Wiktor Kociuban Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n22.09.2018, 20:30 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a> Sendesaal Bremen\n/ Ensemble New Babylon\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n08.09.2018, 19:30 Uhr\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\nNaju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea / Dahee Joeng, Klavier\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n08.09.2018, 20:00 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a>\n/ Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.09.2018, 20:00 Uhr\nIm Wind voller Weltraum\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n\n2nd Tehran International Electronic Festival, Da Theater Teheran / Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n28.08.2018, 21:00 Uhr\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>,\nChiesa della Madonna della Sbarra, Panicale, Italien / Elisabeth Wirth, Christina Hahn; Blockflöten\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.07.2018, 19:30 Uhr\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nNeue Aula der Folkwang Universität der Künste Essen/ Claudia Chan, Klavier\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n23.06.2018, 19:30 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nGrosser Saal der Musikakademie Basel / Ensemble Phoenix Basel, Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.06.2018, 18:30 Uhr\nFields of Time - 2nd Field\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece\n/ Trio Accanto\n\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.05.2018\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">\nAcht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln\n</a> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n27.04.2018, 16 Uhr\nDetaillierer Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a> / IEMA Ensemble 2017/18\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.04.2018\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a> / Aida Sigharian, Klavier\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n14.03.2018, 10 Uhr\nLooking back/forward\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKammermusiksaal des Beethoven Haus, Bonn / Elisabeth Wirth und Maximilian Volbers\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n08.03.2018, 19:30 Uhr\nFields of Time\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nEastman School of Music, Rochester, New York / Claudia Chan\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.03.2018, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a> / ensemble reflexion K\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n01.02.2018, 21 Uhr\nIm Wind voller Weltraum\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Tamon Yashima, Oboe\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.01.2018, 18 Uhr\nBehind the Seas\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a> / Ensemble E-Mex\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n13.01.2018, 21 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n16.12.2017, 19 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.12.2017, 17 Uhr\nExploring Space\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMusikschule Wettingen Sonne / SchülerInnen der Musikschulklasse von Verena Wüsthoff\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.11.2017, 12:30 Uhr\n<a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">\nMonolog\n</a>\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nSymposium Studio 31, Neuer Saal der Musikakademie, Basel / Stephen Menotti, Posaune; Christoph Prendl, Arciorgano\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n20.11.2017, 20 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n19.11.2017, 20 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.11.2017, 21 und 23 Uhr\nShowgh\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nLange Nacht der Museen Köln, Artothek, Köln / Verena Wüssthof und Lucia Mense, Blockflöten\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.11.2017, 21 und 23 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nLange Nacht der Museen Köln, Artothek, Köln / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n26.10.2017, 20 Uhr\nMuseum für Moderne Kunst, Straßburg\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong> / Ensemble AxisModula\n<strong>Sense of a possibility</strong> / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.10.2017, 19:30\nPreisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n<strong>Behind the Seas</strong> / Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier\n<strong>Sense of a possibility</strong> / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n<strong>Fragmente einer Erinnerung</strong> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.06.2017, 19:30 Uhr\nMoorlandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.06.2017, 16 Uhr\nDetaillierter Blick\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nGare du Nord, Basel / Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n09.06.2017, 19 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n06.07.2017, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\n Neue Aula der Folkwang Universität der Künste, Essen / Ensemble Folkwang Modern; Eva Fodor, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.07.2017, 19:30 Uhr\na very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nInszeniertes Konzert in Zusammenarbeit \nmit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln / \nEnsemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n04.07.2017, 17:30 Uhr\na very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nInszeniertes Konzert in Zusammenarbeit \nmit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang \nUniversität der Künste, Essen / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n02.07.2017, 19 Uhr\ndurchsichtig, verzweigt\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a> / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n24.09.2017, 13 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n22.09.2017, 22:30 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n20.09.2017, 21 Uhr\nSense of a possibility\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n05.12.2016, 19 Uhr\na very close look from far away\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nFestival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz / Ensemble asamisimasa\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n17.09.2016, 19:30 Uhr\nzwischen[t]räume\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a> / Ensemble Laboratorium; Lin Liao, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n29.04.2016, 19:30 Uhr\nPostkarte – Landschaft mit Regenbogen\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n27.04.2016, 19 Uhr\ndurchsichtig, verzweigt\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlaus Linder Saal der Musikakademie, Basel / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\n18.01.2016, 20 Uhr\nFragmente einer Erinnerung\n</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nStudio Musikfabrik, Köln / Ensemble hand werk\n\n\n</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 08:55:56','2019-10-21 08:55:56','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(50,1,'2019-10-21 09:05:41','2019-10-21 09:05:41','<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em>\n\nKleines Studio, Mozarteum University, Salzburg,\n<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a> / Ensemble Schallfeld\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a> / Eva Zöllner, Akkordeon; Anja Starke, Klarinette\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>\n\nFragmente einer Erinnerung Strasbourg / Hanatsu Miroir – spectacles de musique contemporaine\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em>\n\nalte Feuerwache, Werft Festival, Köln / Kommas Ensemble\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a>\n/ Clara Simarro, Harfe; Nathan Watts Violoncello\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a>\n/ Christina Hahn und Caroline Rohde, Blockflöten\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em>\n\nPrism Chamber Music Festival, Hong Kong / EXORDIUM Ensemble\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a> – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a>\n/ IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em>\n\nHaus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a> / Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em>\n\nKörber Forum, Hamburg,\n<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a>,\nTobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> fragmente über / unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> fragmente über / unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster / HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a>\n/ Utrecht, Niederlande / IEMA Ensemble 2018/19\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a>\n/ IEMA Ensemble 2018/19; Musashi Baba, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Trio Abstrakt\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em>\n\nUniversity Durham, UK/ Heather Roche; Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a> / Tobias Klich; Ulrike Brand\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Elektroakustische Klanginstallation</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em>\n\nin Zusammenarbeit mit Natascha Süder Happelmann\n<br><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a>, Biennale Venedig 2019\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a>,\nBarcelona / Heather Roche, Klarinette; Eva Zöllner Akkordeon\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>,\nH95 Raum für Kultur / Stephen Menotti, Posaune; Johannes Keller, Arciorgano\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>,\nKleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main /IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em>\n\nJohnson Recital Hall, University of South Carolina, USA/ Roya Farzaneh, Caroline Miller, Claudio Olivera\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em>\n\nUniversität Kassel, Konzertsaal des Instituts für Musik, Kassel/IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em>\n\nNeue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main / Caroline Rohde, Christina Hahn\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em>\n\nKlangbrücke, Aachen /Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em>\n\nKunst-Station Sankt Peter, Köln / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em>\n\nWeststadthalle, Essen / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em>\n\nHeliand Kirche, Dortmund / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em>\n\nMusikhochschule Münster / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em>\n\nHangar 21, Detmold / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em>\n\nRudolf-Oetgerhalle, Bielefeld / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA / Del Sol String Quartet\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em>\n\nMUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a> / Paula Haeni; Jónas Ásgeir Ásgeirsson\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em>\n\nJessTalks - music worth spreading, Saint-Blaise, Neuenburg / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em>\n\nJessTalks - music worth spreading, Ackermannshof, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em>\n\nJessTalks - music worth spreading, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em>\n\nJessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a>\n/ Heather Roche und Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich\n/ Ensemble neuverBand, Mike Svoboda, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel/\nEnsemble neuverBand, Mike Svoboda, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em>\n\nTeheran Travellers, \n<a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a>\n/ ensemble unitedberlin, Catherine Larsen-Maguire, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">\nUnerhörte Musik, BKA – Theater, Berlin\n</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> \"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em>\nin Zusammenarbeit mit Johannes Abel und Thorsten Balcerzak <br>Großer Saal der Musikakademie Basel/ Delirium Ensemble; Wiktor Kociuban Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a> Sendesaal Bremen\n/ Ensemble New Babylon\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em>\n\nNaju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea / Dahee Joeng, Klavier\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a>\n/ Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em>\n\n2nd Tehran International Electronic Festival, Da Theater Teheran / Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>,\nChiesa della Madonna della Sbarra, Panicale, Italien / Elisabeth Wirth, Christina Hahn; Blockflöten\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em>\nNeue Aula der Folkwang Universität der Künste Essen/ Claudia Chan, Klavier\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em>\nGrosser Saal der Musikakademie Basel / Ensemble Phoenix Basel, Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece\n/ Trio Accanto\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">\nAcht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln\n</a> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a> / IEMA Ensemble 2017/18\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a> / Aida Sigharian, Klavier\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em>\nKammermusiksaal des Beethoven Haus, Bonn / Elisabeth Wirth und Maximilian Volbers\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em>\nEastman School of Music, Rochester, New York / Claudia Chan\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a> / ensemble reflexion K\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Tamon Yashima, Oboe\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a> / Ensemble E-Mex\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em>\nMusikschule Wettingen Sonne / SchülerInnen der Musikschulklasse von Verena Wüsthoff\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel / Stephen Menotti, Posaune; Christoph Prendl, Arciorgano\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em>\nLange Nacht der Museen Köln, Artothek, Köln / Verena Wüssthof und Lucia Mense, Blockflöten\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em>\nLange Nacht der Museen Köln, Artothek, Köln / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em><strong>Behind the Seas</strong> / Ensemble AxisModula\n<strong>Sense of a possibility</strong> / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em><strong>a very close look from far away</strong> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n<strong>Behind the Seas</strong> / Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier\n<strong>Sense of a possibility</strong> / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n<strong>Fragmente einer Erinnerung</strong> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em>\nGare du Nord, Basel / Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em>\n Neue Aula der Folkwang Universität der Künste, Essen / Ensemble Folkwang Modern; Eva Fodor, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em>\nInszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em>\nInszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a> / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em><a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em><a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em>\nFestival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz / Ensemble asamisimasa\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em><a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a> / Ensemble Laboratorium; Lin Liao, Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em>\nKlaus Linder Saal der Musikakademie, Basel / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em>\nStudio Musikfabrik, Köln / Ensemble hand werk\n\n</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 09:05:41','2019-10-21 09:05:41','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(51,1,'2019-10-21 09:07:46','2019-10-21 09:07:46','<!-- wp:heading -->\n<h2>Upcoming Events</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em>\n\nKleines Studio, Mozarteum University, Salzburg,\n<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a> / Ensemble Schallfeld\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a> / Eva Zöllner, Akkordeon; Anja Starke, Klarinette\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>\n\nFragmente einer Erinnerung Strasbourg / Hanatsu Miroir – spectacles de musique contemporaine\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a>\n/ consord – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em>\n\nalte Feuerwache, Werft Festival, Köln / Kommas Ensemble\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a>\n/ Clara Simarro, Harfe; Nathan Watts Violoncello\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em><a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a> / Christina Hahn und Caroline Rohde, Blockflöten </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past Events</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em>\n\nPrism Chamber Music Festival, Hong Kong / EXORDIUM Ensemble\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a> – musik für heute; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a>\n/ IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em>\n\nHaus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a> / Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em>\n\nKörber Forum, Hamburg,\n<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a>,\nTobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> fragmente über / unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> fragmente über / unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em>\n\nGalerie von Bartha, Basel, Zeiträume –\n<a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a>\n/ Trio Boccherini\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster / HÖRZU</a>\n/ <a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a>\n/ Utrecht, Niederlande / IEMA Ensemble 2018/19\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a>\n/ IEMA Ensemble 2018/19; Musashi Baba, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a>\n/ Trio Abstrakt\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em>\n\nUniversity Durham, UK/ Heather Roche; Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a> / Tobias Klich; Ulrike Brand\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Elektroakustische Klanginstallation</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em>\n\nin Zusammenarbeit mit Natascha Süder Happelmann\n<br><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a>, Biennale Venedig 2019\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a>,\nBarcelona / Heather Roche, Klarinette; Eva Zöllner Akkordeon\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>,\nH95 Raum für Kultur / Stephen Menotti, Posaune; Johannes Keller, Arciorgano\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>,\nKleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main /IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em>\n\nJohnson Recital Hall, University of South Carolina, USA/ Roya Farzaneh, Caroline Miller, Claudio Olivera\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em>\n\nUniversität Kassel, Konzertsaal des Instituts für Musik, Kassel/IEMA Ensemble 2018/19\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em>\n\nNeue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main / Caroline Rohde, Christina Hahn\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em>\n\nKlangbrücke, Aachen /Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em>\n\nKunst-Station Sankt Peter, Köln / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em>\n\nWeststadthalle, Essen / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em>\n\nHeliand Kirche, Dortmund / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em>\n\nMusikhochschule Münster / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em>\n\nHangar 21, Detmold / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em>\n\nRudolf-Oetgerhalle, Bielefeld / Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA / Del Sol String Quartet\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em>\n\nMUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a> / Paula Haeni; Jónas Ásgeir Ásgeirsson\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em>\n\nJessTalks - music worth spreading, Saint-Blaise, Neuenburg / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em>\n\nJessTalks - music worth spreading, Ackermannshof, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em>\n\nJessTalks - music worth spreading, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em>\n\nJessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel / Jessica Horsley, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a>\n/ Heather Roche, Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a>\n/ Heather Roche und Eva Zöllner\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich\n/ Ensemble neuverBand, Mike Svoboda, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel/\nEnsemble neuverBand, Mike Svoboda, Leitung\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em>\n\nTeheran Travellers, \n<a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a>\n/ ensemble unitedberlin, Catherine Larsen-Maguire, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">\nUnerhörte Musik, BKA – Theater, Berlin\n</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> \"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em>\nin Zusammenarbeit mit Johannes Abel und Thorsten Balcerzak <br>Großer Saal der Musikakademie Basel/ Delirium Ensemble; Wiktor Kociuban Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a> Sendesaal Bremen\n/ Ensemble New Babylon\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em>\n\nNaju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea / Dahee Joeng, Klavier\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a>\n/ Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em>\n\n2nd Tehran International Electronic Festival, Da Theater Teheran / Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>,\nChiesa della Madonna della Sbarra, Panicale, Italien / Elisabeth Wirth, Christina Hahn; Blockflöten\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em>\nNeue Aula der Folkwang Universität der Künste Essen/ Claudia Chan, Klavier\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em>\nGrosser Saal der Musikakademie Basel / Ensemble Phoenix Basel, Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece\n/ Trio Accanto\n\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">\nAcht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln\n</a> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a> / IEMA Ensemble 2017/18\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a> / Aida Sigharian, Klavier\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em>\nKammermusiksaal des Beethoven Haus, Bonn / Elisabeth Wirth und Maximilian Volbers\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em>\nEastman School of Music, Rochester, New York / Claudia Chan\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a> / ensemble reflexion K\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Tamon Yashima, Oboe\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a> / Ensemble E-Mex\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em>\nMusikschule Wettingen Sonne / SchülerInnen der Musikschulklasse von Verena Wüsthoff\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel / Stephen Menotti, Posaune; Christoph Prendl, Arciorgano\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a>\n/ Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em>\nLange Nacht der Museen Köln, Artothek, Köln / Verena Wüssthof und Lucia Mense, Blockflöten\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em>\nLange Nacht der Museen Köln, Artothek, Köln / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em><strong>Behind the Seas</strong> / Ensemble AxisModula\n<strong>Sense of a possibility</strong> / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em><strong>a very close look from far away</strong> / Tobias Klich, Gitarre; Ulrike Brand, Violoncello\n<strong>Behind the Seas</strong> / Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier\n<strong>Sense of a possibility</strong> / Susanne Kabalan, Harfe; Marie Schmit, Violoncello\n<strong>Fragmente einer Erinnerung</strong> / MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em>\nGare du Nord, Basel / Ensemble Phoenix Basel; Jürg Henneberger, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em>\nKlaus Linder Saal der Musikakademie, Basel / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em>\n Neue Aula der Folkwang Universität der Künste, Essen / Ensemble Folkwang Modern; Eva Fodor, Leitung\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em>\nInszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em>\nInszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble AxisModula\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a> / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em><a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em><a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a> / Alice Belugou, Harfe; Mathilde Raemy, Violoncello\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em>\nFestival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz / Ensemble asamisimasa\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em><a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a> / Ensemble Laboratorium; Lin Liao, Leitung\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em>\nPina Bausch Theater der Folkwang Universität der Künste, Essen / Ensemble S201\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em>\nKlaus Linder Saal der Musikakademie, Basel / Wohltemperiertes Cello Konsort Bern\n\n\n\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em>\nStudio Musikfabrik, Köln / Ensemble hand werk\n\n</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 09:07:46','2019-10-21 09:07:46','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(52,1,'2019-10-21 10:17:56','2019-10-21 10:17:56','<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 10:17:56','2019-10-21 10:17:56','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(53,1,'2019-10-21 10:18:58','2019-10-21 10:18:58','<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 10:18:58','2019-10-21 10:18:58','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(54,1,'2019-10-21 11:43:40','2019-10-21 11:43:40','<label> Your Name (required)\r\n    [text* your-name] </label>\r\n\r\n<label> Your Email (required)\r\n    [email* your-email] </label>\r\n\r\n<label> Subject\r\n    [text your-subject] </label>\r\n\r\n<label> Your Message\r\n    [textarea your-message] </label>\r\n\r\n[submit \"Send\"]\n1\nContact Form \"[your-subject]\"\nElnaz Seyedi <wordpress@elnazseyedi.com>\nelnaz.sk@gmail.com\nFrom: [your-name] <[your-email]>\r\nSubject: [your-subject]\r\n\r\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on Elnaz Seyedi (http://elnazseyedi.com/new)\nReply-To: [your-email]\n\n\n\n\nElnaz Seyedi \"[your-subject]\"\nElnaz Seyedi <wordpress@elnazseyedi.com>\n[your-email]\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on Elnaz Seyedi (http://elnazseyedi.com/new)\nReply-To: babak.vandad@gmail.com\n\n\n\nThank you for your message. It has been sent.\nThere was an error trying to send your message. Please try again later.\nOne or more fields have an error. Please check and try again.\nThere was an error trying to send your message. Please try again later.\nYou must accept the terms and conditions before sending your message.\nThe field is required.\nThe field is too long.\nThe field is too short.\nThe date format is incorrect.\nThe date is before the earliest one allowed.\nThe date is after the latest one allowed.\nThere was an unknown error uploading the file.\nYou are not allowed to upload files of this type.\nThe file is too big.\nThere was an error uploading the file.\nThe number format is invalid.\nThe number is smaller than the minimum allowed.\nThe number is larger than the maximum allowed.\nThe answer to the quiz is incorrect.\nYour entered code is incorrect.\nThe e-mail address entered is invalid.\nThe URL is invalid.\nThe telephone number is invalid.','Contact form','','publish','closed','closed','','contact-form-1','','','2019-10-21 11:44:36','2019-10-21 11:44:36','',0,'http://elnazseyedi.com/new/?post_type=wpcf7_contact_form&#038;p=54',0,'wpcf7_contact_form','',0),(55,1,'2019-10-21 11:45:21','2019-10-21 11:45:21','<!-- wp:paragraph -->\n<p>Please feel free to contact me via email, my publisher or my pages on the social networks.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a>elnaz.sk (at) gmail.com</a><br><br><br>Edition Juliane Klein KG<br>Chodowieckistr. 15/I<br>D-10405 Berlin<br>Tel.(0049) 030/440 451 64<br></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"mailto:info@editionjulianeklein.de\">info@editionjulianeklein.de</a><br><a href=\"http://www.editionjulianeklein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">www.editionjulianeklein.de</a><br></p>\n<!-- /wp:paragraph -->','Kontakt','','publish','closed','closed','','kontakt','','','2021-07-16 14:19:41','2021-07-16 14:19:41','',0,'http://elnazseyedi.com/new/?page_id=55',0,'page','',0),(56,1,'2019-10-21 11:45:21','2019-10-21 11:45:21','<!-- wp:shortcode -->\n[contact-form-7 id=\"54\" title=\"Contact form\"]\n<!-- /wp:shortcode -->','Kontakt','','inherit','closed','closed','','55-revision-v1','','','2019-10-21 11:45:21','2019-10-21 11:45:21','',55,'http://elnazseyedi.com/new/2019/10/21/55-revision-v1/',0,'revision','',0),(57,1,'2019-10-21 11:45:33','2019-10-21 11:45:33',' ','','','publish','closed','closed','','57','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/new/?p=57',8,'nav_menu_item','',0),(58,1,'2019-10-21 11:46:55','2019-10-21 11:46:55','<!-- wp:paragraph -->\n<p>Please feel free to contact me via this form or visit my pages on the social networks beside the form.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:shortcode -->\n[contact-form-7 id=\"54\" title=\"Contact form\"]\n<!-- /wp:shortcode -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Kontakt','','inherit','closed','closed','','55-revision-v1','','','2019-10-21 11:46:55','2019-10-21 11:46:55','',55,'http://elnazseyedi.com/new/2019/10/21/55-revision-v1/',0,'revision','',0),(60,2,'2019-10-21 17:44:31','2019-10-21 17:44:31','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p>Nach Neuen Meeren</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:44:31','2019-10-21 17:44:31','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(62,2,'2019-10-21 17:45:12','2019-10-21 17:45:12','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:45:12','2019-10-21 17:45:12','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(63,2,'2019-10-21 17:47:03','2019-10-21 17:47:03','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe 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src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:47:40','2019-10-21 17:47:40','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(65,2,'2019-10-21 17:48:34','2019-10-21 17:48:34','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- 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src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:48:34','2019-10-21 17:48:34','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(66,2,'2019-10-21 17:49:23','2019-10-21 17:49:23','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:49:23','2019-10-21 17:49:23','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(67,2,'2019-10-21 17:52:05','2019-10-21 17:52:05','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:52:05','2019-10-21 17:52:05','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(68,2,'2019-10-21 17:52:51','2019-10-21 17:52:51','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt (Salim Javaid, Marlies Debacker, Angela Hui Wai-Nok)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:52:51','2019-10-21 17:52:51','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(69,2,'2019-10-21 17:53:28','2019-10-21 17:53:28','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt (Salim Javaid, Marlies Debacker, Angela Hui Wai-Nok)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:53:28','2019-10-21 17:53:28','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(70,2,'2019-10-21 17:53:43','2019-10-21 17:53:43','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:53:43','2019-10-21 17:53:43','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(71,2,'2019-10-21 17:56:54','2019-10-21 17:56:54','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 17:56:54','2019-10-21 17:56:54','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(72,2,'2019-10-21 18:03:02','2019-10-21 18:03:02','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 18:03:02','2019-10-21 18:03:02','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(73,2,'2019-10-21 18:06:32','2019-10-21 18:06:32','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 18:06:32','2019-10-21 18:06:32','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(74,2,'2019-10-21 18:06:52','2019-10-21 18:06:52','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-10-21 18:06:52','2019-10-21 18:06:52','',43,'http://elnazseyedi.com/new/2019/10/21/43-revision-v1/',0,'revision','',0),(76,2,'2019-10-21 18:36:50','2019-10-21 18:36:50','<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:36:50','2019-10-21 18:36:50','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(77,2,'2019-10-21 18:37:52','2019-10-21 18:37:52','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:37:52','2019-10-21 18:37:52','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(78,2,'2019-10-21 18:39:32','2019-10-21 18:39:32','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:39:32','2019-10-21 18:39:32','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(79,2,'2019-10-21 18:40:42','2019-10-21 18:40:42','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:40:42','2019-10-21 18:40:42','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(80,2,'2019-10-21 18:48:39','2019-10-21 18:48:39','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:48:39','2019-10-21 18:48:39','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(81,2,'2019-10-21 18:50:32','2019-10-21 18:50:32','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:50:32','2019-10-21 18:50:32','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(82,2,'2019-10-21 18:50:41','2019-10-21 18:50:41','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:50:41','2019-10-21 18:50:41','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(83,2,'2019-10-21 18:51:37','2019-10-21 18:51:37','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\" rel=\"noreferrer noopener\">Kunst und Kultur Kirche, Frankfurt am Main, shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:51:37','2019-10-21 18:51:37','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(84,2,'2019-10-21 18:51:51','2019-10-21 18:51:51','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:51:51','2019-10-21 18:51:51','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(85,2,'2019-10-21 18:53:17','2019-10-21 18:53:17','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg,<a href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\" rel=\"noreferrer noopener\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Gustav-Lübke-Museum, Hamm, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Universität, Siegen, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 18:53:17','2019-10-21 18:53:17','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(86,2,'2019-10-21 19:11:59','2019-10-21 19:11:59','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\" rel=\"noreferrer noopener\">domicil, Dortmund, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main, IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\" rel=\"noreferrer noopener\">Alte Feuerwache, Köln, HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören, Körber Stiftung, Hamburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg,<a href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2734\" target=\"_blank\" rel=\"noreferrer noopener\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 19:11:59','2019-10-21 19:11:59','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(87,2,'2019-10-21 19:13:59','2019-10-21 19:13:59','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">Musikhochschule, Münster HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 19:13:59','2019-10-21 19:13:59','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(88,2,'2019-10-21 19:14:34','2019-10-21 19:14:34','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://tritonus-verein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Plantage 13, Bremen, HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Ulrike Brand</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 19:14:34','2019-10-21 19:14:34','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (89,2,'2019-10-21 19:15:38','2019-10-21 19:15:38','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\" rel=\"noreferrer noopener\">Historica Gewölbe, Montabaur, Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 19:15:38','2019-10-21 19:15:38','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(90,2,'2019-10-21 19:16:38','2019-10-21 19:16:38','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.09.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-21 19:16:38','2019-10-21 19:16:38','',34,'http://elnazseyedi.com/new/2019/10/21/34-revision-v1/',0,'revision','',0),(91,2,'2019-10-21 19:19:43','2019-10-21 19:19:43','<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (201o)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"left\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:image {\"id\":32} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-10-21 19:19:43','2019-10-21 19:19:43','',30,'http://elnazseyedi.com/new/2019/10/21/30-revision-v1/',0,'revision','',0),(92,2,'2019-10-21 19:20:51','2019-10-21 19:20:51','<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (201o)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"left\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-10-21 19:20:51','2019-10-21 19:20:51','',30,'http://elnazseyedi.com/new/2019/10/21/30-revision-v1/',0,'revision','',0),(93,2,'2019-10-24 10:17:17','2019-10-24 10:17:17','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-24 10:17:17','2019-10-24 10:17:17','',34,'http://elnazseyedi.com/new/2019/10/24/34-revision-v1/',0,'revision','',0),(95,2,'2019-10-24 10:29:13','2019-10-24 10:29:13','<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"left\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-10-24 10:29:13','2019-10-24 10:29:13','',30,'http://elnazseyedi.com/new/2019/10/24/30-revision-v1/',0,'revision','',0),(96,2,'2019-10-24 10:32:47','2019-10-24 10:32:47','','Elnaz-Seyedi-','','inherit','open','closed','','elnaz-seyedi','','','2019-10-24 10:32:47','2019-10-24 10:32:47','',13,'http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-.jpg',0,'attachment','image/jpeg',0),(97,2,'2019-10-24 10:32:57','2019-10-24 10:32:57','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":96} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi--1024x768.jpg\" alt=\"\" class=\"wp-image-96\"/></figure>\n<!-- /wp:image -->','','','inherit','closed','closed','','13-revision-v1','','','2019-10-24 10:32:57','2019-10-24 10:32:57','',13,'http://elnazseyedi.com/new/2019/10/24/13-revision-v1/',0,'revision','',0),(98,2,'2019-10-24 10:34:06','2019-10-24 10:34:06','<!-- wp:image {\"id\":7,\"align\":\"right\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignright\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-300x300.jpg\" alt=\"\" class=\"wp-image-7\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-24 10:34:06','2019-10-24 10:34:06','',6,'http://elnazseyedi.com/new/2019/10/24/6-revision-v1/',0,'revision','',0),(99,2,'2019-10-24 10:36:31','2019-10-24 10:36:31','<!-- wp:image {\"id\":7,\"align\":\"right\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignright\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-300x300.jpg\" alt=\"\" class=\"wp-image-7\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-24 10:36:31','2019-10-24 10:36:31','',6,'http://elnazseyedi.com/new/2019/10/24/6-revision-v1/',0,'revision','',0),(100,2,'2019-10-24 10:37:08','2019-10-24 10:37:08','<!-- wp:image {\"id\":7,\"align\":\"wide\"} -->\n<figure class=\"wp-block-image alignwide\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-300x300.jpg\" alt=\"\" class=\"wp-image-7\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-24 10:37:08','2019-10-24 10:37:08','',6,'http://elnazseyedi.com/new/2019/10/24/6-revision-v1/',0,'revision','',0),(101,2,'2019-10-24 10:38:16','2019-10-24 10:38:16','<!-- wp:image {\"id\":7,\"align\":\"center\"} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/elnaz_seyyedi-300x300.jpg\" alt=\"\" class=\"wp-image-7\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-24 10:38:16','2019-10-24 10:38:16','',6,'http://elnazseyedi.com/new/2019/10/24/6-revision-v1/',0,'revision','',0),(102,2,'2019-10-24 10:38:59','2019-10-24 10:38:59','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-10-24 10:38:59','2019-10-24 10:38:59','',6,'http://elnazseyedi.com/new/2019/10/24/6-revision-v1/',0,'revision','',0),(103,2,'2019-10-25 07:18:51','2019-10-25 07:18:51','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-10-25 07:18:51','2019-10-25 07:18:51','',34,'http://elnazseyedi.com/new/2019/10/25/34-revision-v1/',0,'revision','',0),(105,2,'2019-10-28 21:00:35','2019-10-28 21:00:35','<!-- wp:paragraph -->\n<p><strong>Frames\nII</strong> (2019) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Frames\nI</strong> (2019) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Awakening</strong>\n(2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nsun of one´s own</strong> (2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>über/unter\ndruck</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nStreichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>in\nden Lüften [ ] nicht eng“</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nArciogano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>\n(2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking\nback/forward</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nGittare, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900\nPusteblumen an Y.</strong>(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-10-28 21:00:35','2019-10-28 21:00:35','',26,'http://elnazseyedi.com/new/2019/10/28/26-revision-v1/',0,'revision','',0),(106,2,'2019-10-28 21:27:12','2019-10-28 21:27:12','','b1','','inherit','open','closed','','b1','','','2019-10-28 21:27:12','2019-10-28 21:27:12','',13,'http://elnazseyedi.com/new/wp-content/uploads/2019/10/b1.jpg',0,'attachment','image/jpeg',0),(107,2,'2019-10-28 21:27:46','2019-10-28 21:27:46','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[null]} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"blob:http://elnazseyedi.com/afcc8005-403b-1846-859b-62ae99811cd2\"/></figure></li></ul>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2019-10-28 21:27:46','2019-10-28 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21:31:48','',13,'http://elnazseyedi.com/new/2019/10/28/13-revision-v1/',0,'revision','',0),(114,2,'2019-10-28 21:32:43','2019-10-28 21:32:43','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[108],\"align\":\"center\"} -->\n<ul class=\"wp-block-gallery aligncenter columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" data-id=\"108\" data-link=\"http://elnazseyedi.com/new/home-page/elnaz-seyedi-1-1/\" class=\"wp-image-108\"/></figure></li></ul>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2019-10-28 21:32:43','2019-10-28 21:32:43','',13,'http://elnazseyedi.com/new/2019/10/28/13-revision-v1/',0,'revision','',0),(115,2,'2019-10-28 21:36:28','2019-10-28 21:36:28','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany, 2020 Composer in Residence by Bartels Fondation at Atelier zum Markgräflerhof in Basel, 2021 Composer in Residence in Künstlerhof Schreyahn. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, Darmstädter Ferienkurse, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, Tehran International Electronic Festival and the Klangwerktage in  Hamburg. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her works are published by Edition Juliane Klein, Berlin.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:preformatted -->\n<pre id=\"tw-target-rmn\" class=\"wp-block-preformatted\"></pre>\n<!-- /wp:preformatted -->\n\n<!-- wp:preformatted -->\n<pre id=\"tw-target-rmn\" class=\"wp-block-preformatted\"></pre>\n<!-- /wp:preformatted -->','Vita','','publish','closed','closed','','bio','','','2021-07-16 13:50:04','2021-07-16 13:50:04','',0,'http://elnazseyedi.com/new/?page_id=115',0,'page','',0),(116,2,'2019-10-28 21:36:28','2019-10-28 21:36:28','','Vita English','','inherit','closed','closed','','115-revision-v1','','','2019-10-28 21:36:28','2019-10-28 21:36:28','',115,'http://elnazseyedi.com/new/2019/10/28/115-revision-v1/',0,'revision','',0),(117,2,'2019-10-28 21:44:23','2019-10-28 21:44:23','<!-- wp:paragraph -->\n<p>Elnaz \nSeyedi was born in Tehran in 1982, she studied piano with Ali Gorji and \nFarimah Ghawam-Sadri and music theory and composition with Alireza \nMashayekhi. From 2007 to 2018, she studied composition with Younghi \nPagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with\n Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter\n Steinke at Folkwang University of Arts in Essen. She has received \nawards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of \nthe City Cologne and Ensemble Phoenix Basel Competition prize in 2017 \nand DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence \nat International Ensemble Modern Academy (IEMA) in Frankfurt am Main in \nGermany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her\n music has been performed among others at numerous festivals such as \nWittener Tage für Neue Kammermusik, Huddersfield Contemporary Music \nFestival, the Acht Brücken Festival in Cologne, Zeiträume – Biennale für\n Neue Musik und Architektur Basel, Bludenzer Tage zeitgemäßer Musik, \nGaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, the student \nOff-Program at the Donaueschinger Musiktage and the Klangwerktage in \nHamburg.</p>\n<!-- /wp:paragraph -->','Vita English','','inherit','closed','closed','','115-revision-v1','','','2019-10-28 21:44:23','2019-10-28 21:44:23','',115,'http://elnazseyedi.com/new/2019/10/28/115-revision-v1/',0,'revision','',0),(118,2,'2019-10-29 11:27:41','2019-10-29 11:27:41','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"108\"],\"align\":\"center\"} -->\n<ul class=\"wp-block-gallery aligncenter columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" data-id=\"108\" data-link=\"http://elnazseyedi.com/new/home-page/elnaz-seyedi-1-1/\" class=\"wp-image-108\"/><figcaption>© Roya Noorinezhad</figcaption></figure></li></ul>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2019-10-29 11:27:41','2019-10-29 11:27:41','',13,'http://elnazseyedi.com/new/2019/10/29/13-revision-v1/',0,'revision','',0),(120,2,'2019-11-04 10:15:51','2019-11-04 10:15:51','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-04 10:15:51','2019-11-04 10:15:51','',34,'http://elnazseyedi.com/new/2019/11/04/34-revision-v1/',0,'revision','',0),(122,2,'2019-11-04 10:19:34','2019-11-04 10:19:34','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>À L´space K, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-04 10:19:34','2019-11-04 10:19:34','',34,'http://elnazseyedi.com/new/2019/11/04/34-revision-v1/',0,'revision','',0),(124,2,'2019-11-04 10:51:38','2019-11-04 10:51:38','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>À L´space K, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-04 10:51:38','2019-11-04 10:51:38','',34,'http://elnazseyedi.com/new/2019/11/04/34-revision-v1/',0,'revision','',0),(125,1,'2019-11-04 10:52:29','2019-11-04 10:52:29','','polylang_mo_3','','private','closed','closed','','polylang_mo_3','','','2019-11-04 10:52:29','2019-11-04 10:52:29','',0,'http://elnazseyedi.com/new/?post_type=polylang_mo&p=125',0,'polylang_mo','',0),(126,2,'2019-11-04 10:55:00','2019-11-04 10:55:00','','IMG_6130','','inherit','open','closed','','img_6130','','','2019-11-04 10:55:00','2019-11-04 10:55:00','',30,'http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130.jpg',0,'attachment','image/jpeg',0),(127,1,'2019-11-04 10:56:41','2019-11-04 10:56:41','','polylang_mo_6','','private','closed','closed','','polylang_mo_6','','','2019-11-04 10:56:41','2019-11-04 10:56:41','',0,'http://elnazseyedi.com/new/?post_type=polylang_mo&p=127',0,'polylang_mo','',0),(128,2,'2019-11-04 10:56:49','2019-11-04 10:56:49','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"left\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-04 10:56:49','2019-11-04 10:56:49','',30,'http://elnazseyedi.com/new/2019/11/04/30-revision-v1/',0,'revision','',0),(129,1,'2019-11-04 10:57:39','2019-11-04 10:57:39','<!-- wp:paragraph -->\n<p>Elnaz \nSeyedi was born in Tehran in 1982, she studied piano with Ali Gorji and \nFarimah Ghawam-Sadri and music theory and composition with Alireza \nMashayekhi. From 2007 to 2018, she studied composition with Younghi \nPagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with\n Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter\n Steinke at Folkwang University of Arts in Essen. She has received \nawards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of \nthe City Cologne and Ensemble Phoenix Basel Competition prize in 2017 \nand DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence \nat International Ensemble Modern Academy (IEMA) in Frankfurt am Main in \nGermany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her\n music has been performed among others at numerous festivals such as \nWittener Tage für Neue Kammermusik, Huddersfield Contemporary Music \nFestival, the Acht Brücken Festival in Cologne, Zeiträume – Biennale für\n Neue Musik und Architektur Basel, Bludenzer Tage zeitgemäßer Musik, \nGaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, the student \nOff-Program at the Donaueschinger Musiktage and the Klangwerktage in \nHamburg.</p>\n<!-- /wp:paragraph -->','Bio','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 10:57:39','2019-11-04 10:57:39','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(130,2,'2019-11-04 11:02:36','2019-11-04 11:02:36','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"left\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-04 11:02:36','2019-11-04 11:02:36','',30,'http://elnazseyedi.com/new/2019/11/04/30-revision-v1/',0,'revision','',0),(132,1,'2019-11-04 11:04:59','2019-11-04 11:04:59','','Languages','','publish','closed','closed','','languages','','','2019-11-06 17:31:19','2019-11-06 17:31:19','',0,'http://elnazseyedi.com/new/?p=132',7,'nav_menu_item','',0),(133,2,'2019-11-04 11:05:50','2019-11-04 11:05:50','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"left\"} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-04 11:05:50','2019-11-04 11:05:50','',30,'http://elnazseyedi.com/new/2019/11/04/30-revision-v1/',0,'revision','',0),(135,1,'2019-11-04 11:07:47','2019-11-04 11:07:47','<!-- wp:heading -->\n<h2>Who we are</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Our website address is: http://elnazseyedi.com.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>What personal data we collect and why we collect it</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Comments</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>When visitors leave comments on the site we collect the data shown in the comments form, and also the visitor’s IP address and browser user agent string to help spam detection.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>An anonymized string created from your email address (also called a hash) may be provided to the Gravatar service to see if you are using it. The Gravatar service privacy policy is available here: https://automattic.com/privacy/. After approval of your comment, your profile picture is visible to the public in the context of your comment.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Media</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>If you upload images to the website, you should avoid uploading images with embedded location data (EXIF GPS) included. Visitors to the website can download and extract any location data from images on the website.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Contact forms</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Cookies</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>If you leave a comment on our site you may opt-in to saving your name, email address and website in cookies. These are for your convenience so that you do not have to fill in your details again when you leave another comment. These cookies will last for one year.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>If you visit our login page, we will set a temporary cookie to determine if your browser accepts cookies. This cookie contains no personal data and is discarded when you close your browser.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>When you log in, we will also set up several cookies to save your login information and your screen display choices. Login cookies last for two days, and screen options cookies last for a year. If you select \"Remember Me\", your login will persist for two weeks. If you log out of your account, the login cookies will be removed.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>If you edit or publish an article, an additional cookie will be saved in your browser. This cookie includes no personal data and simply indicates the post ID of the article you just edited. It expires after 1 day.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Embedded content from other websites</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Articles on this site may include embedded content (e.g. videos, images, articles, etc.). Embedded content from other websites behaves in the exact same way as if the visitor has visited the other website.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>These websites may collect data about you, use cookies, embed additional third-party tracking, and monitor your interaction with that embedded content, including tracking your interaction with the embedded content if you have an account and are logged in to that website.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Analytics</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading -->\n<h2>Who we share your data with</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading -->\n<h2>How long we retain your data</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>If you leave a comment, the comment and its metadata are retained indefinitely. This is so we can recognize and approve any follow-up comments automatically instead of holding them in a moderation queue.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>For users that register on our website (if any), we also store the personal information they provide in their user profile. All users can see, edit, or delete their personal information at any time (except they cannot change their username). Website administrators can also see and edit that information.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>What rights you have over your data</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>If you have an account on this site, or have left comments, you can request to receive an exported file of the personal data we hold about you, including any data you have provided to us. You can also request that we erase any personal data we hold about you. This does not include any data we are obliged to keep for administrative, legal, or security purposes.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Where we send your data</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Visitor comments may be checked through an automated spam detection service.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Your contact information</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading -->\n<h2>Additional information</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>How we protect your data</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>What data breach procedures we have in place</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>What third parties we receive data from</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>What automated decision making and/or profiling we do with user data</h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Industry regulatory disclosure requirements</h3>\n<!-- /wp:heading -->','Privacy Policy','','inherit','closed','closed','','3-revision-v1','','','2019-11-04 11:07:47','2019-11-04 11:07:47','',3,'http://elnazseyedi.com/new/2019/11/04/3-revision-v1/',0,'revision','',0),(137,2,'2019-11-04 11:09:04','2019-11-04 11:09:04','<!-- wp:paragraph -->\n<p>Elnaz \nSeyedi was born in Tehran in 1982, she studied piano with Ali Gorji and \nFarimah Ghawam-Sadri and music theory and composition with Alireza \nMashayekhi. From 2007 to 2018, she studied composition with Younghi \nPagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with\n Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter\n Steinke at Folkwang University of Arts in Essen. She has received \nawards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of \nthe City Cologne and Ensemble Phoenix Basel Competition prize in 2017 \nand DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence \nat International Ensemble Modern Academy (IEMA) in Frankfurt am Main in \nGermany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her\n music has been performed among others at numerous festivals such as \nWittener Tage für Neue Kammermusik, Huddersfield Contemporary Music \nFestival, the Acht Brücken Festival in Cologne, Zeiträume – Biennale für\n Neue Musik und Architektur Basel, Bludenzer Tage zeitgemäßer Musik, \nGaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, the student \nOff-Program at the Donaueschinger Musiktage and the Klangwerktage in \nHamburg.</p>\n<!-- /wp:paragraph -->','Biography','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 11:09:04','2019-11-04 11:09:04','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(138,1,'2019-11-04 11:12:59','2019-11-04 11:12:59','<!-- wp:image {\"id\":108,\"align\":\"center\"} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-108\"/><figcaption>© Roya Noorinezhad</figcaption></figure></div>\n<!-- /wp:image -->','','','publish','closed','closed','','138-2','','','2019-11-06 19:09:45','2019-11-06 19:09:45','',0,'http://elnazseyedi.com/new/?page_id=138',0,'page','',0),(139,1,'2019-11-04 11:11:14','2019-11-04 11:11:14','<!-- wp:image {\"id\":108} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-108\"/></figure>\n<!-- /wp:image -->','homepage en','','inherit','closed','closed','','138-revision-v1','','','2019-11-04 11:11:14','2019-11-04 11:11:14','',138,'http://elnazseyedi.com/new/2019/11/04/138-revision-v1/',0,'revision','',0),(140,1,'2019-11-04 11:12:59','2019-11-04 11:12:59','<!-- wp:image {\"id\":108,\"align\":\"center\"} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-108\"/></figure></div>\n<!-- /wp:image -->','','','inherit','closed','closed','','138-revision-v1','','','2019-11-04 11:12:59','2019-11-04 11:12:59','',138,'http://elnazseyedi.com/new/2019/11/04/138-revision-v1/',0,'revision','',0),(141,2,'2019-11-04 11:13:38','2019-11-04 11:13:38','<!-- wp:paragraph -->\n<p>Elnaz  Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence  at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her\n music has been performed among others at numerous festivals such as \nWittener Tage für Neue Kammermusik, Huddersfield Contemporary Music \nFestival, the Acht Brücken Festival in Cologne, Zeiträume – Biennale für\n Neue Musik und Architektur Basel, Bludenzer Tage zeitgemäßer Musik, \nGaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, the student \nOff-Program at the Donaueschinger Musiktage and the Klangwerktage in \nHamburg.</p>\n<!-- /wp:paragraph -->','Biography','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 11:13:38','2019-11-04 11:13:38','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(142,1,'2019-11-04 11:13:39','2019-11-04 11:13:39','<!-- wp:image {\"id\":108,\"align\":\"center\"} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-108\"/></figure></div>\n<!-- /wp:image -->','home-en','','inherit','closed','closed','','138-revision-v1','','','2019-11-04 11:13:39','2019-11-04 11:13:39','',138,'http://elnazseyedi.com/new/2019/11/04/138-revision-v1/',0,'revision','',0),(143,1,'2019-11-04 11:13:58','2019-11-04 11:13:58','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"108\"],\"align\":\"center\"} -->\n<ul class=\"wp-block-gallery aligncenter columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" data-id=\"108\" data-link=\"http://elnazseyedi.com/new/home-page/elnaz-seyedi-1-1/\" class=\"wp-image-108\"/><figcaption>© Roya Noorinezhad</figcaption></figure></li></ul>\n<!-- /wp:gallery -->','home-de','','inherit','closed','closed','','13-revision-v1','','','2019-11-04 11:13:58','2019-11-04 11:13:58','',13,'http://elnazseyedi.com/new/2019/11/04/13-revision-v1/',0,'revision','',0),(145,2,'2019-11-04 11:15:39','2019-11-04 11:15:39','<!-- wp:paragraph -->\n<p>Elnaz  Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Huddersfield Contemporary Music Festival, the Acht Brücken Festival in Cologne, Zeiträume – Biennale für Neue Musik und Architektur Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, the student Off-Program at the Donaueschinger Musiktage and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Biography','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 11:15:39','2019-11-04 11:15:39','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(146,2,'2019-11-04 11:19:50','2019-11-04 11:19:50','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, the Acht Brücken Festival in Cologne, Zeiträume – Biennale für Neue Musik und Architektur Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, the student Off-Program at the Donaueschinger Musiktage and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Biography','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 11:19:50','2019-11-04 11:19:50','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(147,2,'2019-11-04 11:21:52','2019-11-04 11:21:52','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, the Acht Brücken Festival in Cologne, Zeiträume – Biennale für Neue Musik und Architektur Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, the student Off-Program at the Donaueschinger Musiktage and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Biography','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 11:21:52','2019-11-04 11:21:52','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(148,2,'2019-11-04 11:24:02','2019-11-04 11:24:02','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, the student Off-Program at the Donaueschinger Musiktage and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Biography','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 11:24:02','2019-11-04 11:24:02','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(149,2,'2019-11-04 11:25:05','2019-11-04 11:25:05','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, Tehran International Electronic Festival, the student Off-Program at the Donaueschinger Musiktage and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Biography','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 11:25:05','2019-11-04 11:25:05','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(150,2,'2019-11-04 11:26:36','2019-11-04 11:26:36','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 11:26:36','2019-11-04 11:26:36','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(151,2,'2019-11-04 11:43:41','2019-11-04 11:43:41','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.11.2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-04 11:43:41','2019-11-04 11:43:41','',34,'http://elnazseyedi.com/new/2019/11/04/34-revision-v1/',0,'revision','',0),(152,2,'2019-11-04 12:10:12','2019-11-04 12:10:12','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.11.2019, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>14.11.2019 , 21:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-04 12:10:12','2019-11-04 12:10:12','',34,'http://elnazseyedi.com/new/2019/11/04/34-revision-v1/',0,'revision','',0),(153,2,'2019-11-04 13:53:44','2019-11-04 13:53:44','<!-- wp:image {\"id\":108,\"align\":\"center\"} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" class=\"wp-image-108\"/></figure></div>\n<!-- /wp:image -->','','','inherit','closed','closed','','138-revision-v1','','','2019-11-04 13:53:44','2019-11-04 13:53:44','',138,'http://elnazseyedi.com/new/2019/11/04/138-revision-v1/',0,'revision','',0),(154,2,'2019-11-04 13:54:07','2019-11-04 13:54:07','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"108\"],\"align\":\"center\"} -->\n<ul class=\"wp-block-gallery aligncenter columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" data-id=\"108\" data-link=\"http://elnazseyedi.com/new/home-page/elnaz-seyedi-1-1/\" class=\"wp-image-108\"/><figcaption>© Roya Noorinezhad</figcaption></figure></li></ul>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2019-11-04 13:54:07','2019-11-04 13:54:07','',13,'http://elnazseyedi.com/new/2019/11/04/13-revision-v1/',0,'revision','',0),(155,1,'2019-11-04 13:57:23','2019-11-04 13:57:23','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"left\",\"width\":512,\"height\":512} -->\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-04 13:57:23','2019-11-04 13:57:23','',30,'http://elnazseyedi.com/new/2019/11/04/30-revision-v1/',0,'revision','',0),(156,1,'2019-11-04 13:57:52','2019-11-04 13:57:52','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"align\":\"center\",\"width\":512,\"height\":512} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"align\":\"center\",\"width\":512,\"height\":512} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"align\":\"center\",\"width\":512,\"height\":455} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure></div>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-04 13:57:52','2019-11-04 13:57:52','',30,'http://elnazseyedi.com/new/2019/11/04/30-revision-v1/',0,'revision','',0),(157,1,'2019-11-04 14:00:07','2019-11-04 14:00:07','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer; Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:image -->\n<figure class=\"wp-block-image\"><img alt=\"\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-04 14:00:07','2019-11-04 14:00:07','',30,'http://elnazseyedi.com/new/2019/11/04/30-revision-v1/',0,'revision','',0),(158,1,'2019-11-04 14:09:49','2019-11-04 14:09:49',' ','','','publish','closed','closed','','158','','','2019-11-06 17:31:19','2019-11-06 17:31:19','',0,'http://elnazseyedi.com/new/?p=158',1,'nav_menu_item','',0),(160,1,'2019-11-04 14:18:54','2019-11-04 14:18:54','','Languages','','publish','closed','closed','','languages-3','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/new/?p=160',9,'nav_menu_item','',0),(161,2,'2019-11-04 14:29:46','2019-11-04 14:29:46','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, Tehran International Electronic Festival, the student Off-Program at the Donaueschinger Musiktage and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','115-revision-v1','','','2019-11-04 14:29:46','2019-11-04 14:29:46','',115,'http://elnazseyedi.com/new/2019/11/04/115-revision-v1/',0,'revision','',0),(162,2,'2019-11-04 14:47:02','2019-11-04 14:47:02','','polylang_mo_13','','private','closed','closed','','polylang_mo_13','','','2019-11-04 14:47:02','2019-11-04 14:47:02','',0,'http://elnazseyedi.com/new/?post_type=polylang_mo&p=162',0,'polylang_mo','',0),(163,2,'2019-11-04 14:50:11','2019-11-04 14:50:11','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"108\"],\"align\":\"center\"} -->\n<ul class=\"wp-block-gallery aligncenter columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/Elnaz-Seyedi-1-1-1024x1024.jpg\" alt=\"\" data-id=\"108\" data-link=\"http://elnazseyedi.com/new/home-page/elnaz-seyedi-1-1/\" class=\"wp-image-108\"/><figcaption>© Roya Noorinezhad</figcaption></figure></li></ul>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2019-11-04 14:50:11','2019-11-04 14:50:11','',13,'http://elnazseyedi.com/new/2019/11/04/13-revision-v1/',0,'revision','',0),(164,2,'2019-11-04 14:54:36','2019-11-04 14:54:36','<!-- wp:image {\"id\":171,\"align\":\"center\",\"width\":768,\"height\":768} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/Elnaz-Seyedi--1024x1024.jpg\" alt=\"\" class=\"wp-image-171\" width=\"768\" height=\"768\"/><figcaption>عکس: رویا نوری نژاد </figcaption></figure></div>\n<!-- /wp:image -->','','','publish','closed','closed','','%d8%a7%d9%84%d9%86%d8%a7%d8%b2-%d8%b3%db%8c%d8%af%db%8c-%d8%a2%d9%87%d9%86%da%af%d8%b3%d8%a7%d8%b2','','','2019-11-07 10:47:48','2019-11-07 10:47:48','',0,'http://elnazseyedi.com/new/?page_id=164',0,'page','',0),(165,2,'2019-11-04 14:54:36','2019-11-04 14:54:36','','الناز سیدی  - آهنگساز','','inherit','closed','closed','','164-revision-v1','','','2019-11-04 14:54:36','2019-11-04 14:54:36','',164,'http://elnazseyedi.com/new/2019/11/04/164-revision-v1/',0,'revision','',0),(167,2,'2019-11-04 14:58:14','2019-11-04 14:58:14','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p class=\"has-text-align-right\">الناز سیدی،  متولد ۱۳۶۱ در تهران، از سال ۱۳۷۵ تا ۱۳۸۶ نواختن پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال‌های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتر در دانشگاه هنرهای شهر برمن آلمان، نزد گونتر اشتاینکه در دانشگاه هنرهای فولکوانگ شهر اسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد. او برنده‌ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه‌ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶،  جایزه‌ی برند الوییس زیمرمن شهر کلن و جایزه‌ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال‌هایی چون روزهای موسیقی مجلسی معاصر ویتن، فستیوال موسیقی معاصر هادرسفیلد انگلیس، دوسالانه‌ی ونیز، هفته‌ی موسیقی گائودیاموس در اوترخت هلند، فستیوال دستگاه درهانوفر، دوسالانه‌ی زمان/مکان‌ها در بازل، روزهای موسیقی  بروز در بلودنز اتریش، فستیوال هشت پل شهر کلن، روزهای کارگاه صدا در هامبورگ، فستیوال سبک بر فراز لینتز دراتریش، دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده‌اند.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"right\"} -->\n<p class=\"has-text-align-right\">آثار او توسط ادیسیون یولیانه کلاین در برلین منتشر می شوند.</p>\n<!-- /wp:paragraph -->','زندگی‌نامه','','publish','closed','closed','','%d8%b2%d9%86%d8%af%da%af%db%8c-%d9%86%d8%a7%d9%85%d9%87','','','2021-07-16 14:27:00','2021-07-16 14:27:00','',0,'http://elnazseyedi.com/new/?page_id=167',0,'page','',0),(168,2,'2019-11-04 14:58:14','2019-11-04 14:58:14','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p style=\"text-align:right\">الناز سیدی,  متولد ۱۳۶۱ در تهران,از سال ۱۳۷۵ تا ۱۳۸۶ آموزش پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال های ۲۰۰۷ تا۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ  بیرکن کوتردردانشگاه هنرهای شهر برمن آلمان, نزد گونتراشتاینکه در دانشگاه  هنرهای فولکوانگ شهراسن آلمان و نزد کاسپر یوهانس والتردردانشگاه موسیقی  شهر بازل سوییس ادامه داد. الناز برنده ی جوایزی چون بورس  تحصیلی بخش موسیقی موسسه ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶,  جایزه ی برند الوییس زیمرمن شهر کلن و جایزه ی فونیکس ترابانت آنسامبل  فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در  فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال هایی چون روزهای موسیقی مجلسی معاصر ویتن, فستیوال موسیقی معاصرهادرسفیلد انگلیس, هفته ی موسیقی گائودیاموس در اوترخت هلند, فستیوال دستگاه درهانوفر, دوسالانه ی زمان/مکان ها در بازل, روزهای موسیقی بروزدربلودنز اتریش, بخش دانشجویی روزهای موسیقی معاصردونائشینگن, فستیوال هشت پل شهر کلن, روزهای کارگاه صدا در هامبورگ, فستیوال سبک بر فراز لینتز دراتریش, دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده اند.</p>\n<!-- /wp:paragraph -->','زندگی نامه','','inherit','closed','closed','','167-revision-v1','','','2019-11-04 14:58:14','2019-11-04 14:58:14','',167,'http://elnazseyedi.com/new/2019/11/04/167-revision-v1/',0,'revision','',0),(169,2,'2019-11-04 14:59:27','2019-11-04 14:59:27','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p style=\"text-align:right\">الناز سیدی,  متولد ۱۳۶۱ در تهران,از سال ۱۳۷۵ تا ۱۳۸۶ آموزش پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال های ۲۰۰۷ تا۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ  بیرکن کوتردردانشگاه هنرهای شهر برمن آلمان, نزد گونتراشتاینکه در دانشگاه  هنرهای فولکوانگ شهراسن آلمان و نزد کاسپر یوهانس والتردردانشگاه موسیقی  شهر بازل سوییس ادامه داد. الناز برنده ی جوایزی چون بورس  تحصیلی بخش موسیقی موسسه ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶,  جایزه ی برند الوییس زیمرمن شهر کلن و جایزه ی فونیکس ترابانت آنسامبل  فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در  فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال هایی چون روزهای موسیقی مجلسی معاصر ویتن, فستیوال موسیقی معاصر هادرسفیلد انگلیس, هفته ی موسیقی گائودیاموس در اوترخت هلند, فستیوال دستگاه درهانوفر, دوسالانه ی زمان/مکان ها در بازل, روزهای موسیقی  بروز در بلودنز اتریش, بخش دانشجویی روزهای موسیقی معاصردونائشینگن, فستیوال هشت پل شهر کلن, روزهای کارگاه صدا در هامبورگ, فستیوال سبک بر فراز لینتز دراتریش, دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده اند.</p>\n<!-- /wp:paragraph -->','زندگی نامه','','inherit','closed','closed','','167-revision-v1','','','2019-11-04 14:59:27','2019-11-04 14:59:27','',167,'http://elnazseyedi.com/new/2019/11/04/167-revision-v1/',0,'revision','',0),(170,2,'2019-11-04 15:02:48','2019-11-04 15:02:48','<!-- wp:image -->\n<figure class=\"wp-block-image\"><img src=\"blob:http://elnazseyedi.com/9f95f42c-c829-f346-b809-dc192f693164\" alt=\"\"/></figure>\n<!-- /wp:image -->','الناز سیدی  - آهنگساز','','inherit','closed','closed','','164-revision-v1','','','2019-11-04 15:02:48','2019-11-04 15:02:48','',164,'http://elnazseyedi.com/new/2019/11/04/164-revision-v1/',0,'revision','',0),(171,2,'2019-11-04 15:02:59','2019-11-04 15:02:59','','Elnaz-Seyedi-','','inherit','open','closed','','elnaz-seyedi-2','','','2019-11-04 15:02:59','2019-11-04 15:02:59','',164,'http://elnazseyedi.com/new/wp-content/uploads/2019/11/Elnaz-Seyedi-.jpg',0,'attachment','image/jpeg',0),(172,2,'2019-11-04 15:03:18','2019-11-04 15:03:18','<!-- wp:image {\"id\":171} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/Elnaz-Seyedi--1024x1024.jpg\" alt=\"\" class=\"wp-image-171\"/></figure>\n<!-- /wp:image -->','الناز سیدی  - آهنگساز','','inherit','closed','closed','','164-revision-v1','','','2019-11-04 15:03:18','2019-11-04 15:03:18','',164,'http://elnazseyedi.com/new/2019/11/04/164-revision-v1/',0,'revision','',0),(173,2,'2019-11-04 19:04:17','2019-11-04 19:04:17','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:04:17','2019-11-04 19:04:17','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(174,2,'2019-11-04 19:04:49','2019-11-04 19:04:49','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:04:49','2019-11-04 19:04:49','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(175,2,'2019-11-04 19:05:17','2019-11-04 19:05:17','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:05:17','2019-11-04 19:05:17','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(176,2,'2019-11-04 19:06:29','2019-11-04 19:06:29','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:06:29','2019-11-04 19:06:29','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(178,2,'2019-11-04 19:09:06','2019-11-04 19:09:06','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:09:06','2019-11-04 19:09:06','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(179,2,'2019-11-04 19:09:57','2019-11-04 19:09:57','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>           </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:09:57','2019-11-04 19:09:57','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(180,2,'2019-11-04 19:11:35','2019-11-04 19:11:35','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:11:35','2019-11-04 19:11:35','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(181,2,'2019-11-04 19:11:55','2019-11-04 19:11:55','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<br class=“clear” />\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:11:55','2019-11-04 19:11:55','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(183,2,'2019-11-04 19:15:29','2019-11-04 19:15:29','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<br class=\"“clear”\">\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-04 19:15:29','2019-11-04 19:15:29','',6,'http://elnazseyedi.com/new/2019/11/04/6-revision-v1/',0,'revision','',0),(184,2,'2019-11-04 19:18:36','2019-11-04 19:18:36','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-04 19:18:36','2019-11-04 19:18:36','',30,'http://elnazseyedi.com/new/2019/11/04/30-revision-v1/',0,'revision','',0),(186,2,'2019-11-04 19:28:51','2019-11-04 19:28:51','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-11-04 19:28:51','2019-11-04 19:28:51','',43,'http://elnazseyedi.com/new/2019/11/04/43-revision-v1/',0,'revision','',0),(187,2,'2019-11-04 19:31:22','2019-11-04 19:31:22','','6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2','','inherit','open','closed','','6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2','','','2019-11-04 19:31:22','2019-11-04 19:31:22','',43,'http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg',0,'attachment','image/jpeg',0),(188,2,'2019-11-04 19:31:30','2019-11-04 19:31:30','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-11-04 19:31:30','2019-11-04 19:31:30','',43,'http://elnazseyedi.com/new/2019/11/04/43-revision-v1/',0,'revision','',0),(189,2,'2019-11-05 15:44:11','2019-11-05 15:44:11','<!-- wp:paragraph -->\n<p><strong>Frames\nII</strong> (2019) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Frames\nI</strong> (2019) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Awakening</strong>\n(2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nsun of one´s own</strong> (2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>über/unter\ndruck</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nStreichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>in\nden Lüften [ ] nicht eng“</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>\n(2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking\nback/forward</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nGittare, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900\nPusteblumen an Y.</strong>(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-05 15:44:11','2019-11-05 15:44:11','',26,'http://elnazseyedi.com/new/2019/11/05/26-revision-v1/',0,'revision','',0),(190,1,'2019-11-06 15:18:06','2019-11-06 15:18:06','<!-- wp:image {\"id\":171,\"align\":\"center\",\"width\":768,\"height\":768} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/Elnaz-Seyedi--1024x1024.jpg\" alt=\"\" class=\"wp-image-171\" width=\"768\" height=\"768\"/></figure></div>\n<!-- /wp:image -->','','','inherit','closed','closed','','164-revision-v1','','','2019-11-06 15:18:06','2019-11-06 15:18:06','',164,'http://elnazseyedi.com/new/2019/11/06/164-revision-v1/',0,'revision','',0),(191,1,'2019-11-06 15:21:49','2019-11-06 15:21:49',' ','','','publish','closed','closed','','191','','','2019-11-06 15:21:49','2019-11-06 15:21:49','',0,'http://elnazseyedi.com/new/?p=191',1,'nav_menu_item','',0),(192,1,'2019-11-06 15:21:49','2019-11-06 15:21:49','','Languages','','publish','closed','closed','','languages-2','','','2019-11-06 15:21:49','2019-11-06 15:21:49','',0,'http://elnazseyedi.com/new/?p=192',2,'nav_menu_item','',0),(193,2,'2019-11-06 15:32:42','2019-11-06 15:32:42','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p style=\"text-align:right\">الناز سیدی,  متولد ۱۳۶۱ در تهران, از سال ۱۳۷۵ تا ۱۳۸۶ آموزش پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال های ۲۰۰۷ تا۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ  بیرکن کوتردردانشگاه هنرهای شهر برمن آلمان, نزد گونتراشتاینکه در دانشگاه  هنرهای فولکوانگ شهراسن آلمان و نزد کاسپر یوهانس والتردردانشگاه موسیقی  شهر بازل سوییس ادامه داد. الناز برنده ی جوایزی چون بورس  تحصیلی بخش موسیقی موسسه ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶,  جایزه ی برند الوییس زیمرمن شهر کلن و جایزه ی فونیکس ترابانت آنسامبل  فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در  فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال هایی چون روزهای موسیقی مجلسی معاصر ویتن, فستیوال موسیقی معاصر هادرسفیلد انگلیس, هفته ی موسیقی گائودیاموس در اوترخت هلند, فستیوال دستگاه درهانوفر, دوسالانه ی زمان/مکان ها در بازل, روزهای موسیقی  بروز در بلودنز اتریش, بخش دانشجویی روزهای موسیقی معاصردونائشینگن, فستیوال هشت پل شهر کلن, روزهای کارگاه صدا در هامبورگ, فستیوال سبک بر فراز لینتز دراتریش, دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده اند.</p>\n<!-- /wp:paragraph -->','زندگی نامه','','inherit','closed','closed','','167-revision-v1','','','2019-11-06 15:32:42','2019-11-06 15:32:42','',167,'http://elnazseyedi.com/new/2019/11/06/167-revision-v1/',0,'revision','',0),(194,2,'2019-11-06 15:37:58','2019-11-06 15:37:58','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p style=\"text-align:right\">الناز سیدی,  متولد ۱۳۶۱ در تهران, از سال ۱۳۷۵ تا ۱۳۸۶ آموزش پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتردردانشگاه هنرهای شهر برمن آلمان, نزد گونتراشتاینکه در دانشگاه هنرهای فولکوانگ شهراسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد. الناز برنده ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶,  جایزه ی برند الوییس زیمرمن شهر کلن و جایزه ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال هایی چون روزهای موسیقی مجلسی معاصر ویتن, فستیوال موسیقی معاصر هادرسفیلد انگلیس, دوسالانه ی ونیز, هفته ی موسیقی گائودیاموس در اوترخت هلند, فستیوال دستگاه درهانوفر, دوسالانه ی زمان/مکان ها در بازل, روزهای موسیقی  بروز در بلودنز اتریش, بخش دانشجویی روزهای موسیقی معاصردونائشینگن, فستیوال هشت پل شهر کلن, روزهای کارگاه صدا در هامبورگ, فستیوال سبک بر فراز لینتز دراتریش, دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده اند.</p>\n<!-- /wp:paragraph -->','زندگی نامه','','inherit','closed','closed','','167-revision-v1','','','2019-11-06 15:37:58','2019-11-06 15:37:58','',167,'http://elnazseyedi.com/new/2019/11/06/167-revision-v1/',0,'revision','',0),(195,2,'2019-11-06 15:38:51','2019-11-06 15:38:51','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p style=\"text-align:right\">الناز&nbsp;سیدی,  متولد ۱۳۶۱ در تهران, از سال ۱۳۷۵ تا ۱۳۸۶ آموزش پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتردردانشگاه هنرهای شهر برمن آلمان, نزد گونتراشتاینکه در دانشگاه هنرهای فولکوانگ شهراسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد.&nbsp;الناز&nbsp;برنده ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶,  جایزه ی برند الوییس زیمرمن شهر کلن و جایزه ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی&nbsp;آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹ &nbsp;است. &nbsp;<br>آثار  او در فستیوال هایی چون روزهای موسیقی مجلسی معاصر ویتن, فستیوال موسیقی معاصر هادرسفیلد انگلیس, دوسالانه ی ونیز, هفته ی موسیقی گائودیاموس در&nbsp;اوترخت هلند,&nbsp;فستیوال دستگاه درهانوفر, دوسالانه ی زمان/مکان ها در بازل, روزهای موسیقی  بروز در بلودنز اتریش, بخش دانشجویی روزهای موسیقی معاصردونائشینگن, فستیوال هشت پل شهر کلن, روزهای کارگاه صدا در هامبورگ, فستیوال سبک بر فراز لینتز دراتریش, دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده اند.</p>\n<!-- /wp:paragraph -->','زندگی نامه','','inherit','closed','closed','','167-revision-v1','','','2019-11-06 15:38:51','2019-11-06 15:38:51','',167,'http://elnazseyedi.com/new/2019/11/06/167-revision-v1/',0,'revision','',0),(196,1,'2019-11-06 15:43:52','2019-11-06 15:43:52','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p style=\"text-align:right\">الناز سیدی،  متولد ۱۳۶۱ در تهران، از سال ۱۳۷۵ تا ۱۳۸۶ آموزش پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال‌های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتر در دانشگاه هنرهای شهر برمن آلمان، نزد گونتر اشتاینکه در دانشگاه هنرهای فولکوانگ شهر اسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد. الناز برنده‌ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه‌ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶،  جایزه‌ی برند الوییس زیمرمن شهر کلن و جایزه‌ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال‌هایی چون روزهای موسیقی مجلسی معاصر ویتن، فستیوال موسیقی معاصر هادرسفیلد انگلیس، دوسالانه‌ی ونیز، هفته‌ی موسیقی گائودیاموس در اوترخت هلند، فستیوال دستگاه درهانوفر، دوسالانه‌ی زمان/مکان‌ها در بازل، روزهای موسیقی  بروز در بلودنز اتریش، بخش دانشجویی روزهای موسیقی معاصردونائشینگن، فستیوال هشت پل شهر کلن، روزهای کارگاه صدا در هامبورگ، فستیوال سبک بر فراز لینتز دراتریش، دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده‌اند.</p>\n<!-- /wp:paragraph -->','زندگی‌نامه','','inherit','closed','closed','','167-revision-v1','','','2019-11-06 15:43:52','2019-11-06 15:43:52','',167,'http://elnazseyedi.com/new/2019/11/06/167-revision-v1/',0,'revision','',0),(197,1,'2019-11-06 15:50:19','2019-11-06 15:50:19','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-06 15:50:19','2019-11-06 15:50:19','',6,'http://elnazseyedi.com/new/2019/11/06/6-revision-v1/',0,'revision','',0),(198,1,'2019-11-06 15:50:30','2019-11-06 15:50:30','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-06 15:50:30','2019-11-06 15:50:30','',6,'http://elnazseyedi.com/new/2019/11/06/6-revision-v1/',0,'revision','',0),(199,1,'2019-11-06 15:50:39','2019-11-06 15:50:39','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht im Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-06 15:50:39','2019-11-06 15:50:39','',6,'http://elnazseyedi.com/new/2019/11/06/6-revision-v1/',0,'revision','',0),(201,2,'2019-11-06 16:09:07','2019-11-06 16:09:07','<!-- wp:heading {\"level\":4} -->\n<h4>Detaillierter Blick (2016/17)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-06 16:09:07','2019-11-06 16:09:07','',30,'http://elnazseyedi.com/new/2019/11/06/30-revision-v1/',0,'revision','',0),(202,2,'2019-11-06 16:09:39','2019-11-06 16:09:39','<!-- wp:paragraph -->\n<p>Detaillierter Blick (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Fragmente einer Erinnerung (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p>Im Wind voller Weltraum (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-06 16:09:39','2019-11-06 16:09:39','',30,'http://elnazseyedi.com/new/2019/11/06/30-revision-v1/',0,'revision','',0),(203,1,'2019-11-06 16:10:17','2019-11-06 16:10:17','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Awakening</strong>\n(2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nsun of one´s own</strong> (2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>über/unter\ndruck</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nStreichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:verse -->\n<pre class=\"wp-block-verse\">„<strong>in\nden Lüften [ ] nicht eng“</strong> (2018) \n</pre>\n<!-- /wp:verse -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time</strong> (2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>\n(2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking\nback/forward</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nGittare, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900\nPusteblumen an Y.</strong>(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-06 16:10:17','2019-11-06 16:10:17','',26,'http://elnazseyedi.com/new/2019/11/06/26-revision-v1/',0,'revision','',0),(204,1,'2019-11-06 16:15:36','2019-11-06 16:15:36','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>über/unter\ndruck</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nStreichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nGittare, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-06 16:15:36','2019-11-06 16:15:36','',26,'http://elnazseyedi.com/new/2019/11/06/26-revision-v1/',0,'revision','',0),(205,1,'2019-11-06 16:16:06','2019-11-06 16:16:06','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>über/unter\ndruck</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nStreichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nGittare, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-06 16:16:06','2019-11-06 16:16:06','',26,'http://elnazseyedi.com/new/2019/11/06/26-revision-v1/',0,'revision','',0),(207,2,'2019-11-06 16:28:56','2019-11-06 16:28:56','<!-- wp:paragraph -->\n<p><strong>abs lu e sn w – s metim s I´d se n,  </strong>(2021)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for clarinet, frenchhorn and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>sahar  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>miniatur for frenchhorn solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragments inside  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, clarinet, frenchhorn, viola, double bass and 4 Harry Partch´s harmonic canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin, objects, audio and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','publish','closed','closed','','works','','','2021-03-24 18:03:53','2021-03-24 18:03:53','',0,'http://elnazseyedi.com/new/?page_id=207',0,'page','',0),(208,2,'2019-11-06 16:28:56','2019-11-06 16:28:56','','Works','','inherit','closed','closed','','207-revision-v1','','','2019-11-06 16:28:56','2019-11-06 16:28:56','',207,'http://elnazseyedi.com/new/2019/11/06/207-revision-v1/',0,'revision','',0),(210,1,'2019-11-06 16:38:08','2019-11-06 16:38:08','<!-- wp:paragraph -->\n<p>Please feel free to contact me via this form or visit my pages on the social networks beside the form.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Kontakt','','inherit','closed','closed','','55-revision-v1','','','2019-11-06 16:38:08','2019-11-06 16:38:08','',55,'http://elnazseyedi.com/new/2019/11/06/55-revision-v1/',0,'revision','',0),(211,2,'2019-11-06 16:41:19','2019-11-06 16:41:19','<!-- wp:paragraph -->\n<p>Please feel free to contact me via email or my pages on the social networks.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Kontakt','','inherit','closed','closed','','55-revision-v1','','','2019-11-06 16:41:19','2019-11-06 16:41:19','',55,'http://elnazseyedi.com/new/2019/11/06/55-revision-v1/',0,'revision','',0),(213,2,'2019-11-06 17:09:56','2019-11-06 17:09:56','<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>über/unter druck </strong>(2018)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nfor string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nsun of one\'s own </strong>(2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2019-11-06 17:09:56','2019-11-06 17:09:56','',207,'http://elnazseyedi.com/2019/11/06/207-revision-v1/',0,'revision','',0),(214,2,'2019-11-06 17:16:07','2019-11-06 17:16:07','<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','Veröffentlichungen','','inherit','closed','closed','','30-revision-v1','','','2019-11-06 17:16:07','2019-11-06 17:16:07','',30,'http://elnazseyedi.com/2019/11/06/30-revision-v1/',0,'revision','',0),(215,2,'2019-11-06 17:16:46','2019-11-06 17:16:46','<!-- wp:heading {\"level\":4} -->\n<h4>Fields of Time - 2nd Field</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- 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src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, 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href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-11-06 17:16:46','2019-11-06 17:16:46','',43,'http://elnazseyedi.com/2019/11/06/43-revision-v1/',0,'revision','',0),(216,2,'2019-11-06 17:17:11','2019-11-06 17:17:11','<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe 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{\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- 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height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2019-11-06 17:17:11','2019-11-06 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Noorinezhad</figcaption></figure></div>\n<!-- /wp:image -->','','','inherit','closed','closed','','138-revision-v1','','','2019-11-06 19:07:06','2019-11-06 19:07:06','',138,'http://elnazseyedi.com/2019/11/06/138-revision-v1/',0,'revision','',0),(231,2,'2019-11-07 10:00:26','2019-11-07 10:00:26','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p style=\"text-align:right\">الناز سیدی،  متولد ۱۳۶۱ در تهران، از سال ۱۳۷۵ تا ۱۳۸۶ نواختن پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال‌های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتر در دانشگاه هنرهای شهر برمن آلمان، نزد گونتر اشتاینکه در دانشگاه هنرهای فولکوانگ شهر اسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد. او برنده‌ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه‌ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶،  جایزه‌ی برند الوییس زیمرمن شهر کلن و جایزه‌ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال‌هایی چون روزهای موسیقی مجلسی معاصر ویتن، فستیوال موسیقی معاصر هادرسفیلد انگلیس، دوسالانه‌ی ونیز، هفته‌ی موسیقی گائودیاموس در اوترخت هلند، فستیوال دستگاه درهانوفر، دوسالانه‌ی زمان/مکان‌ها در بازل، روزهای موسیقی  بروز در بلودنز اتریش، بخش دانشجویی روزهای موسیقی معاصردونائشینگن، فستیوال هشت پل شهر کلن، روزهای کارگاه صدا در هامبورگ، فستیوال سبک بر فراز لینتز دراتریش، دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده‌اند.</p>\n<!-- /wp:paragraph -->','زندگی‌نامه','','inherit','closed','closed','','167-revision-v1','','','2019-11-07 10:00:26','2019-11-07 10:00:26','',167,'http://elnazseyedi.com/2019/11/07/167-revision-v1/',0,'revision','',0),(232,2,'2019-11-07 10:02:35','2019-11-07 10:02:35','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>über/unter\ndruck</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nStreichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-07 10:02:35','2019-11-07 10:02:35','',26,'http://elnazseyedi.com/2019/11/07/26-revision-v1/',0,'revision','',0),(233,2,'2019-11-07 10:47:47','2019-11-07 10:47:47','<!-- wp:image {\"id\":171,\"align\":\"center\",\"width\":768,\"height\":768} -->\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/Elnaz-Seyedi--1024x1024.jpg\" alt=\"\" class=\"wp-image-171\" width=\"768\" height=\"768\"/><figcaption>عکس: رویا نوری نژاد </figcaption></figure></div>\n<!-- /wp:image -->','','','inherit','closed','closed','','164-revision-v1','','','2019-11-07 10:47:47','2019-11-07 10:47:47','',164,'http://elnazseyedi.com/2019/11/07/164-revision-v1/',0,'revision','',0),(234,2,'2019-11-07 11:19:30','2019-11-07 11:19:30','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-07 11:19:30','2019-11-07 11:19:30','',34,'http://elnazseyedi.com/2019/11/07/34-revision-v1/',0,'revision','',0),(235,2,'2019-11-07 11:20:39','2019-11-07 11:20:39','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-07 11:20:39','2019-11-07 11:20:39','',34,'http://elnazseyedi.com/2019/11/07/34-revision-v1/',0,'revision','',0),(236,2,'2019-11-11 16:16:37','2019-11-11 16:16:37','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>fragmente <strong>über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2. Version für Streichtrio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-11 16:16:37','2019-11-11 16:16:37','',26,'http://elnazseyedi.com/2019/11/11/26-revision-v1/',0,'revision','',0),(237,2,'2019-11-11 16:17:26','2019-11-11 16:17:26','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2. Version für Streichtrio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-11 16:17:26','2019-11-11 16:17:26','',26,'http://elnazseyedi.com/2019/11/11/26-revision-v1/',0,'revision','',0),(238,2,'2019-11-11 16:18:49','2019-11-11 16:18:49','<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nsun of one\'s own </strong>(2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2019-11-11 16:18:49','2019-11-11 16:18:49','',207,'http://elnazseyedi.com/2019/11/11/207-revision-v1/',0,'revision','',0),(239,2,'2019-11-11 16:19:01','2019-11-11 16:19:01','<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nsun of one\'s own </strong>(2018/19) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2019-11-11 16:19:01','2019-11-11 16:19:01','',207,'http://elnazseyedi.com/2019/11/11/207-revision-v1/',0,'revision','',0),(240,2,'2019-11-11 18:19:04','2019-11-11 18:19:04','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-11-11 18:19:04','2019-11-11 18:19:04','',6,'http://elnazseyedi.com/2019/11/11/6-revision-v1/',0,'revision','',0),(242,2,'2019-11-19 16:12:43','2019-11-19 16:12:43','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-11-19 16:12:43','2019-11-19 16:12:43','',34,'http://elnazseyedi.com/2019/11/19/34-revision-v1/',0,'revision','',0),(243,2,'2019-11-19 16:17:12','2019-11-19 16:17:12','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-11-19 16:17:12','2019-11-19 16:17:12','',26,'http://elnazseyedi.com/2019/11/19/26-revision-v1/',0,'revision','',0),(245,2,'2019-12-12 20:58:36','2019-12-12 20:58:36','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-12 20:58:36','2019-12-12 20:58:36','',34,'http://elnazseyedi.com/2019/12/12/34-revision-v1/',0,'revision','',0),(246,2,'2019-12-12 21:01:51','2019-12-12 21:01:51','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-12 21:01:51','2019-12-12 21:01:51','',34,'http://elnazseyedi.com/2019/12/12/34-revision-v1/',0,'revision','',0),(248,2,'2019-12-12 21:16:52','2019-12-12 21:16:52','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Miniatur für Fagott und Violoncello</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>April 2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>09.05.2020, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-12 21:16:52','2019-12-12 21:16:52','',34,'http://elnazseyedi.com/2019/12/12/34-revision-v1/',0,'revision','',0),(249,2,'2019-12-12 21:18:08','2019-12-12 21:18:08','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Miniatur für Fagott und Violoncello</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-12 21:18:08','2019-12-12 21:18:08','',34,'http://elnazseyedi.com/2019/12/12/34-revision-v1/',0,'revision','',0),(250,2,'2019-12-12 21:23:17','2019-12-12 21:23:17','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. 2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im Atelier zum kleinen Markgräflerhof in Basel.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst in Hannover, studentisches Off-Program der Donaueschinger Musiktage.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2019-12-12 21:23:17','2019-12-12 21:23:17','',6,'http://elnazseyedi.com/2019/12/12/6-revision-v1/',0,'revision','',0),(251,2,'2019-12-12 21:25:23','2019-12-12 21:25:23','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany, 2020 Composer in Residence by Bartels Fondation at Atelier zum Markgräflerhof in Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, Tehran International Electronic Festival, the student Off-Program at the Donaueschinger Musiktage and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','115-revision-v1','','','2019-12-12 21:25:23','2019-12-12 21:25:23','',115,'http://elnazseyedi.com/2019/12/12/115-revision-v1/',0,'revision','',0),(252,2,'2019-12-19 11:06:23','2019-12-19 11:06:23','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Miniatur für Fagott und Violoncello</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Phiharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-19 11:06:23','2019-12-19 11:06:23','',34,'http://elnazseyedi.com/2019/12/19/34-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (253,2,'2019-12-19 11:08:43','2019-12-19 11:08:43','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Miniatur für Fagott und Violoncello</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Phiharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Syker Vorwerk, Syke</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-19 11:08:43','2019-12-19 11:08:43','',34,'http://elnazseyedi.com/2019/12/19/34-revision-v1/',0,'revision','',0),(254,2,'2019-12-19 12:55:20','2019-12-19 12:55:20','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Miniatur für Fagott und Violoncello</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Syker Vorwerk, Syke</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-19 12:55:20','2019-12-19 12:55:20','',34,'http://elnazseyedi.com/2019/12/19/34-revision-v1/',0,'revision','',0),(256,2,'2019-12-28 22:57:33','2019-12-28 22:57:33','<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2019-12-28 22:57:33','2019-12-28 22:57:33','',207,'http://elnazseyedi.com/2019/12/28/207-revision-v1/',0,'revision','',0),(257,2,'2019-12-28 22:58:41','2019-12-28 22:58:41','<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2019-12-28 22:58:41','2019-12-28 22:58:41','',207,'http://elnazseyedi.com/2019/12/28/207-revision-v1/',0,'revision','',0),(258,2,'2019-12-28 22:59:37','2019-12-28 22:59:37','<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2019-12-28 22:59:37','2019-12-28 22:59:37','',26,'http://elnazseyedi.com/2019/12/28/26-revision-v1/',0,'revision','',0),(259,2,'2019-12-28 23:00:54','2019-12-28 23:00:54','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Duo für Posaune und Schlagzeug </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Miniatur für Fagott und Violoncello</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Syker Vorwerk, Syke</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2019-12-28 23:00:54','2019-12-28 23:00:54','',34,'http://elnazseyedi.com/2019/12/28/34-revision-v1/',0,'revision','',0),(262,2,'2020-01-09 10:57:04','2020-01-09 10:57:04','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>02.04.2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HUK COBURG _ Foyer, Coburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Leonhard Dering</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Syker Vorwerk, Syke</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-01-09 10:57:04','2020-01-09 10:57:04','',34,'http://elnazseyedi.com/2020/01/09/34-revision-v1/',0,'revision','',0),(263,2,'2020-01-09 11:03:43','2020-01-09 11:03:43','<!-- wp:heading {\"level\":4} -->\n<h4>3 audible landscapes (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-01-09 11:03:43','2020-01-09 11:03:43','',26,'http://elnazseyedi.com/2020/01/09/26-revision-v1/',0,'revision','',0),(264,2,'2020-01-09 11:04:36','2020-01-09 11:04:36','<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-01-09 11:04:36','2020-01-09 11:04:36','',26,'http://elnazseyedi.com/2020/01/09/26-revision-v1/',0,'revision','',0),(265,2,'2020-01-09 11:19:05','2020-01-09 11:19:05','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.02.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>02.04.2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HUK COBURG _ Foyer, Coburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Leonhard Dering</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Syker Vorwerk, Syke</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-01-09 11:19:05','2020-01-09 11:19:05','',34,'http://elnazseyedi.com/2020/01/09/34-revision-v1/',0,'revision','',0),(266,2,'2020-01-09 11:48:53','2020-01-09 11:48:53','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>02.04.2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HUK COBURG _ Foyer, Coburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Leonhard Dering</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Syker Vorwerk, Syke</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-01-09 11:48:53','2020-01-09 11:48:53','',34,'http://elnazseyedi.com/2020/01/09/34-revision-v1/',0,'revision','',0),(269,2,'2020-01-27 14:36:16','2020-01-27 14:36:16','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>02.04.2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HUK COBURG _ Foyer, Coburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Leonhard Dering</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020, </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Syker Vorwerk, Syke</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-01-27 14:36:16','2020-01-27 14:36:16','',34,'http://elnazseyedi.com/2020/01/27/34-revision-v1/',0,'revision','',0),(270,2,'2020-01-27 14:38:45','2020-01-27 14:38:45','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>02.04.2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HUK COBURG _ Foyer, Coburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Leonhard Dering</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>April 2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-01-27 14:38:45','2020-01-27 14:38:45','',34,'http://elnazseyedi.com/2020/01/27/34-revision-v1/',0,'revision','',0),(272,2,'2020-03-17 18:39:22','2020-03-17 18:39:22','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>     <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-03-17 18:39:22','2020-03-17 18:39:22','',26,'http://elnazseyedi.com/2020/03/17/26-revision-v1/',0,'revision','',0),(274,2,'2020-03-17 18:42:10','2020-03-17 18:42:10','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>f0r 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-03-17 18:42:10','2020-03-17 18:42:10','',207,'http://elnazseyedi.com/2020/03/17/207-revision-v1/',0,'revision','',0),(275,2,'2020-03-17 18:43:55','2020-03-17 18:43:55','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bauhaus, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Wittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>02.04.2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HUK COBURG _ Foyer, Coburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Leonhard Dering</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-03-17 18:43:55','2020-03-17 18:43:55','',34,'http://elnazseyedi.com/2020/03/17/34-revision-v1/',0,'revision','',0),(276,2,'2020-03-17 18:48:46','2020-03-17 18:48:46','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-03-17 18:48:46','2020-03-17 18:48:46','',34,'http://elnazseyedi.com/2020/03/17/34-revision-v1/',0,'revision','',0),(278,2,'2020-03-17 18:54:54','2020-03-17 18:54:54','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, Wittener Tage für Neue Kammermusik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-03-17 18:54:54','2020-03-17 18:54:54','',34,'http://elnazseyedi.com/2020/03/17/34-revision-v1/',0,'revision','',0),(279,2,'2020-03-17 18:56:52','2020-03-17 18:56:52','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.11.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-03-17 18:56:52','2020-03-17 18:56:52','',34,'http://elnazseyedi.com/2020/03/17/34-revision-v1/',0,'revision','',0),(280,2,'2020-03-17 19:00:03','2020-03-17 19:00:03','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-03-17 19:00:03','2020-03-17 19:00:03','',26,'http://elnazseyedi.com/2020/03/17/26-revision-v1/',0,'revision','',0),(281,2,'2020-03-17 19:01:31','2020-03-17 19:01:31','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>f0r 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-03-17 19:01:31','2020-03-17 19:01:31','',207,'http://elnazseyedi.com/2020/03/17/207-revision-v1/',0,'revision','',0),(282,2,'2020-03-17 19:04:20','2020-03-17 19:04:20','<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>f0r 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-03-17 19:04:20','2020-03-17 19:04:20','',207,'http://elnazseyedi.com/2020/03/17/207-revision-v1/',0,'revision','',0),(285,2,'2020-08-05 11:48:03','2020-08-05 11:48:03','<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2 – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-08-05 11:48:03','2020-08-05 11:48:03','',26,'http://elnazseyedi.com/2020/08/05/26-revision-v1/',0,'revision','',0),(287,2,'2020-08-05 11:50:38','2020-08-05 11:50:38','<!-- wp:heading {\"level\":4} -->\n<h4><strong>PS: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Paetzold Flöte, Violine and Objekten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2 – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-08-05 11:50:38','2020-08-05 11:50:38','',26,'http://elnazseyedi.com/2020/08/05/26-revision-v1/',0,'revision','',0),(288,2,'2020-08-05 11:52:00','2020-08-05 11:52:00','<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Paetzold Flöte, Violine and Objekten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2 – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-08-05 11:52:00','2020-08-05 11:52:00','',26,'http://elnazseyedi.com/2020/08/05/26-revision-v1/',0,'revision','',0),(289,2,'2020-08-05 11:54:16','2020-08-05 11:54:16','<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in collaboration Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin and objects</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2 – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>f0r 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-08-05 11:54:16','2020-08-05 11:54:16','',207,'http://elnazseyedi.com/2020/08/05/207-revision-v1/',0,'revision','',0),(290,2,'2020-08-05 11:54:26','2020-08-05 11:54:26','<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin and objects</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2 – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>f0r 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-08-05 11:54:26','2020-08-05 11:54:26','',207,'http://elnazseyedi.com/2020/08/05/207-revision-v1/',0,'revision','',0),(291,2,'2020-08-05 11:55:45','2020-08-05 11:55:45','<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Paetzold Flöte, Violine und Objekten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>A\nsun of one´s own</strong> (2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nBassklarinette, Fagott, Horn, Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-08-05 11:55:45','2020-08-05 11:55:45','',26,'http://elnazseyedi.com/2020/08/05/26-revision-v1/',0,'revision','',0),(292,2,'2020-08-05 12:31:19','2020-08-05 12:31:19','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.00.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-08-05 12:31:19','2020-08-05 12:31:19','',34,'http://elnazseyedi.com/2020/08/05/34-revision-v1/',0,'revision','',0),(294,2,'2020-08-05 12:43:25','2020-08-05 12:43:25','<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin and objects</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>f0r 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one\'s own </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for bass clarinet, bassoon, french horn, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-08-05 12:43:25','2020-08-05 12:43:25','',207,'http://elnazseyedi.com/2020/08/05/207-revision-v1/',0,'revision','',0),(297,2,'2020-09-09 12:49:25','2020-09-09 12:49:25','<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Paetzold Flöte, Violine und Objekten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-09-09 12:49:25','2020-09-09 12:49:25','',26,'http://elnazseyedi.com/2020/09/09/26-revision-v1/',0,'revision','',0),(299,2,'2020-09-09 12:50:11','2020-09-09 12:50:11','<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine und Objekten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nII</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Frames\nI</strong> (2019) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Awakening</strong>\n(2018/19) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-09-09 12:50:11','2020-09-09 12:50:11','',26,'http://elnazseyedi.com/2020/09/09/26-revision-v1/',0,'revision','',0),(300,2,'2020-09-09 12:51:04','2020-09-09 12:51:04','<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine und Objekten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-09-09 12:51:04','2020-09-09 12:51:04','',26,'http://elnazseyedi.com/2020/09/09/26-revision-v1/',0,'revision','',0),(301,2,'2020-09-09 12:52:50','2020-09-09 12:52:50','<!-- wp:paragraph -->\n<p><strong>fragments inside  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, clarinet, frenchhorn, viola, double bass and 4 Harry Partch´s harmonic canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin and objects</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>f0r 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-09-09 12:52:50','2020-09-09 12:52:50','',207,'http://elnazseyedi.com/2020/09/09/207-revision-v1/',0,'revision','',0),(303,2,'2020-09-09 12:53:31','2020-09-09 12:53:31','<!-- wp:paragraph -->\n<p><strong>fragments inside  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, clarinet, frenchhorn, viola, double bass and 4 Harry Partch´s harmonic canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin and objects</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-09-09 12:53:31','2020-09-09 12:53:31','',207,'http://elnazseyedi.com/2020/09/09/207-revision-v1/',0,'revision','',0),(304,2,'2020-09-09 12:55:02','2020-09-09 12:55:02','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.00.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-09 12:55:02','2020-09-09 12:55:02','',34,'http://elnazseyedi.com/2020/09/09/34-revision-v1/',0,'revision','',0),(306,2,'2020-09-09 13:39:19','2020-09-09 13:39:19','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[368]} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonisches Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von zusammenklingenden Hämmern, deren Gewichte in ganzzahligen Verhältnissen zueinander stehen, die Größenverhältnisse von Glocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge und Tonhöhe beim Monochord gelten als Grundsteine der Abendländischen Akustik die mit dem Namen Pythagoras verbunden ist, ebenso sein Erklärungsmodell nach dem alle Dinge dem oberstes Ordnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras ohne jegliche visuellen Informationen vermittelt, indem er hinter einem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen sich auch seine Anhänger in Mathematiker, die sich dem Rechnen und Zählen widmen, und Akusmatiker, die sich ganz dem Hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<figure class=\"wp-block-gallery columns-3 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, dessen Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der  visuellen Anweisung Scelsis und Pythagoras\' akustisch – mathematischen  Experimenten von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:gallery {\"ids\":[386,387],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1024x730.jpg\" alt=\"\" data-id=\"386\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pythagoras1b/\" class=\"wp-image-386\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pyt_PK-Kopie-1.jpg\" alt=\"\" data-id=\"387\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pyt_pk-kopie-1/\" class=\"wp-image-387\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> © Alle Fotos von Julian Pache und Hannelore Pfeifer</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','publish','closed','closed','','pythagorean-triple','','','2020-09-14 09:37:53','2020-09-14 09:37:53','',0,'http://elnazseyedi.com/?page_id=306',0,'page','',0),(307,2,'2020-09-09 13:03:58','2020-09-09 13:03:58','','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:03:58','2020-09-09 13:03:58','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(308,2,'2020-09-09 13:06:36','2020-09-09 13:06:36','<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">   <strong>.</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">    <strong>.\n  . </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">   <strong>.\n  .   .</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">     <strong>.\n  .   .   .  </strong>\n</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:06:36','2020-09-09 13:06:36','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(309,2,'2020-09-09 13:07:20','2020-09-09 13:07:20','<!-- wp:paragraph -->\n<p><em>Ein Steinchen.\nZwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn\nSteinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei\nzu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist\nDrei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu\nDrei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich\ndie griechische Musik symbolisieren und klären.  (</em>Friedrich\nKittler)</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:07:20','2020-09-09 13:07:20','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(310,2,'2020-09-09 13:12:34','2020-09-09 13:12:34','<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:12:34','2020-09-09 13:12:34','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(311,2,'2020-09-09 13:23:21','2020-09-09 13:23:21','<!-- wp:embed {\"align\":\"center\"} /-->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:23:21','2020-09-09 13:23:21','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(312,2,'2020-09-09 13:27:59','2020-09-09 13:27:59','<!-- wp:paragraph -->\n<p><a href=\"<iframe src=&quot;https://player.vimeo.com/video/456174796&quot; width=&quot;640&quot; height=&quot;360&quot; frameborder=&quot;0&quot; allow=&quot;autoplay; fullscreen&quot; allowfullscreen&gt;</iframe&gt; <p&gt;<a href=&quot;https://vimeo.com/456174796&quot;&gt;Pythagorean Triple</a&gt; from <a href=&quot;https://vimeo.com/user60048379&quot;&gt;Elnaz Seyedi</a&gt; on <a href=&quot;https://vimeo.com&quot;&gt;Vimeo</a&gt;.</p&gt;\">&lt;iframe src=\"https://player.vimeo.com/video/456174796\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen>&lt;/iframe> &lt;p>&lt;a href=\"https://vimeo.com/456174796\">Pythagorean Triple&lt;/a> from &lt;a href=\"https://vimeo.com/user60048379\">Elnaz Seyedi&lt;/a> on &lt;a href=\"https://vimeo.com\">Vimeo&lt;/a>.&lt;/p></a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:27:59','2020-09-09 13:27:59','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(313,2,'2020-09-09 13:29:02','2020-09-09 13:29:02','<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:29:02','2020-09-09 13:29:02','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(314,2,'2020-09-09 13:30:15','2020-09-09 13:30:15','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>\n<p><a href=\"https://vimeo.com/456174796\">Pythagorean Triple</a> from <a href=\"https://vimeo.com/user60048379\">Elnaz Seyedi</a> on <a href=\"https://vimeo.com\">Vimeo</a>.</p>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:30:15','2020-09-09 13:30:15','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(315,2,'2020-09-09 13:31:14','2020-09-09 13:31:14','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&byline=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:31:14','2020-09-09 13:31:14','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(316,2,'2020-09-09 13:36:12','2020-09-09 13:36:12','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&byline=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungsdatum: 19.02.2020</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungsort:\nAlte Feuerwache Köln \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dauer: ca. 70\nMinuten (ohne Pause) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konstantin Herzog,\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:36:12','2020-09-09 13:36:12','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(317,2,'2020-09-09 13:37:00','2020-09-09 13:37:00','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&byline=0\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konstantin Herzog,\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:37:00','2020-09-09 13:37:00','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(318,2,'2020-09-09 13:39:19','2020-09-09 13:39:19','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konstantin Herzog,\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 13:39:19','2020-09-09 13:39:19','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(320,2,'2020-09-09 13:42:04','2020-09-09 13:42:04','','bühne_IMG_7759','','inherit','open','closed','','bu%cc%88hne_img_7759','','','2020-09-09 13:42:04','2020-09-09 13:42:04','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759.jpg',0,'attachment','image/jpeg',0),(321,2,'2020-09-09 13:42:07','2020-09-09 13:42:07','','glocken_IMG_7768','','inherit','open','closed','','glocken_img_7768','','','2020-09-09 13:42:07','2020-09-09 13:42:07','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768.jpg',0,'attachment','image/jpeg',0),(322,2,'2020-09-09 13:42:11','2020-09-09 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class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-1024x683.jpg\" alt=\"\" class=\"wp-image-330\" width=\"360\" height=\"237\"/></figure></div>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331]} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[347,348,349,351,353,354,355,356,358]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1024x683.jpg\" alt=\"\" data-id=\"347\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_/\" class=\"wp-image-347\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0117_-1024x683.jpg\" alt=\"\" data-id=\"348\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0117_/\" class=\"wp-image-348\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1024x683.jpg\" alt=\"\" data-id=\"349\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_/\" class=\"wp-image-349\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9848_-683x1024.jpg\" alt=\"\" data-id=\"354\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9848_/\" class=\"wp-image-354\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1024x683.jpg\" alt=\"\" data-id=\"358\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_/\" class=\"wp-image-358\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konstantin Herzog,\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 14:03:48','2020-09-09 14:03:48','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(362,2,'2020-09-09 14:08:22','2020-09-09 14:08:22','','MG_9709_-1','','inherit','open','closed','','mg_9709_-1','','','2020-09-09 14:08:22','2020-09-09 14:08:22','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1.jpg',0,'attachment','image/jpeg',0),(363,2,'2020-09-09 14:09:13','2020-09-09 14:09:13','','MG_0059_-1','','inherit','open','closed','','mg_0059_-1','','','2020-09-09 14:09:13','2020-09-09 14:09:13','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1.jpg',0,'attachment','image/jpeg',0),(364,2,'2020-09-09 14:10:01','2020-09-09 14:10:01','','MG_9836_-1','','inherit','open','closed','','mg_9836_-1','','','2020-09-09 14:10:01','2020-09-09 14:10:01','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1.jpg',0,'attachment','image/jpeg',0),(365,2,'2020-09-09 14:10:24','2020-09-09 14:10:24','','steine_IMG_7757.gr_-1','','inherit','open','closed','','steine_img_7757-gr_-1','','','2020-09-09 14:10:24','2020-09-09 14:10:24','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-1.jpg',0,'attachment','image/jpeg',0),(366,2,'2020-09-09 14:10:34','2020-09-09 14:10:34','','MG_9991_-1','','inherit','open','closed','','mg_9991_-1','','','2020-09-09 14:10:34','2020-09-09 14:10:34','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1.jpg',0,'attachment','image/jpeg',0),(367,2,'2020-09-09 14:12:03','2020-09-09 14:12:03','','steine_IMG_7757.gr_-2','','inherit','open','closed','','steine_img_7757-gr_-2','','','2020-09-09 14:12:03','2020-09-09 14:12:03','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-2.jpg',0,'attachment','image/jpeg',0),(368,2,'2020-09-09 14:12:26','2020-09-09 14:12:26','','steine_IMG_7757.gr_-3','','inherit','open','closed','','steine_img_7757-gr_-3','','','2020-09-09 14:12:26','2020-09-09 14:12:26','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3.jpg',0,'attachment','image/jpeg',0),(369,2,'2020-09-09 14:17:06','2020-09-09 14:17:06','','musiker_komponisten_IMG_7820-1','','inherit','open','closed','','musiker_komponisten_img_7820-1','','','2020-09-09 14:17:06','2020-09-09 14:17:06','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1.jpg',0,'attachment','image/jpeg',0),(370,2,'2020-09-09 14:17:37','2020-09-09 14:17:37','','MG_0145_','','inherit','open','closed','','mg_0145_','','','2020-09-09 14:17:37','2020-09-09 14:17:37','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_.jpg',0,'attachment','image/jpeg',0),(371,2,'2020-09-09 14:17:45','2020-09-09 14:17:45','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[368]} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[347,348,351,353,355,356],\"columns\":2} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1024x683.jpg\" alt=\"\" data-id=\"347\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_/\" class=\"wp-image-347\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0117_-1024x683.jpg\" alt=\"\" data-id=\"348\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0117_/\" class=\"wp-image-348\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konstantin Herzog,\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 14:17:45','2020-09-09 14:17:45','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(373,2,'2020-09-09 14:21:36','2020-09-09 14:21:36','','MG_0109_-1','','inherit','open','closed','','mg_0109_-1','','','2020-09-09 14:21:36','2020-09-09 14:21:36','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1.jpg',0,'attachment','image/jpeg',0),(374,2,'2020-09-09 14:21:43','2020-09-09 14:21:43','','MG_9947_-1','','inherit','open','closed','','mg_9947_-1','','','2020-09-09 14:21:43','2020-09-09 14:21:43','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1.jpg',0,'attachment','image/jpeg',0),(375,2,'2020-09-09 14:22:24','2020-09-09 14:22:24','','MG_9837_-1','','inherit','open','closed','','mg_9837_-1','','','2020-09-09 14:22:24','2020-09-09 14:22:24','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1.jpg',0,'attachment','image/jpeg',0),(376,2,'2020-09-09 14:22:49','2020-09-09 14:22:49','','MG_0109_-2','','inherit','open','closed','','mg_0109_-2','','','2020-09-09 14:22:49','2020-09-09 14:22:49','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-2.jpg',0,'attachment','image/jpeg',0),(377,2,'2020-09-09 14:25:54','2020-09-09 14:25:54','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[368]} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konstantin Herzog,\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 14:25:54','2020-09-09 14:25:54','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(379,2,'2020-09-09 14:39:00','2020-09-09 14:39:00','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"368\"]} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der visuellen Anweisung im Scelsis, und den akustisch – mathematischen Experimenten des Pythagoras von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konstantin Herzog,\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> © Alle Fotos von Julian Pache und Hannelore Pfeifer</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-09 14:39:00','2020-09-09 14:39:00','',306,'http://elnazseyedi.com/2020/09/09/306-revision-v1/',0,'revision','',0),(381,2,'2020-09-09 15:18:39','2020-09-09 15:18:39','','musiker_komponisten_IMG_7819','','inherit','open','closed','','musiker_komponisten_img_7819','','','2020-09-09 15:18:39','2020-09-09 15:18:39','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7819.jpg',0,'attachment','image/jpeg',0),(382,2,'2020-09-09 15:22:13','2020-09-09 15:22:13','','musiker_komponisten_IMG_7819-1','','inherit','open','closed','','musiker_komponisten_img_7819-1','','','2020-09-09 15:22:13','2020-09-09 15:22:13','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7819-1.jpg',0,'attachment','image/jpeg',0),(383,2,'2020-09-10 09:43:27','2020-09-10 09:43:27','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"368\"]} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der  visuellen Anweisung Scelsis und Pythagoras\' akustisch – mathematischen  Experimenten von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> © Alle Fotos von Julian Pache und Hannelore Pfeifer</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-10 09:43:27','2020-09-10 09:43:27','',306,'http://elnazseyedi.com/2020/09/10/306-revision-v1/',0,'revision','',0),(385,2,'2020-09-10 15:07:57','2020-09-10 15:07:57','','Pyt_PK-Kopie','','inherit','open','closed','','pyt_pk-kopie','','','2020-09-10 15:07:57','2020-09-10 15:07:57','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/Pyt_PK-Kopie.jpg',0,'attachment','image/jpeg',0),(386,2,'2020-09-10 15:08:14','2020-09-10 15:08:14','','Pythagoras1b','','inherit','open','closed','','pythagoras1b','','','2020-09-10 15:08:14','2020-09-10 15:08:14','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b.jpg',0,'attachment','image/jpeg',0),(387,2,'2020-09-10 15:08:40','2020-09-10 15:08:40','','Pyt_PK-Kopie-1','','inherit','open','closed','','pyt_pk-kopie-1','','','2020-09-10 15:08:40','2020-09-10 15:08:40','',306,'http://elnazseyedi.com/wp-content/uploads/2020/09/Pyt_PK-Kopie-1.jpg',0,'attachment','image/jpeg',0),(388,2,'2020-09-10 15:15:21','2020-09-10 15:15:21','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"368\"]} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischens Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<ul class=\"wp-block-gallery columns-3 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der  visuellen Anweisung Scelsis und Pythagoras\' akustisch – mathematischen  Experimenten von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p style=\"text-align:center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<ul class=\"wp-block-gallery columns-2 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:gallery {\"ids\":[386,387],\"columns\":1} -->\n<ul class=\"wp-block-gallery columns-1 is-cropped\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1024x730.jpg\" alt=\"\" data-id=\"386\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pythagoras1b/\" class=\"wp-image-386\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pyt_PK-Kopie-1.jpg\" alt=\"\" data-id=\"387\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pyt_pk-kopie-1/\" class=\"wp-image-387\"/></figure></li></ul>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> © Alle Fotos von Julian Pache und Hannelore Pfeifer</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-10 15:15:21','2020-09-10 15:15:21','',306,'http://elnazseyedi.com/2020/09/10/306-revision-v1/',0,'revision','',0),(390,2,'2020-09-10 16:17:02','2020-09-10 16:17:02','<!-- wp:paragraph -->\n<p><strong><a href=\"http://elnazseyedi.com/pythagorean-triple/\">Pythagorean Triple</a></strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>inszeniertes Konzert in Zusammenarbeit mit Roman Pfeifer (Konzept, Komposition und Inszenierung) und Rie Watanabe (Konzept und Schlagzeug)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Zusammenarbeiten','','publish','closed','closed','','zusammenarbeiten','','','2020-09-10 19:44:24','2020-09-10 19:44:24','',0,'http://elnazseyedi.com/?page_id=390',0,'page','',0),(391,2,'2020-09-10 16:03:14','2020-09-10 16:03:14','','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:03:14','2020-09-10 16:03:14','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(392,2,'2020-09-10 16:04:20','2020-09-10 16:04:20','<!-- wp:paragraph -->\n<p>a very close look from far away</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:04:20','2020-09-10 16:04:20','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(393,2,'2020-09-10 16:11:53','2020-09-10 16:11:53','','photo_2016-10-31_11-24-04','','inherit','open','closed','','photo_2016-10-31_11-24-04','','','2020-09-10 16:11:53','2020-09-10 16:11:53','',390,'http://elnazseyedi.com/wp-content/uploads/2020/09/photo_2016-10-31_11-24-04.jpg',0,'attachment','image/jpeg',0),(394,2,'2020-09-10 16:12:13','2020-09-10 16:12:13','<!-- wp:paragraph -->\n<p>a very close look from far away</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[393]} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/photo_2016-10-31_11-24-04-1024x580.jpg\" alt=\"\" data-id=\"393\" data-full-url=\"http://elnazseyedi.com/wp-content/uploads/2020/09/photo_2016-10-31_11-24-04.jpg\" data-link=\"http://elnazseyedi.com/?attachment_id=393\" class=\"wp-image-393\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:12:13','2020-09-10 16:12:13','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(395,2,'2020-09-10 16:12:48','2020-09-10 16:12:48','<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[393]} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/photo_2016-10-31_11-24-04-1024x580.jpg\" alt=\"\" data-id=\"393\" data-full-url=\"http://elnazseyedi.com/wp-content/uploads/2020/09/photo_2016-10-31_11-24-04.jpg\" data-link=\"http://elnazseyedi.com/?attachment_id=393\" class=\"wp-image-393\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:12:48','2020-09-10 16:12:48','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(396,2,'2020-09-10 16:16:21','2020-09-10 16:16:21','<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>\n<!-- /wp:html -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:16:21','2020-09-10 16:16:21','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(397,2,'2020-09-10 16:17:02','2020-09-10 16:17:02','<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>\n<!-- /wp:html -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:17:02','2020-09-10 16:17:02','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(398,2,'2020-09-10 16:19:03','2020-09-10 16:19:03','','Pythagoras1b-1','','inherit','open','closed','','pythagoras1b-1','','','2020-09-10 16:19:03','2020-09-10 16:19:03','',390,'http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1.jpg',0,'attachment','image/jpeg',0),(400,2,'2020-09-10 16:20:18','2020-09-10 16:20:18','<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p><strong>Pythagorean Triple</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Roman Pfeifer, Rie Watanabe, Constantin Herzog, Macarena Rosmanich und Mirjam Schröder</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:20:18','2020-09-10 16:20:18','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(401,2,'2020-09-10 16:21:24','2020-09-10 16:21:24','<!-- wp:paragraph -->\n<p><strong>Pythagorean Triple</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Roman Pfeifer, Rie Watanabe, Constantin Herzog, Macarena Rosmanich und Mirjam Schröder</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:21:24','2020-09-10 16:21:24','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(403,2,'2020-09-10 16:22:57','2020-09-10 16:22:57','<!-- wp:paragraph -->\n<p><strong>Pythagorean Triple</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>inszeniertes Konzert in Zusammenarbeit mit Roman Pfeifer (Konzept, Komposition und Inszenierung), Rie Watanabe (Konzept und Schlagzeug), Constantin Herzog (Kontrabass), Macarena Rosmanich (Komposition) und Mirjam Schröder (Harfe)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:22:57','2020-09-10 16:22:57','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(405,2,'2020-09-10 16:25:05','2020-09-10 16:25:05',' ','','','publish','closed','closed','','405','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/?p=405',3,'nav_menu_item','',0),(406,2,'2020-09-10 16:25:05','2020-09-10 16:25:05',' ','','','publish','closed','closed','','406','','','2020-09-10 16:29:21','2020-09-10 16:29:21','',0,'http://elnazseyedi.com/?p=406',4,'nav_menu_item','',0),(407,2,'2020-09-10 16:36:59','2020-09-10 16:36:59','<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','Publikationen','','inherit','closed','closed','','30-revision-v1','','','2020-09-10 16:36:59','2020-09-10 16:36:59','',30,'http://elnazseyedi.com/2020/09/10/30-revision-v1/',0,'revision','',0),(408,2,'2020-09-10 16:38:20','2020-09-10 16:38:20','<!-- wp:paragraph -->\n<p><strong><a href=\"http://elnazseyedi.com/pythagorean-triple/\">Pythagorean Triple</a></strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>inszeniertes Konzert in Zusammenarbeit mit Roman Pfeifer (Konzept, Komposition und Inszenierung), Rie Watanabe (Konzept und Schlagzeug), Constantin Herzog (Kontrabass), Macarena Rosmanich (Komposition) und Mirjam Schröder (Harfe)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:38:20','2020-09-10 16:38:20','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(409,2,'2020-09-10 16:38:33','2020-09-10 16:38:33','<!-- wp:paragraph -->\n<p><strong><a href=\"http://elnazseyedi.com/pythagorean-triple/\">Pythagorean Triple</a></strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>inszeniertes Konzert in Zusammenarbeit mit Roman Pfeifer (Konzept, Komposition und Inszenierung), Rie Watanabe (Konzept und Schlagzeug), Constantin Herzog (Kontrabass), Macarena Rosmanich (Komposition) und Mirjam Schröder (Harfe)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Kollaborationen','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:38:33','2020-09-10 16:38:33','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(410,2,'2020-09-10 16:38:53','2020-09-10 16:38:53','<!-- wp:paragraph -->\n<p><strong><a href=\"http://elnazseyedi.com/pythagorean-triple/\">Pythagorean Triple</a></strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>inszeniertes Konzert in Zusammenarbeit mit Roman Pfeifer (Konzept, Komposition und Inszenierung), Rie Watanabe (Konzept und Schlagzeug), Constantin Herzog (Kontrabass), Macarena Rosmanich (Komposition) und Mirjam Schröder (Harfe)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 16:38:53','2020-09-10 16:38:53','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (411,2,'2020-09-10 16:44:27','2020-09-10 16:44:27','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.00.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-10 16:44:27','2020-09-10 16:44:27','',34,'http://elnazseyedi.com/2020/09/10/34-revision-v1/',0,'revision','',0),(412,2,'2020-09-10 16:45:04','2020-09-10 16:45:04','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.00.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-10 16:45:04','2020-09-10 16:45:04','',34,'http://elnazseyedi.com/2020/09/10/34-revision-v1/',0,'revision','',0),(414,2,'2020-09-10 18:14:31','2020-09-10 18:14:31','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[\"368\"]} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonischen Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von\nzusammenklingenden Hämmern, deren Gewichte in ganzzahligen\nVerhältnissen zueinander stehen, die Größenverhältnisse von\nGlocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge\nund Tonhöhe beim Monochord gelten als Grundsteine der\nAbendländischen Akustik die mit dem Namen Pythagoras verbunden ist.\nEbenso sein Erklärungsmodell nachdem alle Dinge dem oberstes\nOrdnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras\nohne jegliche visuellen Informationen vermittelt, indem er hinter\neinem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen\nsich auch seine Anhänger in Mathematiker, die sich dem rechnen und\nzählen widmen, und Akusmatiker, die sich ganz dem hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<figure class=\"wp-block-gallery columns-3 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, deren Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der  visuellen Anweisung Scelsis und Pythagoras\' akustisch – mathematischen  Experimenten von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:gallery {\"ids\":[386,387],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1024x730.jpg\" alt=\"\" data-id=\"386\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pythagoras1b/\" class=\"wp-image-386\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pyt_PK-Kopie-1.jpg\" alt=\"\" data-id=\"387\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pyt_pk-kopie-1/\" class=\"wp-image-387\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> © Alle Fotos von Julian Pache und Hannelore Pfeifer</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-10 18:14:31','2020-09-10 18:14:31','',306,'http://elnazseyedi.com/2020/09/10/306-revision-v1/',0,'revision','',0),(415,2,'2020-09-10 19:39:43','2020-09-10 19:39:43','<!-- wp:paragraph -->\n<p><strong><a href=\"http://elnazseyedi.com/pythagorean-triple/\">Pythagorean Triple</a></strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>inszeniertes Konzert in Zusammenarbeit mit Roman Pfeifer (Konzept, Komposition und Inszenierung) und Rie Watanabe (Konzept und Schlagzeug)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":398,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1-1024x730.jpg\" alt=\"\" class=\"wp-image-398\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong>  (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Babak Vandad (Video)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/256792077\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Zusammenarbeiten','','inherit','closed','closed','','390-revision-v1','','','2020-09-10 19:39:43','2020-09-10 19:39:43','',390,'http://elnazseyedi.com/2020/09/10/390-revision-v1/',0,'revision','',0),(416,2,'2020-09-14 09:37:53','2020-09-14 09:37:53','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[368]} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonisches Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von zusammenklingenden Hämmern, deren Gewichte in ganzzahligen Verhältnissen zueinander stehen, die Größenverhältnisse von Glocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge und Tonhöhe beim Monochord gelten als Grundsteine der Abendländischen Akustik die mit dem Namen Pythagoras verbunden ist, ebenso sein Erklärungsmodell nach dem alle Dinge dem oberstes Ordnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras ohne jegliche visuellen Informationen vermittelt, indem er hinter einem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen sich auch seine Anhänger in Mathematiker, die sich dem Rechnen und Zählen widmen, und Akusmatiker, die sich ganz dem Hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<figure class=\"wp-block-gallery columns-3 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, dessen Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der  visuellen Anweisung Scelsis und Pythagoras\' akustisch – mathematischen  Experimenten von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:gallery {\"ids\":[386,387],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1024x730.jpg\" alt=\"\" data-id=\"386\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pythagoras1b/\" class=\"wp-image-386\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pyt_PK-Kopie-1.jpg\" alt=\"\" data-id=\"387\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pyt_pk-kopie-1/\" class=\"wp-image-387\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> © Alle Fotos von Julian Pache und Hannelore Pfeifer</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-revision-v1','','','2020-09-14 09:37:53','2020-09-14 09:37:53','',306,'https://elnazseyedi.com/2020/09/14/306-revision-v1/',0,'revision','',0),(417,2,'2020-09-14 09:38:16','2020-09-14 09:38:16','<!-- wp:html -->\n<iframe src=\"https://player.vimeo.com/video/456174796?title=0&amp;byline=0\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" width=\"640\" height=\"360\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[368]} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7757.gr_-3-1024x683.jpg\" alt=\"\" data-id=\"368\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7757-gr_-3/\" class=\"wp-image-368\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p><em>Ein Steinchen. Zwei Steinchen. Drei Steinchen. Vier Steinchen. Insgesamt zehn Steinchen. Die Oktave ist das Verhältnis der Saitenlängen von Zwei zu Eins, die Quinte, nächstes wichtiges harmonisches Intervall, ist Drei zu Zwei und die Quarte, das nächste reine Intervall, Vier zu Drei. Mit diesen Steinchen, beziehungsweise Saitenlängen, ließ sich die griechische Musik symbolisieren und klären.  (</em>Friedrich Kittler)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[331,362],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/bühne_IMG_7759-1-1024x683.jpg\" alt=\"\" data-id=\"331\" data-link=\"http://elnazseyedi.com/pythagorean-triple/bu%cc%88hne_img_7759-1/\" class=\"wp-image-331\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9709_-1-1024x683.jpg\" alt=\"\" data-id=\"362\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9709_-1/\" class=\"wp-image-362\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Der Wohlklang von zusammenklingenden Hämmern, deren Gewichte in ganzzahligen Verhältnissen zueinander stehen, die Größenverhältnisse von Glocken, Gläsern und Pfeifen sowie der Zusammenhang von Saitenlänge und Tonhöhe beim Monochord gelten als Grundsteine der Abendländischen Akustik die mit dem Namen Pythagoras verbunden ist, ebenso sein Erklärungsmodell nach dem alle Dinge dem oberstes Ordnungsprinzip der Zahl gehorchen. Dies alles wird von Pythagoras ohne jegliche visuellen Informationen vermittelt, indem er hinter einem Vorhang spricht, um das Hören nicht abzulenken. Und so teilen sich auch seine Anhänger in Mathematiker, die sich dem Rechnen und Zählen widmen, und Akusmatiker, die sich ganz dem Hören widmen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[339,340,341,342,343,344]} -->\n<figure class=\"wp-block-gallery columns-3 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/gläser_IMG_7788-1-1024x683.jpg\" alt=\"\" data-id=\"339\" data-link=\"http://elnazseyedi.com/pythagorean-triple/gla%cc%88ser_img_7788-1/\" class=\"wp-image-339\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/glocken_IMG_7768-2-1024x683.jpg\" alt=\"\" data-id=\"340\" data-link=\"http://elnazseyedi.com/pythagorean-triple/glocken_img_7768-2/\" class=\"wp-image-340\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/hammer_orgelpfeifen_IMG_7810-1024x1024.jpg\" alt=\"\" data-id=\"341\" data-link=\"http://elnazseyedi.com/pythagorean-triple/hammer_orgelpfeifen_img_7810/\" class=\"wp-image-341\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/kontrabass_IMG_7773-2-1024x683.jpg\" alt=\"\" data-id=\"342\" data-link=\"http://elnazseyedi.com/pythagorean-triple/kontrabass_img_7773-2/\" class=\"wp-image-342\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/metall_IMG_7755-1-1024x683.jpg\" alt=\"\" data-id=\"343\" data-link=\"http://elnazseyedi.com/pythagorean-triple/metall_img_7755-1/\" class=\"wp-image-343\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/steine_IMG_7822.gr_-1024x683.jpg\" alt=\"\" data-id=\"344\" data-link=\"http://elnazseyedi.com/pythagorean-triple/steine_img_7822-gr_/\" class=\"wp-image-344\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Dies ist der Kontext, dessen Spektrum durch Nicolas A. Hubers <em>Himeros</em> (das nach der Personifikation Sehnsucht aus der griechischen Mythologie benannt ist) und Giacinto Scelsis <em>Okanagon</em> (das unsichtbar hinter einem Vorhang aufgeführt werden soll) abgesteckt wird und zu dem drei neue Kompositionen von Macarena Rosmanich, Roman Pfeifer und Elnaz Seyedi hinzukommen.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[373,374],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0109_-1-1024x683.jpg\" alt=\"\" data-id=\"373\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0109_-1/\" class=\"wp-image-373\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9947_-1-1024x683.jpg\" alt=\"\" data-id=\"374\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9947_-1/\" class=\"wp-image-374\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Das Konzert wird ausgehend von der  visuellen Anweisung Scelsis und Pythagoras\' akustisch – mathematischen  Experimenten von Roman Pfeifer inszeniert.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[351,353,355,356],\"columns\":2} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9808_-1024x683.jpg\" alt=\"\" data-id=\"351\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9808_/\" class=\"wp-image-351\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9837_-1024x683.jpg\" alt=\"\" data-id=\"353\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9837_/\" class=\"wp-image-353\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9856_-1024x683.jpg\" alt=\"\" data-id=\"355\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9856_/\" class=\"wp-image-355\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9876_-1024x683.jpg\" alt=\"\" data-id=\"356\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9876_/\" class=\"wp-image-356\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"> Programm</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Giacinto\nScelsi</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Okanagon\n(1968)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für Harfe, Tamtam und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Macarena\nRosmanich</strong> \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Dunst\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für Harfe und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Roman\nPfeifer</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">a\npythagorean computation (2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nSchlagzeug und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Nicolaus\nA. Huber </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Himeros\n(2011)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">Für\nHarfe, Schlagzeug und Zuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\"><strong>Elnaz\nSeyedi </strong>\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">2910\n(2019) UA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"center\"} -->\n<p class=\"has-text-align-center\">für\nHarfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[363,364,366],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0059_-1-1024x683.jpg\" alt=\"\" data-id=\"363\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0059_-1/\" class=\"wp-image-363\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9836_-1-1024x683.jpg\" alt=\"\" data-id=\"364\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9836_-1/\" class=\"wp-image-364\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_9991_-1-1024x683.jpg\" alt=\"\" data-id=\"366\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_9991_-1/\" class=\"wp-image-366\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p>Mitwirkende: \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rie Watanabe,\nSchlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder,\nHarfe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roman Pfeifer,\nInszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"ids\":[369,370]} -->\n<figure class=\"wp-block-gallery columns-2 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/musiker_komponisten_IMG_7820-1-1024x683.jpg\" alt=\"\" data-id=\"369\" data-link=\"http://elnazseyedi.com/pythagorean-triple/musiker_komponisten_img_7820-1/\" class=\"wp-image-369\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/MG_0145_-1024x683.jpg\" alt=\"\" data-id=\"370\" data-link=\"http://elnazseyedi.com/pythagorean-triple/mg_0145_/\" class=\"wp-image-370\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:gallery {\"ids\":[386,387],\"columns\":1} -->\n<figure class=\"wp-block-gallery columns-1 is-cropped\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pythagoras1b-1024x730.jpg\" alt=\"\" data-id=\"386\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pythagoras1b/\" class=\"wp-image-386\"/></figure></li><li class=\"blocks-gallery-item\"><figure><img src=\"http://elnazseyedi.com/wp-content/uploads/2020/09/Pyt_PK-Kopie-1.jpg\" alt=\"\" data-id=\"387\" data-link=\"http://elnazseyedi.com/pythagorean-triple/pyt_pk-kopie-1/\" class=\"wp-image-387\"/></figure></li></ul></figure>\n<!-- /wp:gallery -->\n\n<!-- wp:paragraph -->\n<p> © Alle Fotos von Julian Pache und Hannelore Pfeifer</p>\n<!-- /wp:paragraph -->','Pythagorean Triple','','inherit','closed','closed','','306-autosave-v1','','','2020-09-14 09:38:16','2020-09-14 09:38:16','',306,'https://elnazseyedi.com/2020/09/14/306-autosave-v1/',0,'revision','',0),(418,2,'2020-09-14 09:39:50','2020-09-14 09:39:50','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-14 09:39:50','2020-09-14 09:39:50','',34,'https://elnazseyedi.com/2020/09/14/34-revision-v1/',0,'revision','',0),(419,2,'2020-09-16 09:46:20','2020-09-16 09:46:20','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-16 09:46:20','2020-09-16 09:46:20','',34,'https://elnazseyedi.com/2020/09/16/34-revision-v1/',0,'revision','',0),(421,2,'2020-09-16 09:49:42','2020-09-16 09:49:42','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-16 09:49:42','2020-09-16 09:49:42','',34,'https://elnazseyedi.com/2020/09/16/34-revision-v1/',0,'revision','',0),(425,2,'2020-09-20 16:53:54','2020-09-20 16:53:54','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-20 16:53:54','2020-09-20 16:53:54','',34,'https://elnazseyedi.com/2020/09/20/34-revision-v1/',0,'revision','',0),(427,2,'2020-09-20 16:54:39','2020-09-20 16:54:39','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2020-09-20 16:54:39','2020-09-20 16:54:39','',34,'https://elnazseyedi.com/2020/09/20/34-revision-v1/',0,'revision','',0),(430,2,'2020-10-15 12:03:37','2020-10-15 12:03:37','<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-10-15 12:03:37','2020-10-15 12:03:37','',26,'https://elnazseyedi.com/2020/10/15/26-revision-v1/',0,'revision','',0),(432,2,'2020-10-15 12:04:43','2020-10-15 12:04:43','<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2020-10-15 12:04:43','2020-10-15 12:04:43','',26,'https://elnazseyedi.com/2020/10/15/26-revision-v1/',0,'revision','',0),(433,2,'2020-10-15 12:06:38','2020-10-15 12:06:38','<!-- wp:paragraph -->\n<p><strong>sahar  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>miniatur for frenchhorn solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragments inside  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, clarinet, frenchhorn, viola, double bass and 4 Harry Partch´s harmonic canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin, objects, audio and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2020-10-15 12:06:38','2020-10-15 12:06:38','',207,'https://elnazseyedi.com/2020/10/15/207-revision-v1/',0,'revision','',0),(437,2,'2021-01-04 12:21:02','2021-01-04 12:21:02','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im Atelier zum kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Klangwerkstatt Berlin, Frau Musica Nova Köln, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst uns Muaik 21 in Hannover.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2021-01-04 12:21:02','2021-01-04 12:21:02','',6,'https://elnazseyedi.com/2021/01/04/6-revision-v1/',0,'revision','',0),(438,2,'2021-01-04 12:28:33','2021-01-04 12:28:33','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-01-04 12:28:33','2021-01-04 12:28:33','',34,'https://elnazseyedi.com/2021/01/04/34-revision-v1/',0,'revision','',0),(439,2,'2021-01-04 12:31:01','2021-01-04 12:31:01','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-01-04 12:31:01','2021-01-04 12:31:01','',34,'https://elnazseyedi.com/2021/01/04/34-revision-v1/',0,'revision','',0),(441,2,'2021-01-04 12:38:26','2021-01-04 12:38:26','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-01-04 12:38:26','2021-01-04 12:38:26','',34,'https://elnazseyedi.com/2021/01/04/34-revision-v1/',0,'revision','',0),(443,2,'2021-01-04 12:44:04','2021-01-04 12:44:04','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-01-04 12:44:04','2021-01-04 12:44:04','',34,'https://elnazseyedi.com/2021/01/04/34-revision-v1/',0,'revision','',0),(444,2,'2021-01-04 12:55:24','2021-01-04 12:55:24','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.05.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.05.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-01-04 12:55:24','2021-01-04 12:55:24','',34,'https://elnazseyedi.com/2021/01/04/34-revision-v1/',0,'revision','',0),(445,2,'2021-01-04 13:05:00','2021-01-04 13:05:00','<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','CDs','','inherit','closed','closed','','30-revision-v1','','','2021-01-04 13:05:00','2021-01-04 13:05:00','',30,'https://elnazseyedi.com/2021/01/04/30-revision-v1/',0,'revision','',0),(446,2,'2021-01-04 13:06:19','2021-01-04 13:06:19','','CDs','','inherit','closed','closed','','228-revision-v1','','','2021-01-04 13:06:19','2021-01-04 13:06:19','',228,'https://elnazseyedi.com/2021/01/04/228-revision-v1/',0,'revision','',0),(447,2,'2021-01-04 13:09:46','2021-01-04 13:09:46','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der&nbsp;Bartels&nbsp;Fondation im Atelier zum kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Klangwerkstatt Berlin, Frau Musica Nova Köln, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festivals für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst und Musik 21 in Hannover.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2021-01-04 13:09:46','2021-01-04 13:09:46','',6,'https://elnazseyedi.com/2021/01/04/6-revision-v1/',0,'revision','',0),(448,2,'2021-01-04 13:10:35','2021-01-04 13:10:35','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im  Kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Klangwerkstatt Berlin, Frau Musica Nova Köln, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festival für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst und Musik 21 in Hannover.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2021-01-04 13:10:35','2021-01-04 13:10:35','',6,'https://elnazseyedi.com/2021/01/04/6-revision-v1/',0,'revision','',0),(449,2,'2021-01-04 15:16:52','2021-01-04 15:16:52','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.05.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.05.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-01-04 15:16:52','2021-01-04 15:16:52','',34,'https://elnazseyedi.com/2021/01/04/34-revision-v1/',0,'revision','',0),(450,2,'2021-01-05 18:40:20','2021-01-05 18:40:20','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.05.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.05.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-01-05 18:40:20','2021-01-05 18:40:20','',34,'https://elnazseyedi.com/2021/01/05/34-revision-v1/',0,'revision','',0),(452,2,'2021-03-24 17:58:07','2021-03-24 17:58:07','<!-- wp:heading {\"level\":4} -->\n<h4>abs lu e   sn w  – s metim s  I´d  se n,(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2021-03-24 17:58:07','2021-03-24 17:58:07','',26,'https://elnazseyedi.com/2021/03/24/26-revision-v1/',0,'revision','',0),(454,2,'2021-03-24 17:59:05','2021-03-24 17:59:05','<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s  I´d  se n,(2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2021-03-24 17:59:05','2021-03-24 17:59:05','',26,'https://elnazseyedi.com/2021/03/24/26-revision-v1/',0,'revision','',0),(455,2,'2021-03-24 17:59:26','2021-03-24 17:59:26','<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s  I´d  se n,</strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2021-03-24 17:59:26','2021-03-24 17:59:26','',26,'https://elnazseyedi.com/2021/03/24/26-revision-v1/',0,'revision','',0),(456,2,'2021-03-24 17:59:47','2021-03-24 17:59:47','<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s  I´d  se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2021-03-24 17:59:47','2021-03-24 17:59:47','',26,'https://elnazseyedi.com/2021/03/24/26-revision-v1/',0,'revision','',0),(457,2,'2021-03-24 18:02:51','2021-03-24 18:02:51','<!-- wp:paragraph -->\n<p><strong>abs lu e sn w – s metim s I´d se n,  </strong>(2021)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>sahar  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>miniatur for frenchhorn solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragments inside  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, clarinet, frenchhorn, viola, double bass and 4 Harry Partch´s harmonic canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin, objects, audio and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2021-03-24 18:02:51','2021-03-24 18:02:51','',207,'https://elnazseyedi.com/2021/03/24/207-revision-v1/',0,'revision','',0),(459,2,'2021-03-24 18:03:52','2021-03-24 18:03:52','<!-- wp:paragraph -->\n<p><strong>abs lu e sn w – s metim s I´d se n,  </strong>(2021)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for clarinet, frenchhorn and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>sahar  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>miniatur for frenchhorn solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragments inside  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, clarinet, frenchhorn, viola, double bass and 4 Harry Partch´s harmonic canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin, objects, audio and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-revision-v1','','','2021-03-24 18:03:52','2021-03-24 18:03:52','',207,'https://elnazseyedi.com/2021/03/24/207-revision-v1/',0,'revision','',0),(460,2,'2021-03-24 18:04:03','2021-03-24 18:04:03','<!-- wp:paragraph -->\n<p><strong>abs lu e sn w – s metim s I´d se n,  </strong>(2021)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for clarinet, frenchhorn and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>sahar  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>miniatur for frenchhorn solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragments inside  </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, clarinet, frenchhorn, viola, double bass and 4 Harry Partch´s harmonic canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>ps: and the trees will ask the wind</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in collaboration with Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Paetzold flute, violin, objects, audio and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>String Quartet Nr. 2   – (un)frightened </strong>(2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Felsen </strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>         <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 8 trumpets</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a sun of one´s own – epilouge</strong> (2019/20)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Bassoon and Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>3 audible landscapes (2019/20)</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for trombone and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>2910</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for harp, double bass and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames II</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, french horn, trumpet, trombone, percussion, 2 pianists, violin, viola, violoncello and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for flute, oboe, clarinet, bassoon, saxophone, french horn, trumpet, trombone, tuba, 2 percussionsts, piano, elecrtic guitar and double bass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>awakening</strong> (2018/19)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>in cooperation with Natascha Süder Happelmann </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>fragmente über/unter druck </strong>(2018/19)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for string quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Version for string trio (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nach\nneuen Meeren </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for clarinet and accordion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>In\nden Lüften [ ] nicht eng“ </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for arciorgano and ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time – the second Field </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for saxophone, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fields\nof Time </strong>(2018) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for piano solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Monolog</strong>(2017)\n\n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for trombone and archiorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Looking back/forward</strong> (2017)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for tow recorders</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind\nthe Seas</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for soprano, bass flute and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense\nof a possibility</strong> (2017) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for harp and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter\nBlick</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Moorlandschaft\nmit Regenbogen</strong> (2016/17) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, harfe, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>A\nvery close look from far away</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for guitar, violoncello and video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>zwischen[t]räume</strong>\n(2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for alto flute, clarinet, violoncello and piano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Durchsichtig,\nverzweigt</strong> (2016) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for 3 Violoncelli and Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> for flute, clarinet, violin, violoncello, piano and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Seelenlandschaften\n</strong>(2012/13) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for 2 trombones, 2 percussionists, violin, vila, three violoncelli and 2 double basses</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Stiller(s)\nRaum</strong> (2011) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>900 Pusteblumen an Y.</strong> (2010)  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for alto flute, bassclarinet, harp, violoncello and percussion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Tiefblau</strong>\n(2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for Silbermann organ</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Im\nWind voller Weltraum</strong> (2010) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for oboe and electronic  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Nachtlied\n</strong>(2009/10) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for five singers, clarinet and percussion   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>electronic sound installation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Aus\nder Singularität </strong>(2007/08)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>for\nflute, clarinet, bassoon, violin, viola and violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->','Works','','inherit','closed','closed','','207-autosave-v1','','','2021-03-24 18:04:03','2021-03-24 18:04:03','',207,'https://elnazseyedi.com/2021/03/24/207-autosave-v1/',0,'revision','',0),(462,2,'2021-03-24 18:11:32','2021-03-24 18:11:32','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.05.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.05.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-03-24 18:11:32','2021-03-24 18:11:32','',34,'https://elnazseyedi.com/2021/03/24/34-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (464,2,'2021-03-24 18:14:12','2021-03-24 18:14:12','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.05.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.05.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-03-24 18:14:12','2021-03-24 18:14:12','',34,'https://elnazseyedi.com/2021/03/24/34-revision-v1/',0,'revision','',0),(465,2,'2021-03-24 18:17:21','2021-03-24 18:17:21','{{unknown}}','','','publish','closed','closed','','61d7650356cd2ca4a05a64e3960ba5ea','','','2021-03-24 18:17:21','2021-03-24 18:17:21','',0,'https://elnazseyedi.com/2021/03/24/61d7650356cd2ca4a05a64e3960ba5ea/',0,'oembed_cache','',0),(466,2,'2021-03-24 18:18:17','2021-03-24 18:18:17','<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:core-embed/youtube {\"url\":\"https://www.youtube.com/embed/hfyB2BrgrS8\",\"type\":\"rich\",\"providerNameSlug\":\"embed-handler\",\"className\":\"\"} -->\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-rich is-provider-embed-handler\"><div class=\"wp-block-embed__wrapper\">\nhttps://www.youtube.com/embed/hfyB2BrgrS8\n</div></figure>\n<!-- /wp:core-embed/youtube -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2021-03-24 18:18:17','2021-03-24 18:18:17','',43,'https://elnazseyedi.com/2021/03/24/43-revision-v1/',0,'revision','',0),(468,2,'2021-03-24 18:26:05','2021-03-24 18:26:05','<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:core-embed/youtube {\"url\":\"https://www.youtube.com/embed/hfyB2BrgrS8\",\"type\":\"rich\",\"providerNameSlug\":\"embed-handler\",\"className\":\"\"} -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>\n<!-- /wp:core-embed/youtube -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2021-03-24 18:26:05','2021-03-24 18:26:05','',43,'https://elnazseyedi.com/2021/03/24/43-revision-v1/',0,'revision','',0),(469,2,'2021-03-24 18:33:37','2021-03-24 18:33:37','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der&nbsp;Bartels&nbsp;Fondation im  Kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Klangwerkstatt Berlin, Frau Musica Nova Köln, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festival für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst und Musik 21 in Hannover.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2021-03-24 18:33:37','2021-03-24 18:33:37','',6,'https://elnazseyedi.com/2021/03/24/6-revision-v1/',0,'revision','',0),(471,2,'2021-03-24 18:35:23','2021-03-24 18:35:23','<!-- wp:paragraph -->\n<p>Please feel free to contact me via email or my pages on the social networks.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a>elnaz.sk (at) gmail.com</a><br><br><br>Edition Juliane Klein KG<br>Chodowieckistr. 15/I<br>D-10405 Berlin<br>Tel.(0049) 030/440 451 64<br>Fax.(0049) 030/440 451 65</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"mailto:info@editionjulianeklein.de\">info@editionjulianeklein.de</a><br><a href=\"http://www.editionjulianeklein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">www.editionjulianeklein.de</a><br></p>\n<!-- /wp:paragraph -->','Kontakt','','inherit','closed','closed','','55-revision-v1','','','2021-03-24 18:35:23','2021-03-24 18:35:23','',55,'https://elnazseyedi.com/2021/03/24/55-revision-v1/',0,'revision','',0),(472,2,'2021-03-24 18:35:41','2021-03-24 18:35:41','<!-- wp:paragraph -->\n<p>Please feel free to contact me via email or my pages on the social networks.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a>elnaz.sk (at) gmail.com</a><br><br><br>Edition Juliane Klein KG<br>Chodowieckistr. 15/I<br>D-10405 Berlin<br>Tel.(0049) 030/440 451 64<br></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"mailto:info@editionjulianeklein.de\">info@editionjulianeklein.de</a><br><a href=\"http://www.editionjulianeklein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">www.editionjulianeklein.de</a><br></p>\n<!-- /wp:paragraph -->','Kontakt','','inherit','closed','closed','','55-revision-v1','','','2021-03-24 18:35:41','2021-03-24 18:35:41','',55,'https://elnazseyedi.com/2021/03/24/55-revision-v1/',0,'revision','',0),(474,2,'2021-03-24 21:53:03','2021-03-24 21:53:03','{{unknown}}','','','publish','closed','closed','','f3026a6b0606cc4c2264f563a6e1f674','','','2021-03-24 21:53:03','2021-03-24 21:53:03','',0,'https://elnazseyedi.com/2021/03/24/f3026a6b0606cc4c2264f563a6e1f674/',0,'oembed_cache','',0),(475,2,'2021-03-24 21:55:34','2021-03-24 21:55:34','<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"<iframe width=&quot;560&quot; height=&quot;315&quot; src=&quot;https://www.youtube.com/embed/o7HLVHwtV9Y&quot; title=&quot;YouTube video player&quot; frameborder=&quot;0&quot; allow=&quot;accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture&quot; allowfullscreen&gt;</iframe&gt;\">&lt;iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen>&lt;/iframe></a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2021-03-24 21:55:34','2021-03-24 21:55:34','',43,'https://elnazseyedi.com/2021/03/24/43-revision-v1/',0,'revision','',0),(477,2,'2021-03-24 21:57:12','2021-03-24 21:57:12','<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2021-03-24 21:57:12','2021-03-24 21:57:12','',43,'https://elnazseyedi.com/2021/03/24/43-revision-v1/',0,'revision','',0),(481,2,'2021-05-27 09:55:21','2021-05-27 09:55:21','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.05.2021, 19:00 Uhr</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.05.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-05-27 09:55:21','2021-05-27 09:55:21','',34,'https://elnazseyedi.com/2021/05/27/34-revision-v1/',0,'revision','',0),(483,2,'2021-05-27 10:11:54','2021-05-27 10:11:54','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em>  (verschoben auf 2023)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-05-27 10:11:54','2021-05-27 10:11:54','',34,'https://elnazseyedi.com/2021/05/27/34-revision-v1/',0,'revision','',0),(484,2,'2021-05-27 10:16:42','2021-05-27 10:16:42','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>   </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em>  (verschoben auf 2023)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-05-27 10:16:42','2021-05-27 10:16:42','',34,'https://elnazseyedi.com/2021/05/27/34-revision-v1/',0,'revision','',0),(486,2,'2021-05-27 10:22:57','2021-05-27 10:22:57','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em>  (verschoben auf 2023)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-05-27 10:22:57','2021-05-27 10:22:57','',34,'https://elnazseyedi.com/2021/05/27/34-revision-v1/',0,'revision','',0),(490,2,'2021-06-22 18:14:45','2021-06-22 18:14:45','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Musiktheaterwerk </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi und Thea Reifler</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em>  (verschoben auf 2023)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-06-22 18:14:45','2021-06-22 18:14:45','',34,'https://elnazseyedi.com/2021/06/22/34-revision-v1/',0,'revision','',0),(492,2,'2021-06-22 18:17:34','2021-06-22 18:17:34','<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – recentered</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2021-06-22 18:17:34','2021-06-22 18:17:34','',26,'https://elnazseyedi.com/2021/06/22/26-revision-v1/',0,'revision','',0),(494,2,'2021-06-22 18:26:20','2021-06-22 18:26:20','','71J7te2NnaL._SX425_','','inherit','open','closed','','71j7te2nnal-_sx425_','','','2021-06-22 18:26:20','2021-06-22 18:26:20','',30,'http://elnazseyedi.com/wp-content/uploads/2021/06/71J7te2NnaL._SX425_.jpg',0,'attachment','image/jpeg',0),(495,2,'2021-06-22 18:26:26','2021-06-22 18:26:26','<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: http://www.dreyer-gaido.de/index.php/de/katalog/10-katalog-cd/623-21128</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":494,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/71J7te2NnaL._SX425_.jpg\" alt=\"\" class=\"wp-image-494\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','CDs','','inherit','closed','closed','','30-revision-v1','','','2021-06-22 18:26:26','2021-06-22 18:26:26','',30,'https://elnazseyedi.com/2021/06/22/30-revision-v1/',0,'revision','',0),(497,2,'2021-06-22 18:39:51','2021-06-22 18:39:51','','2021-06-22-20-33','','inherit','open','closed','','2021-06-22-20-33','','','2021-06-22 18:39:51','2021-06-22 18:39:51','',30,'http://elnazseyedi.com/wp-content/uploads/2021/06/2021-06-22-20-33.jpg',0,'attachment','image/jpeg',0),(498,2,'2021-06-22 18:39:57','2021-06-22 18:39:57','<!-- wp:paragraph -->\n<p><strong>Felsen – unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\" data-type=\"URL\" data-id=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2020</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project; Marco Blaauw, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":497,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/2021-06-22-20-33-1005x1024.jpg\" alt=\"\" class=\"wp-image-497\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: http://www.dreyer-gaido.de/index.php/de/katalog/10-katalog-cd/623-21128</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":494,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/71J7te2NnaL._SX425_.jpg\" alt=\"\" class=\"wp-image-494\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','CDs','','inherit','closed','closed','','30-revision-v1','','','2021-06-22 18:39:57','2021-06-22 18:39:57','',30,'https://elnazseyedi.com/2021/06/22/30-revision-v1/',0,'revision','',0),(500,2,'2021-06-22 18:40:47','2021-06-22 18:40:47','<!-- wp:paragraph -->\n<p><strong>Felsen – unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\" data-type=\"URL\" data-id=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2020</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project; Marco Blaauw, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":497,\"width\":464,\"height\":473,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large is-resized\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/2021-06-22-20-33-1005x1024.jpg\" alt=\"\" class=\"wp-image-497\" width=\"464\" height=\"473\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: http://www.dreyer-gaido.de/index.php/de/katalog/10-katalog-cd/623-21128</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":494,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/71J7te2NnaL._SX425_.jpg\" alt=\"\" class=\"wp-image-494\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','CDs','','inherit','closed','closed','','30-revision-v1','','','2021-06-22 18:40:47','2021-06-22 18:40:47','',30,'https://elnazseyedi.com/2021/06/22/30-revision-v1/',0,'revision','',0),(501,2,'2021-06-22 18:40:53','2021-06-22 18:40:53','<!-- wp:paragraph -->\n<p><strong>Felsen – unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\" data-type=\"URL\" data-id=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2020</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project; Marco Blaauw, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":497,\"width\":464,\"height\":473,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large is-resized\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/2021-06-22-20-33-1005x1024.jpg\" alt=\"\" class=\"wp-image-497\" width=\"464\" height=\"473\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>frames I</strong> (2019)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: http://www.dreyer-gaido.de/index.php/de/katalog/10-katalog-cd/623-21128</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":494,\"sizeSlug\":\"large\"} -->\n<figure class=\"wp-block-image size-large\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2021/06/71J7te2NnaL._SX425_.jpg\" alt=\"\" class=\"wp-image-494\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Detaillierter Blick</strong> (2016/17)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/doku-cds-hoerbuch/\">Wittener Tage für Neue Kammermusik, CD- Dokumentationen 2018</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18; Lautaro Mura Fuentealba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":126,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/IMG_6130-1024x1024.jpg\" alt=\"\" class=\"wp-image-126\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong> (2015)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"http://www.on-projekte.de/index.php/2017/02/20/cd-kurzwelle-handwerk/\">kurzwelle - Forum für Komponisten und Ensembles, ON - Neue Musik Köln, 2017</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":32,\"width\":512,\"height\":455} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/cover_front_web-e1487598473937-1024x910.jpg\" alt=\"\" class=\"wp-image-32\" width=\"512\" height=\"455\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><strong>Im Wind voller Weltraum</strong> (2010)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Oboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>In: <a href=\"https://www.mahoor.com/fa/cd/18864-new-music-in-iran\">New Musik in Iran, Volume 3, 2019</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":31,\"width\":512,\"height\":512} -->\n<figure class=\"wp-block-image is-resized\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/10/60152456_2897496240474521_472029618933596160_n.jpg\" alt=\"\" class=\"wp-image-31\" width=\"512\" height=\"512\"/></figure>\n<!-- /wp:image -->','CDs','','inherit','closed','closed','','30-autosave-v1','','','2021-06-22 18:40:53','2021-06-22 18:40:53','',30,'https://elnazseyedi.com/2021/06/22/30-autosave-v1/',0,'revision','',0),(502,2,'2021-06-22 18:42:27','2021-06-22 18:42:27','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany, 2020 Composer in Residence by Bartels Fondation at Atelier zum Markgräflerhof in Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, Tehran International Electronic Festival and the Klangwerktage in  Hamburg.</p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','115-revision-v1','','','2021-06-22 18:42:27','2021-06-22 18:42:27','',115,'https://elnazseyedi.com/2021/06/22/115-revision-v1/',0,'revision','',0),(504,2,'2021-06-22 18:46:12','2021-06-22 18:46:12','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany, 2020 Composer in Residence by Bartels Fondation at Atelier zum Markgräflerhof in Basel, 2021 Composer in Residence in Künstlerhof Schreyahn. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, Darmstädter Ferienkurse, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, Tehran International Electronic Festival and the Klangwerktage in  Hamburg. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her works are published by Edition Juliane Klein, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:preformatted -->\n<pre id=\"tw-target-rmn\" class=\"wp-block-preformatted\"></pre>\n<!-- /wp:preformatted -->\n\n<!-- wp:preformatted -->\n<pre id=\"tw-target-rmn\" class=\"wp-block-preformatted\"></pre>\n<!-- /wp:preformatted -->','Vita','','inherit','closed','closed','','115-revision-v1','','','2021-06-22 18:46:12','2021-06-22 18:46:12','',115,'https://elnazseyedi.com/2021/06/22/115-revision-v1/',0,'revision','',0),(506,2,'2021-07-16 13:22:03','2021-07-16 13:22:03','<!-- wp:paragraph -->\n<p>Elnaz Seyedi was born in Tehran in 1982, she studied piano with Ali Gorji and  Farimah Ghawam-Sadri and music theory and composition with Alireza  Mashayekhi. From 2007 to 2018, she studied composition with Younghi  Pagh-Paan and Jörg Birkenkötter at Hochschule für Künste in Bremen, with  Caspar Johannes Walter at Hochschule für Musik in Basel and with Günter  Steinke at Folkwang University of Arts in Essen. She has received  awards and scholarships like Bernd-Alois-Zimmermann-Scholarchip of  the City Cologne and Ensemble Phoenix Basel Competition prize in 2017 and DAAD Scholarship in 2016. In 2018/19 she was Composer in Residence at International Ensemble Modern Academy (IEMA) in Frankfurt am Main in  Germany, 2020 Composer in Residence by Bartels Fondation at Atelier zum Markgräflerhof in Basel, 2021 Composer in Residence in Künstlerhof Schreyahn. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her  music has been performed among others at numerous festivals such as Wittener Tage für Neue Kammermusik, Venice Art Biennale, Huddersfield Contemporary Music Festival, Ultraschall Berlin, Festival Mixture Barcelona, Darmstädter Ferienkurse, the Acht Brücken Festival in Cologne, Zeiträume – Biennale for Contemporary Music and Architecture Basel, Bludenzer Tage zeitgemäßer Musik, Gaudeamus Muziekweek in Utrecht, Festival Leicht über Linz, Musica Insieme Panicale Italy, Tehran International Electronic Festival and the Klangwerktage in  Hamburg. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Her works are published by Edition Juliane Klein, Berlin.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:preformatted -->\n<pre id=\"tw-target-rmn\" class=\"wp-block-preformatted\"></pre>\n<!-- /wp:preformatted -->\n\n<!-- wp:preformatted -->\n<pre id=\"tw-target-rmn\" class=\"wp-block-preformatted\"></pre>\n<!-- /wp:preformatted -->','Vita','','inherit','closed','closed','','115-revision-v1','','','2021-07-16 13:22:03','2021-07-16 13:22:03','',115,'https://elnazseyedi.com/2021/07/16/115-revision-v1/',0,'revision','',0),(511,2,'2021-07-16 14:19:31','2021-07-16 14:19:31','<!-- wp:paragraph -->\n<p>Please feel free to contact me via email, my publisher or my pages on the social networks.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a>elnaz.sk (at) gmail.com</a><br><br><br>Edition Juliane Klein KG<br>Chodowieckistr. 15/I<br>D-10405 Berlin<br>Tel.(0049) 030/440 451 64<br></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"mailto:info@editionjulianeklein.de\">info@editionjulianeklein.de</a><br><a href=\"http://www.editionjulianeklein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">www.editionjulianeklein.de</a><br></p>\n<!-- /wp:paragraph -->','Kontakt','','inherit','closed','closed','','55-revision-v1','','','2021-07-16 14:19:31','2021-07-16 14:19:31','',55,'https://elnazseyedi.com/2021/07/16/55-revision-v1/',0,'revision','',0),(512,2,'2021-07-16 14:19:45','2021-07-16 14:19:45','<!-- wp:paragraph -->\n<p>Please feel free to contact me via email, my publisher or my pages on the social networks.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a>elnaz.sk (at) gmail.com</a><br><br><br>Edition Juliane Klein KG<br>Chodowieckistr. 15/I<br>D-10405 Berlin<br>Tel.(0049) 030/440 451 64<br></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"mailto:info@editionjulianeklein.de\">info@editionjulianeklein.de</a><br><a href=\"http://www.editionjulianeklein.de/\" target=\"_blank\" rel=\"noreferrer noopener\">www.editionjulianeklein.de</a><br></p>\n<!-- /wp:paragraph -->','Kontakt','','inherit','closed','closed','','55-autosave-v1','','','2021-07-16 14:19:45','2021-07-16 14:19:45','',55,'https://elnazseyedi.com/2021/07/16/55-autosave-v1/',0,'revision','',0),(513,2,'2021-07-16 14:22:10','2021-07-16 14:22:10','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p class=\"has-text-align-right\">الناز سیدی،  متولد ۱۳۶۱ در تهران، از سال ۱۳۷۵ تا ۱۳۸۶ نواختن پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال‌های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتر در دانشگاه هنرهای شهر برمن آلمان، نزد گونتر اشتاینکه در دانشگاه هنرهای فولکوانگ شهر اسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد. او برنده‌ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه‌ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶،  جایزه‌ی برند الوییس زیمرمن شهر کلن و جایزه‌ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال‌هایی چون روزهای موسیقی مجلسی معاصر ویتن، فستیوال موسیقی معاصر هادرسفیلد انگلیس، دوسالانه‌ی ونیز، هفته‌ی موسیقی گائودیاموس در اوترخت هلند، فستیوال دستگاه درهانوفر، دوسالانه‌ی زمان/مکان‌ها در بازل، روزهای موسیقی  بروز در بلودنز اتریش، فستیوال هشت پل شهر کلن، روزهای کارگاه صدا در هامبورگ، فستیوال سبک بر فراز لینتز دراتریش، دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده‌اند.</p>\n<!-- /wp:paragraph -->','زندگی‌نامه','','inherit','closed','closed','','167-revision-v1','','','2021-07-16 14:22:10','2021-07-16 14:22:10','',167,'https://elnazseyedi.com/2021/07/16/167-revision-v1/',0,'revision','',0),(515,2,'2021-07-16 14:26:48','2021-07-16 14:26:48','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p class=\"has-text-align-right\">الناز سیدی،  متولد ۱۳۶۱ در تهران، از سال ۱۳۷۵ تا ۱۳۸۶ نواختن پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال‌های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتر در دانشگاه هنرهای شهر برمن آلمان، نزد گونتر اشتاینکه در دانشگاه هنرهای فولکوانگ شهر اسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد. او برنده‌ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه‌ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶،  جایزه‌ی برند الوییس زیمرمن شهر کلن و جایزه‌ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال‌هایی چون روزهای موسیقی مجلسی معاصر ویتن، فستیوال موسیقی معاصر هادرسفیلد انگلیس، دوسالانه‌ی ونیز، هفته‌ی موسیقی گائودیاموس در اوترخت هلند، فستیوال دستگاه درهانوفر، دوسالانه‌ی زمان/مکان‌ها در بازل، روزهای موسیقی  بروز در بلودنز اتریش، فستیوال هشت پل شهر کلن، روزهای کارگاه صدا در هامبورگ، فستیوال سبک بر فراز لینتز دراتریش، دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده‌اند.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"right\"} -->\n<p class=\"has-text-align-right\">آثار او توسط ادیسیون یولیانه کلاین در برلین منتشر می شوند.</p>\n<!-- /wp:paragraph -->','زندگی‌نامه','','inherit','closed','closed','','167-revision-v1','','','2021-07-16 14:26:48','2021-07-16 14:26:48','',167,'https://elnazseyedi.com/2021/07/16/167-revision-v1/',0,'revision','',0),(516,2,'2021-07-16 14:27:03','2021-07-16 14:27:03','<!-- wp:paragraph {\"align\":\"right\"} -->\n<p class=\"has-text-align-right\">الناز سیدی،  متولد ۱۳۶۱ در تهران، از سال ۱۳۷۵ تا ۱۳۸۶ نواختن پیانو را نزد علی گرجی و  فریماه قوام صدری و تئوری موسیقی و آهنگسازی نزد علیرضا مشایخی فراگرفت. بین سال‌های ۲۰۰۷ تا ۲۰۱۸ تحصیلات آهنگسازی خود را نزد یونگی پاک پان و یورگ بیرکن کوتر در دانشگاه هنرهای شهر برمن آلمان، نزد گونتر اشتاینکه در دانشگاه هنرهای فولکوانگ شهر اسن آلمان و نزد کاسپاریوهانس والتردردانشگاه موسیقی شهر بازل سوییس ادامه داد. او برنده‌ی جوایزی چون بورس تحصیلی بخش موسیقی موسسه‌ی تبادلات آکادمیک آلمان (DAAD) در سال ۲۰۱۶،  جایزه‌ی برند الوییس زیمرمن شهر کلن و جایزه‌ی فونیکس ترابانت آنسامبل فونیکس بازل در سال ۲۰۱۷ و بورس تحصیلی آکادمی بین المللی آنسامبل مدرن در فرانکفورت در سال ۲۰۱۸ تا ۲۰۱۹  است.  <br>آثار  او در فستیوال‌هایی چون روزهای موسیقی مجلسی معاصر ویتن، فستیوال موسیقی معاصر هادرسفیلد انگلیس، دوسالانه‌ی ونیز، هفته‌ی موسیقی گائودیاموس در اوترخت هلند، فستیوال دستگاه درهانوفر، دوسالانه‌ی زمان/مکان‌ها در بازل، روزهای موسیقی  بروز در بلودنز اتریش، فستیوال هشت پل شهر کلن، روزهای کارگاه صدا در هامبورگ، فستیوال سبک بر فراز لینتز دراتریش، دوره‌ی موسیقی معاصرلوگو در اسپانیا و فستیوال موزیکا اینسیمه درایتالیا اجرا شده‌اند.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph {\"align\":\"right\"} -->\n<p class=\"has-text-align-right\">آثار او توسط ادیسیون یولیانه کلاین در برلین منتشر می شوند.</p>\n<!-- /wp:paragraph -->','زندگی‌نامه','','inherit','closed','closed','','167-autosave-v1','','','2021-07-16 14:27:03','2021-07-16 14:27:03','',167,'https://elnazseyedi.com/2021/07/16/167-autosave-v1/',0,'revision','',0),(518,2,'2021-09-19 15:19:21','2021-09-19 15:19:21','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-09-19 15:19:21','2021-09-19 15:19:21','',34,'https://elnazseyedi.com/2021/09/19/34-revision-v1/',0,'revision','',0),(519,2,'2021-09-19 15:23:25','2021-09-19 15:23:25','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-09-19 15:23:25','2021-09-19 15:23:25','',34,'https://elnazseyedi.com/2021/09/19/34-revision-v1/',0,'revision','',0),(521,2,'2021-09-19 15:33:43','2021-09-19 15:33:43','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-09-19 15:33:43','2021-09-19 15:33:43','',34,'https://elnazseyedi.com/2021/09/19/34-revision-v1/',0,'revision','',0),(523,2,'2021-09-19 15:40:31','2021-09-19 15:40:31','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im  Kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Ultraschall Festival für Neue Musik Berlin, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Klangwerkstatt Berlin, Frau Musica Nova Köln, Ciclo de Música Contemporánea de Lugo in Galicia, Acht Brücken Festival Köln, Festival Leicht über Linz, DASTGAH Festival für zeitgenössische iranische Musik, Literatur, Film und bildende Kunst und Musik 21 in Hannover.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2021-09-19 15:40:31','2021-09-19 15:40:31','',6,'https://elnazseyedi.com/2021/09/19/6-revision-v1/',0,'revision','',0),(525,2,'2021-09-19 15:46:50','2021-09-19 15:46:50','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im  Kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel).</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Huddersfield Contemporary Music Festival, Biennale aktueller Musik Bremen, Acht Brücken Festival Köln, Festival Leicht über Linz and Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2021-09-19 15:46:50','2021-09-19 15:46:50','',6,'https://elnazseyedi.com/2021/09/19/6-revision-v1/',0,'revision','',0),(527,2,'2021-10-17 22:40:17','2021-10-17 22:40:17','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-10-17 22:40:17','2021-10-17 22:40:17','',34,'https://elnazseyedi.com/2021/10/17/34-revision-v1/',0,'revision','',0),(529,2,'2021-10-17 22:42:13','2021-10-17 22:42:13','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-10-17 22:42:13','2021-10-17 22:42:13','',34,'https://elnazseyedi.com/2021/10/17/34-revision-v1/',0,'revision','',0),(531,2,'2021-12-09 09:58:55','2021-12-09 09:58:55','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em>, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-12-09 09:58:55','2021-12-09 09:58:55','',34,'https://elnazseyedi.com/2021/12/09/34-revision-v1/',0,'revision','',0),(532,2,'2021-12-09 10:06:44','2021-12-09 10:06:44','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em>, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06. – 08.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-12-09 10:06:44','2021-12-09 10:06:44','',34,'https://elnazseyedi.com/2021/12/09/34-revision-v1/',0,'revision','',0),(533,2,'2021-12-09 10:12:41','2021-12-09 10:12:41','<!-- wp:heading {\"level\":4} -->\n<h4>OSJA  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – recentered</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2021-12-09 10:12:41','2021-12-09 10:12:41','',26,'https://elnazseyedi.com/2021/12/09/26-revision-v1/',0,'revision','',0),(534,2,'2021-12-09 10:14:38','2021-12-09 10:14:38','<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – recentered</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2021-12-09 10:14:38','2021-12-09 10:14:38','',26,'https://elnazseyedi.com/2021/12/09/26-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (535,2,'2021-12-09 10:20:45','2021-12-09 10:20:45','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em>, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06. –&nbsp;08.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-12-09 10:20:45','2021-12-09 10:20:45','',34,'https://elnazseyedi.com/2021/12/09/34-revision-v1/',0,'revision','',0),(536,2,'2021-12-10 17:16:57','2021-12-10 17:16:57','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em>, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em>, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06. –&nbsp;08.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-12-10 17:16:57','2021-12-10 17:16:57','',34,'https://elnazseyedi.com/2021/12/10/34-revision-v1/',0,'revision','',0),(537,2,'2021-12-10 17:18:06','2021-12-10 17:18:06','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06. –&nbsp;08.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2021-12-10 17:18:06','2021-12-10 17:18:06','',34,'https://elnazseyedi.com/2021/12/10/34-revision-v1/',0,'revision','',0),(539,2,'2022-01-24 14:46:11','2022-01-24 14:46:11','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06. –&nbsp;08.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-01-24 14:46:11','2022-01-24 14:46:11','',34,'https://elnazseyedi.com/2022/01/24/34-revision-v1/',0,'revision','',0),(541,2,'2022-01-24 14:52:00','2022-01-24 14:52:00','<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true <a rel=\"noreferrer noopener\" href=\"https://soundcloud.com/elnazseyedi\" target=\"_blank\">Elnaz Seyedi</a> · <a rel=\"noreferrer noopener\" href=\"https://soundcloud.com/elnazseyedi/frames-i\" target=\"_blank\">frames I</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2022-01-24 14:52:00','2022-01-24 14:52:00','',43,'https://elnazseyedi.com/2022/01/24/43-revision-v1/',0,'revision','',0),(543,2,'2022-01-24 14:56:57','2022-01-24 14:56:57','<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed /-->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2022-01-24 14:56:57','2022-01-24 14:56:57','',43,'https://elnazseyedi.com/2022/01/24/43-revision-v1/',0,'revision','',0),(545,2,'2022-01-24 15:02:34','2022-01-24 15:02:34','<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2022-01-24 15:02:34','2022-01-24 15:02:34','',43,'https://elnazseyedi.com/2022/01/24/43-revision-v1/',0,'revision','',0),(546,2,'2022-01-24 15:03:17','2022-01-24 15:03:17','<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2022-01-24 15:03:17','2022-01-24 15:03:17','',43,'https://elnazseyedi.com/2022/01/24/43-revision-v1/',0,'revision','',0),(547,2,'2022-01-24 15:06:13','2022-01-24 15:06:13','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – recentered</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2022-01-24 15:06:13','2022-01-24 15:06:13','',26,'https://elnazseyedi.com/2022/01/24/26-revision-v1/',0,'revision','',0),(549,2,'2022-04-28 19:21:07','2022-04-28 19:21:07','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-04-28 19:21:07','2022-04-28 19:21:07','',34,'https://elnazseyedi.com/2022/04/28/34-revision-v1/',0,'revision','',0),(551,2,'2022-04-28 19:41:36','2022-04-28 19:41:36','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.06.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neuen Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-04-28 19:41:36','2022-04-28 19:41:36','',34,'https://elnazseyedi.com/2022/04/28/34-revision-v1/',0,'revision','',0),(553,2,'2022-04-28 19:43:14','2022-04-28 19:43:14','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.06.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neuen Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-04-28 19:43:14','2022-04-28 19:43:14','',34,'https://elnazseyedi.com/2022/04/28/34-revision-v1/',0,'revision','',0),(555,2,'2022-04-28 19:45:24','2022-04-28 19:45:24','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – recentered</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2022-04-28 19:45:24','2022-04-28 19:45:24','',26,'https://elnazseyedi.com/2022/04/28/26-revision-v1/',0,'revision','',0),(556,2,'2022-05-02 09:32:52','2022-05-02 09:32:52','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke und Caspar Johannes Walter an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im  Kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie von Akademie der Künste in Berlin. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Acht Brücken Festival Köln, Festival Leicht über Linz and Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2022-05-02 09:32:52','2022-05-02 09:32:52','',6,'https://elnazseyedi.com/2022/05/02/6-revision-v1/',0,'revision','',0),(557,2,'2022-05-02 09:33:52','2022-05-02 09:33:52','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.06.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neuen Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-05-02 09:33:52','2022-05-02 09:33:52','',34,'https://elnazseyedi.com/2022/05/02/34-revision-v1/',0,'revision','',0),(558,2,'2022-06-25 12:42:17','2022-06-25 12:42:17','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neuen Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-06-25 12:42:17','2022-06-25 12:42:17','',34,'https://elnazseyedi.com/2022/06/25/34-revision-v1/',0,'revision','',0),(559,2,'2022-06-25 12:44:19','2022-06-25 12:44:19','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neuen Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-06-25 12:44:19','2022-06-25 12:44:19','',34,'https://elnazseyedi.com/2022/06/25/34-revision-v1/',0,'revision','',0),(562,2,'2022-07-11 12:31:12','2022-07-11 12:31:12','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neuen Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absoluttrio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-07-11 12:31:12','2022-07-11 12:31:12','',34,'https://elnazseyedi.com/2022/07/11/34-revision-v1/',0,'revision','',0),(564,2,'2022-07-11 12:34:26','2022-07-11 12:34:26','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neuen Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshafen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-07-11 12:34:26','2022-07-11 12:34:26','',34,'https://elnazseyedi.com/2022/07/11/34-revision-v1/',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (566,2,'2022-08-22 14:30:27','2022-08-22 14:30:27','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-08-22 14:30:27','2022-08-22 14:30:27','',34,'https://elnazseyedi.com/2022/08/22/34-revision-v1/',0,'revision','',0),(568,2,'2022-08-22 14:46:16','2022-08-22 14:46:16','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble zone Experimental; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München    </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble zone Experimental; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-08-22 14:46:16','2022-08-22 14:46:16','',34,'https://elnazseyedi.com/2022/08/22/34-revision-v1/',0,'revision','',0),(569,2,'2022-08-22 14:47:28','2022-08-22 14:47:28','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München    </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-08-22 14:47:28','2022-08-22 14:47:28','',34,'https://elnazseyedi.com/2022/08/22/34-revision-v1/',0,'revision','',0),(571,2,'2022-08-22 14:50:43','2022-08-22 14:50:43','<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – recentered</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2022-08-22 14:50:43','2022-08-22 14:50:43','',26,'https://elnazseyedi.com/2022/08/22/26-revision-v1/',0,'revision','',0),(572,2,'2022-12-16 15:26:30','2022-12-16 15:26:30','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-12-16 15:26:30','2022-12-16 15:26:30','',34,'https://elnazseyedi.com/2022/12/16/34-revision-v1/',0,'revision','',0),(574,2,'2022-12-16 15:38:29','2022-12-16 15:38:29','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-12-16 15:38:29','2022-12-16 15:38:29','',34,'https://elnazseyedi.com/2022/12/16/34-revision-v1/',0,'revision','',0),(576,2,'2022-12-16 16:09:33','2022-12-16 16:09:33','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Luzern Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-12-16 16:09:33','2022-12-16 16:09:33','',34,'https://elnazseyedi.com/2022/12/16/34-revision-v1/',0,'revision','',0),(578,2,'2022-12-16 16:11:00','2022-12-16 16:11:00','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Luzern Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2022-12-16 16:11:00','2022-12-16 16:11:00','',34,'https://elnazseyedi.com/2022/12/16/34-revision-v1/',0,'revision','',0),(580,2,'2022-12-16 16:22:04','2022-12-16 16:22:04','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der&nbsp;Bartels&nbsp;Fondation im  Kleinen Markgräflerhof in Basel. 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie von Akademie der Künste in Berlin. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Acht Brücken Festival Köln, Festival Leicht über Linz and Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2022-12-16 16:22:04','2022-12-16 16:22:04','',6,'https://elnazseyedi.com/2022/12/16/6-revision-v1/',0,'revision','',0),(582,2,'2022-12-16 16:25:36','2022-12-16 16:25:36','<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><li>Fassung für Streichtrio (2019)</li><li>Fassung für Streichquartett (2018/19)</li></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2022-12-16 16:25:36','2022-12-16 16:25:36','',26,'https://elnazseyedi.com/2022/12/16/26-revision-v1/',0,'revision','',0),(585,2,'2023-01-09 09:49:17','2023-01-09 09:49:17','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.03.2022</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Luzern Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-01-09 09:49:17','2023-01-09 09:49:17','',34,'https://elnazseyedi.com/2023/01/09/34-revision-v1/',0,'revision','',0),(587,2,'2023-01-09 09:51:28','2023-01-09 09:51:28','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.03.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-01-09 09:51:28','2023-01-09 09:51:28','',34,'https://elnazseyedi.com/2023/01/09/34-revision-v1/',0,'revision','',0),(591,2,'2023-03-07 09:45:55','2023-03-07 09:45:55','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.03.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Open Studio</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>30.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konzerthaus, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble unitedberlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rainy Days, Luxembourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-03-07 09:45:55','2023-03-07 09:45:55','',34,'https://elnazseyedi.com/?p=591',0,'revision','',0),(592,2,'2023-03-07 09:48:34','2023-03-07 09:48:34','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Open Studio</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>30.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konzerthaus, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble unitedberlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rainy Days, Luxembourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-03-07 09:48:34','2023-03-07 09:48:34','',34,'https://elnazseyedi.com/?p=592',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (593,2,'2023-03-07 09:49:14','2023-03-07 09:49:14','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Open Studio</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>30.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Konzerthaus, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble unitedberlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rainy Days, Luxembourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-03-07 09:49:14','2023-03-07 09:49:14','',34,'https://elnazseyedi.com/?p=593',0,'revision','',0),(595,2,'2023-04-11 18:33:37','2023-04-11 18:33:37','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Open Studio</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rainy Days, Luxembourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-04-11 18:33:37','2023-04-11 18:33:37','',34,'https://elnazseyedi.com/?p=595',0,'revision','',0),(597,2,'2023-04-11 18:36:55','2023-04-11 18:36:55','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Open Studio</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rainy Days, Luxembourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-04-11 18:36:55','2023-04-11 18:36:55','',34,'https://elnazseyedi.com/?p=597',0,'revision','',0),(599,2,'2023-06-26 14:40:35','2023-06-26 14:40:35','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-06-26 14:40:35','2023-06-26 14:40:35','',34,'https://elnazseyedi.com/?p=599',0,'revision','',0),(600,2,'2023-06-26 14:41:05','2023-06-26 14:41:05','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-06-26 14:41:05','2023-06-26 14:41:05','',34,'https://elnazseyedi.com/?p=600',0,'revision','',0),(601,2,'2023-06-26 14:53:14','2023-06-26 14:53:14','<!-- wp:heading {\"level\":4} -->\n<h4>Die Zeiten – Versuch (über das Paradies)(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bariton und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>Questo che a notte balugina <strong>(2023)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Sopransaxophon, 2 Schlagzeuger, Harfe, Klavier, Akkordeon, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>The scream  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>Fassung für Streichtrio (2019)</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Fassung für Streichquartett (2018/19)</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2023-06-26 14:53:14','2023-06-26 14:53:14','',26,'https://elnazseyedi.com/?p=601',0,'revision','',0),(602,2,'2023-06-26 14:53:38','2023-06-26 14:53:38','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Zeiten – Versuch (über das Paradies)(2023)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bariton und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Questo che a notte balugina (2023)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Sopransaxophon, 2 Schlagzeuger, Harfe, Klavier, Akkordeon, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>The scream  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  (2022)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  (2021)</strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>Fassung für Streichtrio (2019)</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Fassung für Streichquartett (2018/19)</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2023-06-26 14:53:38','2023-06-26 14:53:38','',26,'https://elnazseyedi.com/?p=602',0,'revision','',0),(604,2,'2023-06-26 14:54:28','2023-06-26 14:54:28','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Zeiten – Versuch (über das Paradies)</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bariton und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Questo che a notte balugina </strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Sopransaxophon, 2 Schlagzeuger, Harfe, Klavier, Akkordeon, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>The scream  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss </strong> (2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>Fassung für Streichtrio (2019)</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Fassung für Streichquartett (2018/19)</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2023-06-26 14:54:28','2023-06-26 14:54:28','',26,'https://elnazseyedi.com/?p=604',0,'revision','',0),(605,2,'2023-06-26 15:02:29','2023-06-26 15:02:29','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im  Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie von Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Acht Brücken Festival Köln, Festival Leicht über Linz and Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2023-06-26 15:02:29','2023-06-26 15:02:29','',6,'https://elnazseyedi.com/?p=605',0,'revision','',0),(606,2,'2023-06-26 15:04:46','2023-06-26 15:04:46','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im  Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie von Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, festival Musik 21, Acht Brücken Festival Köln, Festival Leicht über Linz and Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2023-06-26 15:04:46','2023-06-26 15:04:46','',6,'https://elnazseyedi.com/?p=606',0,'revision','',0),(608,2,'2023-06-30 07:25:17','2023-06-30 07:25:17','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-06-30 07:25:17','2023-06-30 07:25:17','',34,'https://elnazseyedi.com/?p=608',0,'revision','',0),(610,2,'2023-07-25 21:36:04','2023-07-25 21:36:04','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie der Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Festival Musik 21, Acht Brücken Festival Köln, Festival Leicht über Linz und Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2023-07-25 21:36:04','2023-07-25 21:36:04','',6,'https://elnazseyedi.com/?p=610',0,'revision','',0),(612,2,'2023-07-25 21:38:38','2023-07-25 21:38:38','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-07-25 21:38:38','2023-07-25 21:38:38','',34,'https://elnazseyedi.com/?p=612',0,'revision','',0),(614,2,'2023-08-21 11:38:52','2023-08-21 11:38:52','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-08-21 11:38:52','2023-08-21 11:38:52','',34,'https://elnazseyedi.com/?p=614',0,'revision','',0),(615,2,'2023-08-21 11:39:39','2023-08-21 11:39:39','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Anja Kampmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-08-21 11:39:39','2023-08-21 11:39:39','',34,'https://elnazseyedi.com/?p=615',0,'revision','',0),(618,2,'2023-08-21 12:08:57','2023-08-21 12:08:57','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST – als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-08-21 12:08:57','2023-08-21 12:08:57','',34,'https://elnazseyedi.com/?p=618',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (620,2,'2023-08-21 12:16:16','2023-08-21 12:16:16','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST – als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Sarah Saviet, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Miako Klein, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-08-21 12:16:16','2023-08-21 12:16:16','',34,'https://elnazseyedi.com/?p=620',0,'revision','',0),(622,2,'2023-08-21 12:18:35','2023-08-21 12:18:35','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST – als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Sarah Saviet, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-08-21 12:18:35','2023-08-21 12:18:35','',34,'https://elnazseyedi.com/?p=622',0,'revision','',0),(624,2,'2023-11-14 11:03:20','2023-11-14 11:03:20','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-11-14 11:03:20','2023-11-14 11:03:20','',34,'https://elnazseyedi.com/?p=624',0,'revision','',0),(626,2,'2023-11-14 11:17:11','2023-11-14 11:17:11','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Kölln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-11-14 11:17:11','2023-11-14 11:17:11','',34,'https://elnazseyedi.com/?p=626',0,'revision','',0),(628,2,'2023-11-14 11:33:18','2023-11-14 11:33:18','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der Fremde</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Juni/Juli 2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mannheimer Sommer, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nationaltheater Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2023-11-14 11:33:18','2023-11-14 11:33:18','',34,'https://elnazseyedi.com/?p=628',0,'revision','',0),(631,2,'2023-11-14 11:45:53','2023-11-14 11:45:53','{{unknown}}','','','publish','closed','closed','','d284a31c090f4bc4050ddbdf0db59210','','','2023-11-14 11:45:53','2023-11-14 11:45:53','',0,'https://elnazseyedi.com/2023/11/14/d284a31c090f4bc4050ddbdf0db59210/',0,'oembed_cache','',0),(632,2,'2023-11-14 11:50:55','2023-11-14 11:50:55','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https://www.youtube.com/watch?v=0U_WeBhPZjs\"} -->\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps://www.youtube.com/watch?v=0U_WeBhPZjs\n</div></figure>\n<!-- /wp:embed -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2023-11-14 11:50:55','2023-11-14 11:50:55','',43,'https://elnazseyedi.com/?p=632',0,'revision','',0),(634,2,'2023-11-14 11:53:57','2023-11-14 11:53:57','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:code -->\n<pre class=\"wp-block-code\"><code>&lt;iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=-QGhqlyJg0bnMfma\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>&lt;/iframe></code></pre>\n<!-- /wp:code -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2023-11-14 11:53:57','2023-11-14 11:53:57','',43,'https://elnazseyedi.com/?p=634',0,'revision','',0),(636,2,'2023-11-14 11:57:11','2023-11-14 11:57:11','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:code -->\n<pre class=\"wp-block-code\"><code>&lt;iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen>&lt;/iframe></code></pre>\n<!-- /wp:code -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2023-11-14 11:57:11','2023-11-14 11:57:11','',43,'https://elnazseyedi.com/?p=636',0,'revision','',0),(639,2,'2023-11-14 11:59:37','2023-11-14 11:59:37','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen></iframe>\n<!-- /wp:embed -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2023-11-14 11:59:37','2023-11-14 11:59:37','',43,'https://elnazseyedi.com/?p=639',0,'revision','',0),(641,2,'2023-11-14 12:01:33','2023-11-14 12:01:33','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2023-11-14 12:01:33','2023-11-14 12:01:33','',43,'https://elnazseyedi.com/?p=641',0,'revision','',0),(644,2,'2024-01-31 20:42:08','2024-01-31 20:42:08','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.03.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-01-31 20:42:08','2024-01-31 20:42:08','',34,'https://elnazseyedi.com/?p=644',0,'revision','',0),(647,2,'2024-01-31 20:45:10','2024-01-31 20:45:10','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Dunst – als käme alles zurück</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für 2 Stimmen, Trompete, Posaune, 2 Schlagzeuger, E-Gitarre, Klavier und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Zeiten –&nbsp;Versuch (über das Paradies)</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bariton und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Questo che a notte balugina </strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Sopransaxophon, 2 Schlagzeuger, Harfe, Klavier, Akkordeon, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>The scream  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss </strong> (2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>Fassung für Streichtrio (2019)</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Fassung für Streichquartett (2018/19)</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2024-01-31 20:45:10','2024-01-31 20:45:10','',26,'https://elnazseyedi.com/?p=647',0,'revision','',0),(648,2,'2024-04-16 16:01:21','2024-04-16 16:01:21','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30–31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>15.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-04-16 16:01:21','2024-04-16 16:01:21','',34,'https://elnazseyedi.com/?p=648',0,'revision','',0),(650,2,'2024-04-23 13:08:04','2024-04-23 13:08:04','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30–31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>15.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-04-23 13:08:04','2024-04-23 13:08:04','',34,'https://elnazseyedi.com/?p=650',0,'revision','',0),(652,2,'2024-05-03 13:29:24','2024-05-03 13:29:24','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30–31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Neues Werk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>15.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-05-03 13:29:24','2024-05-03 13:29:24','',34,'https://elnazseyedi.com/?p=652',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (654,2,'2024-07-18 17:23:29','2024-07-18 17:23:29','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-07-18 17:23:29','2024-07-18 17:23:29','',34,'https://elnazseyedi.com/?p=654',0,'revision','',0),(656,2,'2024-07-18 17:25:08','2024-07-18 17:25:08','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente über/unter drucl</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>11.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reiss-Engelhorn Museen, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-07-18 17:25:08','2024-07-18 17:25:08','',34,'https://elnazseyedi.com/?p=656',0,'revision','',0),(658,2,'2024-07-18 17:30:51','2024-07-18 17:30:51','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>11.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reiss-Engelhorn Museen, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-07-18 17:30:51','2024-07-18 17:30:51','',34,'https://elnazseyedi.com/?p=658',0,'revision','',0),(659,2,'2024-09-25 22:01:54','2024-09-25 22:01:54','','csm_WER_6444_2_Elnaz_Seyedi_Cover_12cm_RGB_ad9fa2596e','','inherit','open','closed','','csm_wer_6444_2_elnaz_seyedi_cover_12cm_rgb_ad9fa2596e','','','2024-09-25 22:01:54','2024-09-25 22:01:54','',13,'http://elnazseyedi.com/wp-content/uploads/2024/09/csm_WER_6444_2_Elnaz_Seyedi_Cover_12cm_RGB_ad9fa2596e.jpg',0,'attachment','image/jpeg',0),(660,2,'2024-09-25 22:01:59','2024-09-25 22:01:59','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>New CD </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>a sun of one\'s own</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\",\"align\":\"center\"} -->\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":659,\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2024/09/csm_WER_6444_2_Elnaz_Seyedi_Cover_12cm_RGB_ad9fa2596e-1024x1015.jpg\" alt=\"\" class=\"wp-image-659\"/></figure>\n<!-- /wp:image --></figure>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2024-09-25 22:01:59','2024-09-25 22:01:59','',13,'https://elnazseyedi.com/?p=660',0,'revision','',0),(661,2,'2024-09-25 22:03:09','2024-09-25 22:03:09','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>New CD </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\" data-type=\"URL\" data-id=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\">a sun of one\'s own</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\",\"align\":\"center\"} -->\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":659,\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2024/09/csm_WER_6444_2_Elnaz_Seyedi_Cover_12cm_RGB_ad9fa2596e-1024x1015.jpg\" alt=\"\" class=\"wp-image-659\"/></figure>\n<!-- /wp:image --></figure>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2024-09-25 22:03:09','2024-09-25 22:03:09','',13,'https://elnazseyedi.com/?p=661',0,'revision','',0),(662,2,'2024-09-25 22:03:26','2024-09-25 22:03:26','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>New CD </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\" data-type=\"URL\" data-id=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\">a sun of one\'s own</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\",\"align\":\"center\"} -->\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":659,\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2024/09/csm_WER_6444_2_Elnaz_Seyedi_Cover_12cm_RGB_ad9fa2596e-1024x1015.jpg\" alt=\"\" class=\"wp-image-659\"/></figure>\n<!-- /wp:image --></figure>\n<!-- /wp:gallery -->','','','inherit','closed','closed','','13-revision-v1','','','2024-09-25 22:03:26','2024-09-25 22:03:26','',13,'https://elnazseyedi.com/?p=662',0,'revision','',0),(663,2,'2024-09-25 22:04:51','2024-09-25 22:04:51','<!-- wp:paragraph -->\n<p> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>New CD </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\" data-type=\"URL\" data-id=\"https://www.podium-gegenwart.de/foerderprojekte/komponieren/edition-zeitgenoessische-musik/alle-cds/elnaz-seyedi\">a sun of one\'s own</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:gallery {\"linkTo\":\"none\",\"align\":\"center\"} -->\n<figure class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped\"><!-- wp:image {\"id\":659,\"linkDestination\":\"none\"} -->\n<figure class=\"wp-block-image\"><img src=\"https://elnazseyedi.com/wp-content/uploads/2024/09/csm_WER_6444_2_Elnaz_Seyedi_Cover_12cm_RGB_ad9fa2596e-1024x1015.jpg\" alt=\"\" class=\"wp-image-659\"/></figure>\n<!-- /wp:image --></figure>\n<!-- /wp:gallery -->','News','','inherit','closed','closed','','13-revision-v1','','','2024-09-25 22:04:51','2024-09-25 22:04:51','',13,'https://elnazseyedi.com/?p=663',0,'revision','',0),(664,2,'2024-09-25 22:09:31','2024-09-25 22:09:31','{{unknown}}','','','publish','closed','closed','','76273c15b03ba8f424802d5349a62005','','','2024-09-25 22:09:31','2024-09-25 22:09:31','',0,'https://elnazseyedi.com/2024/09/25/76273c15b03ba8f424802d5349a62005/',0,'oembed_cache','',0),(665,2,'2024-09-25 22:09:36','2024-09-25 22:09:36','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der Bartels Fondation im Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie der Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde, 2025 Artist in Residence in Villa Waldberta in München und Aufenthaltsstipendium des Deutschen Studienzentrum in Venedig. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Festival Musik 21, Acht Brücken Festival Köln, Festival Leicht über Linz und Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Porträtfilm bei Podium Gegenwart: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https://www.youtube.com/embed/mNj0PN4qkFY\",\"type\":\"rich\",\"providerNameSlug\":\"embed-handler\",\"responsive\":true} -->\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler\"><div class=\"wp-block-embed__wrapper\">\nhttps://www.youtube.com/embed/mNj0PN4qkFY\n</div></figure>\n<!-- /wp:embed -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2024-09-25 22:09:36','2024-09-25 22:09:36','',6,'https://elnazseyedi.com/?p=665',0,'revision','',0),(667,2,'2024-09-25 22:17:34','2024-09-25 22:17:34','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der&nbsp;Bartels&nbsp;Fondation im Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie der Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde, 2025 Artist in Residence in Villa Waldberta in München und Aufenthaltsstipendium des Deutschen Studienzentrum in Venedig. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Festival Musik 21, Acht Brücken Festival Köln, Festival Leicht über Linz und Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Porträtfilm bei Podium Gegenwart: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<iframe width=\"859\" height=\"483\" src=\"https://www.youtube.com/embed/mNj0PN4qkFY\" title=\"Porträtfilm Elnaz Seyedi\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen></iframe>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2024-09-25 22:17:34','2024-09-25 22:17:34','',6,'https://elnazseyedi.com/?p=667',0,'revision','',0),(668,2,'2024-09-25 22:18:08','2024-09-25 22:18:08','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der&nbsp;Bartels&nbsp;Fondation im Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie der Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde, 2025 Artist in Residence in Villa Waldberta in München und Aufenthaltsstipendium des Deutschen Studienzentrum in Venedig. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Festival Musik 21, Acht Brücken Festival Köln, Festival Leicht über Linz und Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Porträtfilm bei Podium Gegenwart: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><iframe width=\"859\" height=\"483\" src=\"https://www.youtube.com/embed/mNj0PN4qkFY\" title=\"Porträtfilm Elnaz Seyedi\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"></iframe></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-revision-v1','','','2024-09-25 22:18:08','2024-09-25 22:18:08','',6,'https://elnazseyedi.com/?p=668',0,'revision','',0),(670,2,'2024-09-25 22:25:39','2024-09-25 22:25:39','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3></h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>11.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reiss-Engelhorn Museen, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>05.11.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gazm.jimdosite.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Göttinger Abende zeitgenössischer Musik</a>, Werkraum, Göttingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Die Stimmen, die mich denken – </h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19:00Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Anton Wassiljew und Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-09-25 22:25:39','2024-09-25 22:25:39','',34,'https://elnazseyedi.com/?p=670',0,'revision','',0),(672,2,'2024-09-25 22:30:17','2024-09-25 22:30:17','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3></h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>11.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reiss-Engelhorn Museen, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tage Neuer Musik, Izmir</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>05.11.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gazm.jimdosite.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Göttinger Abende zeitgenössischer Musik</a>, Werkraum, Göttingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Die Stimmen, die mich denken – </h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19:00Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Anton Wassiljew und Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-09-25 22:30:17','2024-09-25 22:30:17','',34,'https://elnazseyedi.com/?p=672',0,'revision','',0),(673,2,'2024-09-25 22:30:42','2024-09-25 22:30:42','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3></h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>11.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reiss-Engelhorn Museen, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tage Neuer Musik, Izmir</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>05.11.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gazm.jimdosite.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Göttinger Abende zeitgenössischer Musik</a>, Werkraum, Göttingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Die Stimmen, die mich denken </h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>– ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19:00Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Anton Wassiljew und Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-09-25 22:30:42','2024-09-25 22:30:42','',34,'https://elnazseyedi.com/?p=673',0,'revision','',0),(675,2,'2024-09-25 22:33:29','2024-09-25 22:33:29','<!-- wp:heading -->\n<h2>Upcoming events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3></h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>CD Release</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Edition Zeitgenössische Musik, Podium Gegenwart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Co-Produktion: Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.09.2024; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stiftung Bartels Fondation, zum Kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2024</em>; 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.09.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Amsterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>07.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rotterdam</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25 Jahre Edition Juliane Klein, Kunstpunkt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>11.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Reiss-Engelhorn Museen, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwsichen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>20.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sendesaal, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>25.10.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zuhören in Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LÀRT POUR LÀRT</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>28.10.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tage Neuer Musik, Izmir</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>03.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>NOW! Festival, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>05.11.2024, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gazm.jimdosite.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Göttinger Abende zeitgenössischer Musik</a>, Werkraum, Göttingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolai Kirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>questa che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>10.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K; Gerald Eckert, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Die Stimmen, die mich denken </h3>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>– ein gewöhnliches hysterisches Solostück</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>17.11.2024; 19:00Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Biennale aktueller Musik, Schwankhalle, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Siddhii Lagrutta, Stimme; Anton Wassiljew und Elnaz Seyedi, Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>eine Animationsdokumentation von Irina Rubina , Work in Progress</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>23.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufnahme von Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>29.11.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Duo Stock/Wettin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Past events:</h2>\n<!-- /wp:heading -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>08.09.2024, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saalquin Konzertsaal Hochschule Luzern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble des Lucerne Festival Contemporary Orchestra (LFCO)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>31.07.2024; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Église de St-Aurélie, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martínez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.07.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2 - (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>30.06.2024; 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>vineum bodensee, Veranstaltungssaal, Meersburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mitglieder des Ensemble Modern und des IEMA-Ensemble 2023/24</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>29.06.202</em>4</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bartels Foundation Jubiläum, Rheinatelier zum kleinen Markgräflerhof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>27.06.2024</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jonas Tschanz, Saxophon; Olivia Steimel, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>25.06.2024, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Broken Frames Syndicate; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a Possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2024</em>; 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zwinger 1, Heidelberg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; David Eggert, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alexaner Silva, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Komponistengespräch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.05.2024</em>; 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wagner Kosmos, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Trossingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Lautaro Mura, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.03.2024</em>, 11:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festspielhaus Hellerau, Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Courage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Akademie der Künste, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Mosaik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen –&nbsp;Sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.03.2024</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2024</em>, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>National Concert Hall, Dublin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zöllner/Roche Duo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.01.2024</em>, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Heimathafen Neukölln, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Sarah Saviet, Violine; Susanne Fröhlich, Paetzoldflöte; Michael Schröder, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2024</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ultraschall Festival, Haus des Rundfunks, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rundfunk-Sinfonieorchester Berlin; Vladimir Jurowski, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.12.2023</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>HörenSehen, Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johannes Haase, Violine; Susanne Fröhlich, Paetzoldflöte; Rie Watanabe, Objekte; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2023</em>, 16:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SONIC MATTER, Kunstraum Walcheturm, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamriko Kordzaia, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Zentrale Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS: and the trees will ask the wind.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.11.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik21, Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'ART POUR L\'ART</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seth Josel, Gitarre; Susanne Zapf, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Christine Paté, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>absolute snow</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.10.2023</em>, 18:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Zentrum für Aktuelle Kunst auf der Zitadelle Spandau, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Matthias Badczong, Klarinette; Samuel Stoll, Horn; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aberdeen, Sound Festival , Schottland</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>DUNST –&nbsp;als käme alles zurück.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Anja Kampfmann, Text; Iris Drögekamp, Dramaturgie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2023</em>, 11:00Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mozartsaal, Donaueschinger Musiktage, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Einat Araonstein, Birte Schnöink, Stimme; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gesellschaft für Neue Musik, Mannheim</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.09.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Würzburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christian Dierstein, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2023</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>St. Nicolai-Kirche Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2023</em>, 12:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel, James Chan-A-Sue, Videoproduktion</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi und Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.09.202</em>3, 12:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Otte, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>die Zeiten –&nbsp;Versuch (über das Paradies)</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.08.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lucerne Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Äneas Humm, Bariton; Renate Rohlfing, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3><strong>Der Fremde – Musikalische Momente aus dem gleichnamigen Roman von Albert Camus</strong></h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Mit Ehsan Khatibi, Johannes Abel und Astrid Schmeling</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.202</em>3, 20:30 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lukas, Ahrenshoop</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Astrid Schmeling, Flöte; Ehsan Khatibi und Elnaz Seyedi, Konzept und Komposition; Johannes Abel, Konzept und Textbearbeitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.07.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Folkwang Universität der Künste</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Shuizi Tong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Fassung für Harfe und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Richard Putz, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far way</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2023</em>, 14 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Open Studio Akademie der Künste, Hanseatenweg 10, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stream der Videoproduktion mit Tobias Klich, Gitarre; Sèverine Ballon, Violoncello, Chengwen Chen, Videozuspiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Don Bosco, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>aDevantgarde-Festival, München&nbsp;&nbsp;&nbsp;&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A – IZZM Klagenfurt, Konzerthaus Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>der kleine schwarze Fisch</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Thierry Tidrow (Komposition) und Justo Moret (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2023</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bürger*innen Oper im Rahmen von we DO Opera!, Theater Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ruth Katharina Peek, musikalische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Questo che a notte balugina UA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.06.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ATTACCA Festival, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Zone Expérimentale; Marcus Weiss, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.05.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eigenzeit Festival, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Toca´M Tortosa, Catalonia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.04.202</em>3, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.04.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Transient Festival, Kronenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug; Maxine Troglauer, Posaune</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Osterfestival, Tirol</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.03.202</em>3</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern; Corinna Niemeyer, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.01.202</em>3, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Ekkehard Windrich, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.202</em>3, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.01.2023</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vittoria Quartararo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>7 Verse aus Ton</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.11.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Michael Maria Kasper, Violoncello Piccollo; Eva Böcker, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.11.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Schwere Reiter, München</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble der/gelbe/klang; Armando Merino, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.202</em>2, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>PULSE</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musiculum, Kiel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.202</em>2, 16:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>12.10.202</em>2, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musik für den Deutschen Pavillon bei der 58. Int. Kunstausstellung La Biennale di Venezia\"</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>09.10.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kulturkirche Liebfrauen, Duisburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble DEHIO</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fileds of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.10.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teatre del Sarrià, Barcelona, Spain</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Carolina Santiago Martinez, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Musik 21, Wilhelmshaven</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.09.202</em>2</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Auditorio Fabio Lozano, Bogotá , Colombia</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2022</em>, 18:00 Uhr und 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Soundlinks Festival, Orangerie Theater, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine; Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.202</em>2, 21:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikfestival, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Benjamin Fischer, Oboe; Kilian Schwoon, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>dazwischen als statischer Sonderfall</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tabak Quartier, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3> a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.07.202</em>2, 18:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Sommer in Stuttgart, Halle T7, Theaterhaus, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fließende Räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.07.202</em>2, 13:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für Gestaltung, Vortragssaal, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Absolut Trio; Peter Färber, Technische Leitung; Junghae Lee, künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a mark of our breath</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kölner Philharmonie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>WDR Sinfonieorchester; Ltg.: Cristian Măcelaru </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.06.202</em>2, 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble L\'art pour L\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time –&nbsp;2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.05.2022</em>, 20:15 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Arp Museum Bahnhof Rolandseck ,Remagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.05.202</em>2, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus der Deutschen Ensemble Akademie, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.05.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Seilerbahn, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.05.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wittener Tage für Neue Kammermusik, Saalbau, Witten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.04.2022</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Blaue Fabrik Dresden</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mauricio Galeno, Gitarre; Rui Antunes, Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2022</em>, 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Oper, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS –&nbsp;nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>nun, die schwer kriechende Welle der Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.03.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dampfzentrale, Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Huber, André Thomet, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>PS – nach Spuren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Musiktheater in Zusammenarbeit mit Ehsan Khatibi (Komposition) und Lea Letzel (Inszenierung)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>26.03.2022, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Miako Klein, Paezold Flöte; Sarah Saviet, Violine ; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.02.2022</em>, 20 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nebenweg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.02.2022</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tanzfaktur, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ségolène de Beaufond, Violine, Tal Botvinik, E-Gitarre</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.02.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Oslo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.02.2022, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.01.2022</em>, 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ellen Fallowfield, Violoncello; Seth Josel, Gitarre </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>15.01.2022</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Frakzionen Festival, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Florian Hölscher; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.11.2021</em> (wegen COVID 19 abgesagt)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prag</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.11.2021</em>, 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christuskirche, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Modern Akademie; Peter Tilling, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2021</em>, 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.wienmodern.at/2021-hsinhuei-huang-solo-furrer-2-20211121-0700-reaktor-de\">Wien Modern</a>, Reaktor, Wien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hsin-Huei Huang; Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Unerhörte Musik, BKA Theater, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2021</em> , 17:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus Lauenburg/Elbe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.11.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christianskirche, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>OSJA</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2021</em>, 20:00</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liederhalle, Stuttgart</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ascolta; Nicholas Kok, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunststation Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble BRuCH</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>25.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>24.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>23.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>22.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.10.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble; Steven Loy, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – recentered</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Senza Ora – Ein unendlicher Klangraum, ein Musiktheaterabend von Désirée Meiser</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2021</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Diagonal ; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>10.10.2021</em>, 17:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.10.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Altes Forsthaus Habichtshorst, Winsen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time  – 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>10.09.2021</em> , 19:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musik 21, Kulturzentrum Faust, Hannover</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble l\'art pour l\'art</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.09.2021</em> , 19:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/en/events/zollner-roche-duo-silience/\">Gaudeamus Muziekweek</a>, TivoliVrendenburg - Cloud 9</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.08.2021</em> , 19:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lübeck</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Daniel Sorour, Violoncello; Chengwen Chen, Video </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.08.2021</em> , 20:30 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Davos Festival, Kongresszentrum, Talstrasse 49a, 7270 Davos Platz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Valeria Curti, Fagott; Friedrich Thiele, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.08.2021</em>  </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.08.2021</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-2be2890d-371f-4aa1-b340-9b004698aec1\">frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p id=\"block-f7ca7d25-5df8-4ce1-be12-4846432a32ff\"><em>27.06.202</em>1, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-deecf1e8-866b-4d11-89a6-82481a92a524\">Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p id=\"block-44c26ddc-53ec-4d70-a8ea-2674a3b6f682\">Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2021, 20:30 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, <a href=\"https://tritonus-verein.de/tritonus-festival-2020-21/\">tritonus Festival 2020/21 »ausbrechende Subjektivität«</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Ankersentrum (surviving in the ruinous ruin): Artist Talk</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.06.2021, 19:00 Uhr</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Goethe Institut Kansas City,  Online https://www.goethe.de/ins/us/en/sta/ppk/ver.cfm?fuseaction=events.detail&amp;event_id=22224615</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>SRF Kultur: Musik unserer Zeit</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Portrait: Nach neuen Meeren - Die Komponistin Elnaz Seyedi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Redaktion: Cécile Olshausen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>02.06.2021, 20:00 Uhr, Radio SRF 2 Kultur</em> </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>https://www.srf.ch/audio/musik-unserer-zeit/nach-neuen-meeren-die-komponistin-elnaz-seyedi?id=11982080</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Freiburger Gespräche zur Neuen Musik</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.05.2021, 17:00 Uhr</em>  Online</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stadtbibliothek Freiburg <a rel=\"noreferrer noopener\" href=\"https://global.gotomeeting.com/join/836555253\" target=\"_blank\"><strong>https://global.gotomeeting.com/join/836555253</strong></a>&nbsp; &nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.05.2021</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Atelier für Kunst und Philosophie, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lauschvisite, Montabaur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.04.2021</em>, 19:30 Uhr  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3 id=\"block-d8c9941f-60e1-4c30-a3e5-8ceedb4de13e\">abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, HörenSehen, Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.04.2021</em>, 17:00 Uhr livestream auf <a rel=\"noreferrer noopener\" href=\"http://www.tunscontemporans.ch\" target=\"_blank\">www.tunscontemporans.ch</a>&nbsp;</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bündner Kunstmuseum, <a href=\"http://ensemble-oe.ch/events/energie-3/\" data-type=\"URL\" data-id=\"http://ensemble-oe.ch/events/energie-3/\">Tuns Contemporans</a>, Chur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Ö!</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstverein Familie Montez, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.04.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mireia Vendrell</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.2021</em>  (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klagenfurt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neofoní Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>abs lu e   sn w</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.2021</em>, 20:00 Uhr, livestream</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BKA Theater, unerhörte Musik, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Radial</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2020</em>, 19:30 Uhr, </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>livestream aus Deutschlandfunk Köln im Rahmen des Festivals  Frau Musica Nova </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Garage</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2020</em>, 20:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstquartier Bethanien, Studio 1, Klangwerkstatt, Berlin</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble LUX:NM</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.11.2020</em>, 11:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naxoshalle, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragments inside</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.10.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Philharmonie Essen, NOW! Festival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Musikfabrik; Peter Rundel, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.10.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Künstlerhaus FAKTOR, Hamburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>sahar </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.10.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Art Plus, Donaueschingen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Saar Berger, Horn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>ps: and the trees will ask the wind</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.10.2020</em>, 17:00 Uhr (wegen COVID 19 verschoben)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Bludenzer Tage zeitgemäßer Musik, Bludenz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Faint Noise</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.10.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Nicolaikirche, Eckernförde</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunsthalle Düsseldorf</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2020</em>, 15:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Péniche belle fantaisie (3 quai de lóise), Paris</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mishi Stern, Violine; Robin Kirklar, Viola; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.07.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Liebighaus, Darmstädter Ferienkurse, Darmstadt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>String Quartet Nr. 2  – (un)frightened</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2020</em>, 19 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum für angewandte Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Isenburg Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>KunstKulturKirche Allerheiligen, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.06.2020, </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klang Festival, Copenhagen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.05.2020, 20:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen, tritonus Pfingstenfestival</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.05.2020, 16:00 Uhr</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Achtbrücken Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>City University, London</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Theater am Gleis, Winterthur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>TaG Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.05.2020</em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>BEAST FEAST, Birmingham</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>25.04.2020, 18:00 Uhr </em> (wegen COVID 19 verschoben) </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Märkisches Museum, Witten, <a href=\"https://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/\">Wittener Tage für Neue Kammermusik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>monochrome project</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one´s own – epilogue</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2020</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus Moholy -Nagy , Kurt Weill Fest, Dessau</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ronan Whittern, Fagott; Nathan Watts, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.02.2020, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://digital.eca.ed.ac.uk/dialogues/2020/01/15/zollner-roche-duo-24-feb-west-court-eca/\">Dialogues Festival</a>, Edinburgh</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>22<em>.02.2020</em>, 20:00 Uhr </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunstraum Walchetrum, Zürich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910 </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.02.2020, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, Pythagorean Triple</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Constantin Herzog, Kontrabass; Rie Watanabe, Schlagzeug; Roman Pfeifer, Inszenierung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>3 audible landscapes </h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.02.2020</em>, 20:00 Uhr</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jon Roskilly, Posaune; Dino Georgeton, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2020, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Radialsystem V, Berlin, <a href=\"https://ultraschallberlin.de/konzerte/\">Ultraschall Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Minguet Quartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Christina Hahn und Caroline Rohde, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.12.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst und Kultur Kirche, Frankfurt am Main, <a rel=\"noreferrer noopener\" href=\"https://www.kunstkulturkirche.de/musik/konzert/shortcuts/\" target=\"_blank\">shortcuts – Experiment und Begegnung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Clara Simarro, Harfe; Nathan Watts Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte - Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>alte Feuerwache, Werft Festival, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kommas Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität, Siegen, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Museum Night, Ex Teresa Arte Actual, Mexico City</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Heather Roche, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2019, 15:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gustav-Lübke-Museum, Hamm, <a rel=\"noreferrer noopener\" href=\"https://consord.net/aktuelles/\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.11.2019, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.11.2019, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Espace K, 10 rue du Hohwald, Strasbourg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hanatsu Miroir – spectacles de musique contemporaine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>21.11.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hochschule für Musik und Theater, Felix Mendelssohn-Saal, Hamburg, HÖRZU</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>consord – musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Historica Gewölbe, Montabaur,<a rel=\"noreferrer noopener\" href=\"http://www.lauschvisite.de/lauschvisiten/ferne-naehe/\" target=\"_blank\"> Lauschvisite # 11, Kultur im Keller</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eva Zöllner, Akkordeon; Anja Starke, Klarinette</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.11.2019 , 21:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roudaki Hall, Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin; Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.11.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleines Studio, Mozarteum University, Salzburg, <a rel=\"noreferrer noopener\" href=\"http://crossroads.moz.ac.at/session/concert-schallfeld-ensemble/\" target=\"_blank\">CrossRoads Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Schallfeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ILSHIN Hall, Seoul, Südkorea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Jeong, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time – 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.10.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Prism Chamber Music Festival, Hong Kong</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>EXORDIUM Ensemble</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>domicil, Dortmund,<a rel=\"noreferrer noopener\" href=\"https://domicil-dortmund.de/programm-details/ensemble-consord-h%c3%b6rzu-9427.html\" target=\"_blank\"> HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord</a>– musik für heute; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kleiner Saal der Hochschule für Musik und darstellende Kunst, Frankfurt am Main,<a rel=\"noreferrer noopener\" href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\"> IEMA - Prüfungskonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alte Feuerwache, Köln, <a rel=\"noreferrer noopener\" href=\"https://www.altefeuerwachekoeln.de/veranstaltung/konzert/914?month=201909\" target=\"_blank\">HÖRZU</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2019, 11:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Haus im Park, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.09.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Körber Forum, Hamburg, <a rel=\"noreferrer noopener\" href=\"https://www.koerber-stiftung.de/veranstaltungsuebersicht/2-x-hoeren-keine-angst-vor-elnaz-seyedi-2741\" target=\"_blank\">2 x hören, Körber Stiftung</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich; Gitarre, Daniel Soroud, Violoncello; Cheng-Wen Chen, Video; Anne Kussmaul, Moderation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.09.2019, 14:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>fragmente überunter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Galerie von Bartha, Basel, Zeiträume – <a href=\"http://zeitraeumebasel.com/de/2019/spielplan/de-reverberation-project\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale für Neue Musik und Architektur</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Boccherini</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.09.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule, Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://consord.net/aktuelles/\" target=\"_blank\" rel=\"noreferrer noopener\">consord – musik für heute</a>; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames II</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.09.2019, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://gaudeamus.nl/events/lunchpauzeconcert-iema-international-ensemble-modern-academy/\" target=\"_blank\" rel=\"noreferrer noopener\">Hertz – TivoliVredenburg, Gaudeamus Muziekweek</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Utrecht, Niederlande IEMA Ensemble 2018/19; Lucas Vis, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>11.08.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://theaterwillypraml.de/naxos-hallenkonzerte/\" target=\"_blank\" rel=\"noreferrer noopener\">Theater Willy Praml, Frankfurt am Main, Naxos Hallenkonzert</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19; Musashi Baba, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2<sup>nd</sup> Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org/events/\" target=\"_blank\" rel=\"noreferrer noopener\">Conservatorio Benedetto Marcello, Venedig, Konzert im Rahmen der Biennale Venedig</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.06.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>University Durham, UK</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche; Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Plantage 13, Bremen,<a rel=\"noreferrer noopener\" href=\"https://tritonus-verein.de/\" target=\"_blank\"> HörenSehen</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello; Elnaz Seyedi, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>11.05. – 24.11.2019</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://deutscher-pavillon.org\" target=\"_blank\" rel=\"noreferrer noopener\">Deutscher Pavillon</a> Biennale Venedig 2019</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.05.2019, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://mixturbcn.com/en/mixtur-2019\">Mixtur</a> Barcelona</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.05.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://h95.ch/veranstaltungen/2019-05-03-mikrotone-basel\">Mikrotöne Basel</a>, H95 Raum für Kultur</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Johannes Keller, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.internationale-em-akademie.de/de/kalender\" target=\"_blank\" rel=\"noreferrer noopener\">Frühlingskonzerte</a>, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.04.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Johnson Recital Hall, University of South Carolina, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Roya Farzaneh, Caroline Miller, Claudio Olivera</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a sun of one\'s own</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.04.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Universität Kassel, Konzertsaal des Instituts für Musik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kassel/IEMA Ensemble 2018/19</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.04.2019, 19:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Musik Nacht, Kleiner Saal der Hochschule für Musik und Darstellende Kunst, Frankfurt am Main</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Caroline Rohde, Christina Hahn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klangbrücke, Aachen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>03.04.19, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kunst-Station Sankt Peter, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Weststadthalle, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.04.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heliand Kirche, Dortmund</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>31.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikhochschule Münster</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>30.03.19, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Hangar 21, Detmold</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Stationen – Rückblicke, Erzählungen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Rudolf-Oetgerhalle, Bielefeld</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Vokalensemble Stationen – Stimmen aus NRW; Julia Mihály Künstlerische Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>über/unter druck</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.03.2019, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://delsolquartet.com/event/university-of-california-irvine-performance-illuminations/?instance_id=989\">Illumination</a>,\nUniversity of California – Irvine, USA</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Del Sol String Quartet</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.02.2019, 18:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MUMUTH, Kunstuniversität Graz, <a href=\"http://www.impuls.cc/festival-2019/182.html\" target=\"_blank\" rel=\"noreferrer noopener\">Impuls</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Paula Haeni; Jónas Ásgeir Ásgeirsson</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.02.2019, 17:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Saint-Blaise, Neuenburg</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2019, 10:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>JessTalks - music worth spreading, Interaktives Schulkonzert, Musikschule Riehen, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Jessica Horsley, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2018, 12:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://hcmf.co.uk/event/heather-roche-eva-zollner/\" target=\"_blank\" rel=\"noreferrer noopener\">Huddersfield Contemporary Music Festival</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.11.2018, 11:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://allerart-bludenz.at/btzm/\" target=\"_blank\" rel=\"noreferrer noopener\">Bludenzer Tage zeitgemäßer Musik</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche und Eva Zöllner</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>12.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.walcheturm.ch/program.php?VIEW_DETAILS=960&amp;session=\" target=\"_blank\" rel=\"noreferrer noopener\">Construct Radiate II, Walcheturm</a>, Zurich</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>07.11.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.druckereihalle.ch/events-ansicht-dh/events/construct-radiate-ii.html\">Construct Radiate II</a>, Druckereihalle Ackermannshof, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble neuverBand, Mike Svoboda, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.10.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Teheran Travellers,  <a href=\"https://www.konzerthaus.de/de/programm/ensemble-unitedberlin/3083\" target=\"_blank\" rel=\"noreferrer noopener\">Konzerthaus Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble unitedberlin, Catherine Larsen-Maguire, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.10.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.unerhoerte-musik.de/Dienstag_32_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Unerhörte Musik, BKA – Theater, Berlin</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>\"in den Lüften [ ] nicht eng\"</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><em>05.10.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Großer Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Delirium Ensemble; Wiktor Kociuban Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2018, 20:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.pgnm-festival.de/\" target=\"_blank\" rel=\"noreferrer noopener\">Biennale Aktueller Musik Bremen</a>Sendesaal Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble New Babylon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Naju International Contemporary Music Festival, Naju Culture &amp; Art Hall, Korea</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Dahee Joeng, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.ticketfly.com/purchase/event/1745196?utm_medium=ampOfficialEvent&amp;utm_source=fbTfly\" target=\"_blank\" rel=\"noreferrer noopener\">Dupont Underground  Washington DC</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alison Rowe, Violoncello; Mīng-Jùi Līu, Gitarre; Niloufar Nourbakhsh, Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.09.2018, 20:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2nd Tehran International Electronic Festival, Da Theater Teheran</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Yasaman Kimiavi, Oboe; Joachim Heintz, Klangregie</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>28.08.2018, 21:00 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.lagotrasimeno.de/pg.dettaglio.php?id=10&amp;cat=1&amp;tab_item=6&amp;tab_cat=68&amp;lang=de)\" target=\"_blank\" rel=\"noreferrer noopener\">musica insieme</a>, Chiesa della Madonna della Sbarra, Panicale, Italien</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth, Christina Hahn; Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>23.06.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Grosser Saal der Musikakademie Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel, Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.06.2018, 18:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.delianacademy.com/\" target=\"_blank\" rel=\"noreferrer noopener\">Delian Academy for New Music</a>, Mykonos, Greece</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Accanto</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.05.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.achtbruecken.de/de/programm/finalkonzert-des-kompositionswettbewerbs/120100\" target=\"_blank\" rel=\"noreferrer noopener\">Acht Brücken – Musik für Köln, Kunst-Station Sankt Peter, Köln</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierer Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2018, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.kulturforum-witten.de/kulturbuero/veranstaltungen-projekte/wittener-tage-fuer-neue-kammermusik/programm-2017/\" target=\"_blank\" rel=\"noreferrer noopener\">Wittener Tage für Neue Kammermusik, Märkisches Museum, Witten</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>IEMA Ensemble 2017/18</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.04.2018</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://lugo.gal/sites/default/files/tripticos.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ciclo de Música Contemporánea, Lugo in Galicia</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aida Sigharian, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Looking back/forward</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>14.03.2018, 10 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Kammermusiksaal des Beethoven Haus, Bonn</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Elisabeth Wirth und Maximilian Volbers</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>08.03.2018, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Eastman School of Music, Rochester, New York</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Claudia Chan</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.03.2018, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.ensemble-reflexionk.de/Konzerte_2018.html\" target=\"_blank\" rel=\"noreferrer noopener\">Nicolaikirche, Eckernförde</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>ensemble reflexion K</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Im Wind voller Weltraum</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>01.02.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tamon Yashima, Oboe</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Behind the Seas</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 18 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://e-mex.de/frakzionen-2018-festival-fuer-zeitgenoessische-musik-in-der-kirche\" target=\"_blank\" rel=\"noreferrer noopener\">Frakzionen Festival, Zionskirche, Bielefeld</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble E-Mex</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>13.01.2018, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ewerk-freiburg.de/event/arts-birthday-2018-2\" target=\"_blank\" rel=\"noreferrer noopener\">Art´s Birthday, E-Werk, Freiburg</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>16.12.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Exploring Space</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.12.2017, 17 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Musikschule Wettingen Sonne</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>SchülerInnen der Musikschulklasse von Verena Wüsthoff</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Monolog</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.11.2017, 12:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.fhnw.ch/de/forschung-und-dienstleistungen/musik/hochschule-fuer-musik/veranstaltungen/studio31-abschlusstagung-24-25-11.2017\" target=\"_blank\" rel=\"noreferrer noopener\">Symposium Studio 31</a>, Neuer Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Stephen Menotti, Posaune; Christoph Prendl, Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>19.11.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://ensemble-phoenix.ch/agenda/sub/phoenix-ii-2\" target=\"_blank\" rel=\"noreferrer noopener\">Gare du Nord, Basel</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Showgh</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Verena Wüssthof und Lucia Mense, Blockflöten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.11.2017, 21 und 23 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Lange Nacht der Museen Köln, Artothek, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Museum für Moderne Kunst, Straßburg</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>26.10.2017, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Preisträgerkonzert Bernd-Alois-Zimmermann-Stipendium der Stadt Köln, Kunst-Station Sankt Peter, Köln</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.10.2017, 19:30</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>a very close look from far away</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tobias Klich, Gitarre; Ulrike Brand, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Behind the Seas</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Angela Postweiler, Sopran; Rowan Hamwood, Bassflöte; Daniel Lorenzo, Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Sense of a possibility</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Susanne Kabalan, Harfe; Marie Schmit, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><strong>Fragmente einer Erinnerung</strong></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>MAM. Manufaktur für Aktuelle Musik; Susanne Blumenthal, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.06.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.06.2017, 16 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>09.06.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>06.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Neue Aula der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Folkwang Modern; Eva Fodor, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.07.2017, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Kunst-Station Sankt Peter Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away; Behind the Seas; Sense of a possibility; Moorlandschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>04.07.2017, 17:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Inszeniertes Konzert in Zusammenarbeit mit der Szenographin Andrea Baglione, Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble AxisModula</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>02.07.2017, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://www.mehrklang-freiburg.de/kalender/archiv/termin/2017-07-02.html?tx_czsimplecal_pi1%5Border%5D=ASC&amp;tx_czsimplecal_pi1%5BarchiveYear%5D=2017&amp;tx_czsimplecal_pi1%5BendDate%5D=2018-01-01&amp;tx_czsimplecal_pi1%5Bevent%5D=702&amp;cHash=5d5e4703be31462fe232408d24bfa9ab\" target=\"_blank\" rel=\"noreferrer noopener\">\nMikrotonale Tonwelten, Augustinermuseum, Freiburg\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>24.09.2017, 13 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-3\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>22.09.2017, 22:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://zeitraeumebasel.com/de/de-composing-space-2\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Sense of a possibility</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>20.09.2017, 21 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><a href=\"http://zeitraeumebasel.com/de/de-composing-space-1\" target=\"_blank\" rel=\"noreferrer noopener\">\nZeiträume – Biennale für Neue Musik und Architektur, Parkhaus CIBA, Basel\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Alice Belugou, Harfe; Mathilde Raemy, Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>05.12.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Festival Leicht über Linz, Sonic Lab der Anton Bruckner Privatuniversität, Linz</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble asamisimasa</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>zwischen[t]räume</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>17.09.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\n<a href=\"http://www.hgnm.de/dastgah\" target=\"_blank\" rel=\"noreferrer noopener\">\nDASTGAH Festival für iranische zeitgenössische Kunst und Musik, Sprengelmuseum, Hannover\n</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Laboratorium; Lin Liao, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Postkarte – Landschaft mit Regenbogen</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>29.04.2016, 19:30 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Pina Bausch Theater der Folkwang Universität der Künste, Essen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble S201</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>27.04.2016, 19 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Klaus Linder Saal der Musikakademie, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsort Bern</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p><em>18.01.2016, 20 Uhr</em></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Studio Musikfabrik, Köln</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk</p>\n<!-- /wp:paragraph -->','Agenda','','inherit','closed','closed','','34-revision-v1','','','2024-09-25 22:33:29','2024-09-25 22:33:29','',34,'https://elnazseyedi.com/?p=675',0,'revision','',0),(676,2,'2024-09-25 22:34:56','2024-09-25 22:34:56','<!-- wp:paragraph -->\n<p>Elnaz Seyedi, geboren 1982 in Teheran, 2000-2005 Studium der Informatik an der Azad Universität Teheran, parallel dazu Unterricht in Klavier bei Ali Gorji und Farimah Ghawam-Sadri und in Musiktheorie und Komposition bei Alireza Mashayekhi. 2007-2017 Kompositionsstudium bei Younghi Pagh-Paan, Jörg Birkenkötter, Günter Steinke, Caspar Johannes Walter und Michael Reudenbach an der Hochschule für Künste Bremen, der Folkwang Universität der Künste Essen und der Hochschule für Musik Basel. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>2011 bis 2017 Stipendium der Friedrich-Ebert-Stiftung. 2016 DAAD Jahresstipendium im Fachbereich Musik. 2017 Preisträgerin des Kompositionswettbewerbs Phoenix Trabant in Basel und des Bernd Alois Zimmermann Stipendiums der Stadt Köln. 2018/19 Stipendiatin der internationalen Ensemble Modern Akademie (IEMA) in Frankfurt am Main, 2020 Aufenthaltsstipendium der&nbsp;Bartels&nbsp;Fondation im Kleinen Markgräflerhof in Basel, 2021 Aufenthaltsstipendium im Künstlerhof Schreyahn, 2. Preis beim Kompositionswettbewerb zu Albert Camus´ <em>Der Fremde</em> Nationaltheater Mannheim (zusammen mit Ehsan Khatibi und Johannes Abel), 2022 Aufenthaltsstipendium der Jungen Akademie der Akademie der Künste in Berlin, 2023 Aufenthaltsstipendium im Künstlerhaus Otte in Eckernförde, 2025 Artist in Residence in Villa Waldberta in München und Aufenthaltsstipendium des Deutschen Studienzentrum in Venedig. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Aufführungen u.a. im Rahmen der Donaueschinger Musiktage, Lucerne Festival, Wittener Tage für Neue Kammermusik, Wien Modern, Darmstädter Ferienkurse, Biennale Arte - La Biennale di Venezia, Gaudeamus Muziekweek Utrecht, Ultraschall Festival für Neue Musik Berlin, Huddersfield Contemporary Music Festival, Impuls Festival Graz, Zeiträume – Biennale für Neue Musik und Architektur Basel, Festival Mixtur Barcelona, Now! Festival Essen, Bludenzer Tage zeitgemäßer Musik, Biennale aktueller Musik Bremen, Festival Musik 21, Acht Brücken Festival Köln, Festival Leicht über Linz und Tehran Electroacoustic Music Festival.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ihre Werke erscheinen bei Edition Juliane Klein, Berlin. </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Porträtfilm bei Podium Gegenwart: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p><iframe width=\"859\" height=\"483\" src=\"https://www.youtube.com/embed/mNj0PN4qkFY\" title=\"Porträtfilm Elnaz Seyedi\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"></iframe></p>\n<!-- /wp:paragraph -->','Vita','','inherit','closed','closed','','6-autosave-v1','','','2024-09-25 22:34:56','2024-09-25 22:34:56','',6,'https://elnazseyedi.com/?p=676',0,'revision','',0),(677,2,'2024-09-25 22:40:33','2024-09-25 22:40:33','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:paragraph -->\n<p>a very close look from far away</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung; James Chan A-Sue, Dokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https://player.vimeo.com/video/973824782?badge=0\\u0026autopause=0\\u0026player_id=0\\u0026app_id=58479\"} -->\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps://player.vimeo.com/video/973824782?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\n</div></figure>\n<!-- /wp:embed -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2024-09-25 22:40:33','2024-09-25 22:40:33','',43,'https://elnazseyedi.com/?p=677',0,'revision','',0),(679,2,'2024-09-25 22:42:55','2024-09-25 22:42:55','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung; James Chan A-Sue, Dokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https://vimeo.com/973824782\"} -->\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps://vimeo.com/973824782\n</div></figure>\n<!-- /wp:embed -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2024-09-25 22:42:55','2024-09-25 22:42:55','',43,'https://elnazseyedi.com/?p=679',0,'revision','',0),(680,2,'2024-09-25 22:44:08','2024-09-25 22:44:08','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung; James Chan A-Sue, Dokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https://player.vimeo.com/video/973824782?badge=0\\u0026autopause=0\\u0026player_id=0\\u0026app_id=58479\"} -->\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps://player.vimeo.com/video/973824782?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\n</div></figure>\n<!-- /wp:embed -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2024-09-25 22:44:08','2024-09-25 22:44:08','',43,'https://elnazseyedi.com/?p=680',0,'revision','',0),(681,2,'2024-09-25 22:45:35','2024-09-25 22:45:35','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung; James Chan A-Sue, Dokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https://vimeo.com/973824782\"} -->\n<figure class=\"wp-block-embed\"><div class=\"wp-block-embed__wrapper\">\nhttps://vimeo.com/973824782\n</div></figure>\n<!-- /wp:embed -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2024-09-25 22:45:35','2024-09-25 22:45:35','',43,'https://elnazseyedi.com/?p=681',0,'revision','',0),(682,2,'2024-09-25 22:46:24','2024-09-25 22:46:24','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung; James Chan A-Sue, Dokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https://player.vimeo.com/video/973824782?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"a very close look from far away | Elnaz Seyedi\"></iframe></div><script src=\"https://player.vimeo.com/api/player.js\"></script>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2024-09-25 22:46:24','2024-09-25 22:46:24','',43,'https://elnazseyedi.com/?p=682',0,'revision','',0),(683,2,'2024-09-25 22:47:06','2024-09-25 22:47:06','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Koproduktion Deutscher Musikrat gGmbH und Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung; James Chan A-Sue, Dokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https://player.vimeo.com/video/973824782?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"a very close look from far away | Elnaz Seyedi\"></iframe></div><script src=\"https://player.vimeo.com/api/player.js\"></script>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2024-09-25 22:47:06','2024-09-25 22:47:06','',43,'https://elnazseyedi.com/?p=683',0,'revision','',0),(684,2,'2024-09-25 22:48:23','2024-09-25 22:48:23','<!-- wp:heading {\"level\":3} -->\n<h3>Glasfluss</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Vanessa Porter, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe width=\"560\" height=\"315\" src=\"https://www.youtube.com/embed/0U_WeBhPZjs?si=evUIBerGUn5r3xIY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>frames I</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Consord; Gordon Kampe, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe scrolling=\"no\" allow=\"autoplay\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1200862786&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\" frameborder=\"no\"></iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https://soundcloud.com/elnazseyedi\" title=\"Elnaz Seyedi\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Elnaz Seyedi</a> · <a href=\"https://soundcloud.com/elnazseyedi/frames-i\" title=\"frames I\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">frames I</a></div>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Felsen – unerklärlich.</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>monochrome project:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Laura Vukobratovič, Marco Blaauw, Rike Huy, Matthew Conley, Markus Schwind, Nathan Plante, Bob Koertshuis, Christine Chapman</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/hfyB2BrgrS8\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>a very close look from far away</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Koproduktion Deutscher Musikrat gGmbH und Deutschlandfunk</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Babak Vandad, Elnaz Seyedi, Vedio; Tobias Klich, Gitarre; Séverine Ballon, Violoncello; CHEN Chengwen, Videozuspielung;  James Chan A-Sue, Videodokumentation; Stephan Schmidt, Audiodokumentation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https://player.vimeo.com/video/973824782?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"a very close look from far away | Elnaz Seyedi\"></iframe></div><script src=\"https://player.vimeo.com/api/player.js\"></script>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>2910</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 19.02.2020, Alte Feuerwache Bremen</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Mirjam Schröder, Harfe; Rie Watanabe, Schlagzeug; Constantin Herzog, Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<iframe src=\"https://www.youtube.com/embed/o7HLVHwtV9Y\" title=\"YouTube video player\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"></iframe>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fields of Time - 2nd Field</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Trio Abstrakt:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Salim Javaid, Sopransaxophon; Marlies Debacker, Klavier; Angela Hui Wai-Nok, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/673188038&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Nach Neuen Meeren</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt vom 18.06.2019, Conservatorio Benedetto Marcello, Venedig</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Heather Roche, Klarinette; Eva Zöllner, Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/659734910&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Fragmente einer Erinnerung</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Ensemble hand werk: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Daniel Agi, Flöte; Heather Roche, Klarinette; Stefanie van Backlé, Violine; Niklas Seidl, Violoncello; Christoph Stöber, Klavier; Rie Watanabe, Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380203763&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>Detaillierter Blick</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Konzertmitschnitt von 19.11.2017, Gare du Nord, Basel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ensemble Phoenix Basel; Jürg Henneberger, Leitung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/486331047&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>durchsichtig, verzweigt</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Wohltemperiertes Cello Konsord Bern: </p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>David Eggert, Matthieu Gutbub, Zhou Yi, Violoncelli;<br> Francesca Naibo, Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:html -->\n<figure><iframe src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/380196692&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true\" width=\"100%\" height=\"166\"></iframe></figure>\n<!-- /wp:html -->\n\n<!-- wp:heading {\"level\":3} -->\n<h3>awakening</h3>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in tribute to whistle in Zusammenarbeit mit Natascha Süder Happelmann, Jessica Ekomane, Tisha Mukarji, Maurice Louca, DJ Marfox und Jako Maron.</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:image {\"id\":187} -->\n<figure class=\"wp-block-image\"><img src=\"http://elnazseyedi.com/new/wp-content/uploads/2019/11/6d1a86259e72aa108b8828cf07a815b9v1_max_460x345_b3535db83dc50e27c1bb1392364c95a2.jpg\" alt=\"\" class=\"wp-image-187\"/></figure>\n<!-- /wp:image -->\n\n<!-- wp:paragraph -->\n<p><a href=\"https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html\">https://www.deutschlandfunkkultur.de/biennale-venedig-klangkunst.3997.de.html</a></p>\n<!-- /wp:paragraph -->','Audio','','inherit','closed','closed','','43-revision-v1','','','2024-09-25 22:48:23','2024-09-25 22:48:23','',43,'https://elnazseyedi.com/?p=684',0,'revision','',0),(686,2,'2024-09-25 22:51:32','2024-09-25 22:51:32','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Stimmen, die mich denken – ein gewöhnliches hysterisches Solostück</strong>(2024)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>In Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Stimme und Live-Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Dunst –&nbsp;als käme alles zurück</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für 2 Stimmen, Trompete, Posaune, 2 Schlagzeuger, E-Gitarre, Klavier und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Zeiten –&nbsp;Versuch (über das Paradies)</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bariton und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Questo che a notte balugina </strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Sopransaxophon, 2 Schlagzeuger, Harfe, Klavier, Akkordeon, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>The scream  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss </strong> (2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:list {\"ordered\":true} -->\n<ol><!-- wp:list-item -->\n<li>Fassung für Streichtrio (2019)</li>\n<!-- /wp:list-item -->\n\n<!-- wp:list-item -->\n<li>Fassung für Streichquartett (2018/19)</li>\n<!-- /wp:list-item --></ol>\n<!-- /wp:list -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>awakening</strong> (2018/19)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in\nZusammenarbeit mit Natascha Süder Happelmann</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\nelektronische\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nach\nneuen Meeren</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlarinette und Akkordeon</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>\"in den Lüften [ ] nicht eng\"</strong> (2018)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nin\nZusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p> für Arciorgano, Klarinette, Akkordeon, Viola, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time – 2</strong><sup><strong>nd</strong></sup><strong> Field</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopransaxophon, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fields\nof Time</strong> (2018) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nKlavier Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Monolog</strong>\n(2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nMiniatur\nfür Posaune und Arciorgano</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Looking\nback/forward</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nzwei BlockflötistInnen im Raum \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Behind\nthe Seas</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSopran, Bassflöte und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Sense\nof a possibility</strong> (2017) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nHarfe und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Detaillierter\nBlick</strong> (2016/17) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Kontraforte, Trompete, Horn, Posaune,\nKlavier, 2 Violinen, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a\nvery close look from far away</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Gitarre, Violoncello und Video</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>zwischen[t]räume</strong>\n(2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe, Klarinette, Fagott, Trompete, Horn, Posaune, Klavier,\nSchlagzeug, Violine, Viola und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Postkarte\n– Landschaft mit Regenbogen</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Klarinette, Violoncello und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>durchsichtig,\nverzweigt</strong> (2016) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\ndrei Celli und Pedal Steel Guitar</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Fragmente\neiner Erinnerung</strong> (2015) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Violine, Violoncello, Klavier und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Seelenlandschaften\n</strong>(2012/13) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nVioline, Viola, 3 Celli, 2 Kontrabässe, 2 Posaunen und 2\nSchlagzeuger</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2\nSzenen aus dem Kindermusiktheater Frau Meier, die Amsel</strong> (2012) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n3 Stimmen, Klarinette, Horn, Viola, Violoncello, Kontrabass, Harfe\nund Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>900\nPusteblumen an Y.</strong>(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nAltflöte, Bassklarinette, Harfe, Violoncello und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Tiefblau</strong>\n(2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nSilbermannorgel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Es\nklingt aus dem tonlosen Los</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nKlanginstallation</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Im\nWind voller Weltraum</strong> (2010) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nOboe und Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nachtlied\n</strong>(2009/10) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\n5 Stimmen, Klarinette und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4>„<strong>Behalte\nden Flug im Gedächtnis“ </strong>(2009) \n</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nElektronische\nKlanginstallation \n</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Aus\nder Singularität </strong>(2007/08)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Klarinette, Fagott, Violine, Viola und Violoncello</p>\n<!-- /wp:paragraph -->','Werke','','inherit','closed','closed','','26-revision-v1','','','2024-09-25 22:51:32','2024-09-25 22:51:32','',26,'https://elnazseyedi.com/?p=686',0,'revision','',0),(688,2,'2024-09-25 22:52:29','2024-09-25 22:52:29','<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Stimmen, die mich denken –&nbsp;ein gewöhnliches hysterisches Solostück</strong>(2024)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Johannes Abel</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Stimme und Live-Elektronik</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Dunst –&nbsp;als käme alles zurück</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für 2 Stimmen, Trompete, Posaune, 2 Schlagzeuger, E-Gitarre, Klavier und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Die Zeiten –&nbsp;Versuch (über das Paradies)</strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bariton und Klavier</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Questo che a notte balugina </strong>(2023)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Sopransaxophon, 2 Schlagzeuger, Harfe, Klavier, Akkordeon, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>The scream  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>dazwischen als statischer Sonderfall  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Oboe, Klarinette, Klavier, Violine und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Glasfluss </strong> (2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Schlagzeug Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Nebenweg  </strong>(2022)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Elektrische Gitarre und Violine</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a mark of our breath  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Orchester</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>OSJA  </strong>(2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für den gleichnamigen Animationsfilm von Irina Rubina</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Trompete, Posaune, 2 Schlagzeuger, Klavier, E-Gitarre und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>7 Verse aus Ton</strong> (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Violoncello und Violoncello Piccollo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own</strong> (2019| 2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Bassklarinette, Fagott, Horn, Violine, Viola, Violoncello und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>abs lu e   sn w  – s metim s   I´d   se n,</strong>  (2021)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Klarinette, Horn und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>sahar</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Miniatur für Horn Solo</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragments inside</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Flöte, Klarinette, Horn, Klavier, Viola, Kontrabass und 4 Harry Partch´s Canons</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>ps: and the trees will ask the wind</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>in Zusammenarbeit mit Ehsan Khatibi</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für Kontrabass Paetzold Flöte, Violine, Objekten, Audio- und Videozuspielung</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>String Quartet Nr. 2    – (un)frightened</strong> (2020)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Streichquartett</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>Felsen </strong></h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>        <strong>– unerklärlich.</strong> (2020)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>für 8 Trompeten</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>a sun of one´s own – epilouge</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Fagott und Violoncello</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>3 audible landscapes</strong> (2019/20)</h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Posaune und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>2910</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>für Harfe, Kontrabass und Schlagzeug</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames II</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>\nfür\nFlöte, Oboe, Klarinette, Fagott, Horn, Trompete, Posaune,\nSchlagzeug, Klavier (2 Spieler), Violine, Viola, Violoncello und\nKontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>frames I</strong> (2019)  </h4>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p> für Flöte, Oboe, Klarinette, Fagott, Saxophon, Horn, Trompete, Posaune, Tuba, 2 Schlagzeuger, E-Gitarre, Klavier und Kontrabass</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading {\"level\":4} -->\n<h4><strong>fragmente über/unter druck</strong> (2018/19)  </h4>\n<!-- /wp:heading 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